German Studies in Canada – serie
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4 produkter
4 produkter
Häftad, Engelska, 1993
806 kr
Skickas inom 5-8 vardagar
Although they have yet to be treated together in a comparative study, Hugo von Hofmannsthal and Carl Sternheim had a number of points of convergence in their respective searches for a modern form for the serious comedy. This study documents the collegial relationship between the two authors - in part with previously unpublished archival material -, analyses their respective treatments of Moliere's comedies and places this in the context of Moliere's reception in the German-speaking countries since the 17th century. What emerges is a new view of the comedies of Hofmannsthal and Sternheim, which sees both dramatists applying the same technique of countermodelling Moliere's constellations of comedic figures - a modern critical re-appraisal of the traditional comedic type character.
Del 10 - German Studies in Canada
Orphische Weltanschauung Der Antike Und Ihr Erbe Bei Den Dichtern Nietzsche, Hoelderlin, Novalis Und Rilke
Häftad, Tyska, 1997
605 kr
Tillfälligt slut
Del 12 - German Studies in Canada
Suicide in the German Novel 1945-89
Häftad, Engelska, 2002
605 kr
Tillfälligt slut
Häftad, Engelska, 1996
583 kr
Tillfälligt slut
This study investigates 17th century documents of itinerant European actors and puppeteers who travelled to eastern outposts of German culture on the Baltic, especially to Reval/Tallinn, Estonia. Their petitions, heritage, routes and repertory are discussed. The book is intended for Germanists, European theatre historians, Baltic German scholars, artistic directors of theatres, and the English-only reader. Centuries-old archival material appears here for the first time: itinerant players' German petitions from Reval's Archives are reproduced in photographs, transcribed and analysed. Maps, comparative data of the players, and photographs of Reval's historical buildings are included. German transcriptions and English translations of the manuscripts provide valuable additions to the documentary history of the travelling stage. Discussion of the repertory includes a rare early 18th century playbill of a troupe called Die Hochteutschen Comoedianten who visited Mitau, Reval, Dorpat, Riga, and Stockholm. Aspects of Reval's cultural history during the Swedish era are discussed, giving colourful perspective to the itinerant players' theatre and the repertory tradition.Source materials in German and other languages and a bibliography about Baltic German history and the German theatre in Europe, especially Reval, are aids for further research about this long neglected topic. The reader is directed to many sources for studies in reception history in an essay by Tallinn's Kyra Robert in Appendix I. Comprehensive indices conclude the volume.