Marsilio – serie

A massive full-career retrospective for Arte Informale painter Emilio VedovaOne hundred years after his birth, Emilio Vedova examines the career of the Italian painter Emilio Vedova (1919–2006), best known for his role in the postwar Arte Informale movement. The book surveys Vedova’s career in terms of the artist’s investigations of line and gesture: from the lively, energetic landscape drawings of the 1930s through his progress toward increasingly expressive, materially inventive work—like the Plurimi of the 1960s, in which the artist broke up the surface of a picture into multiple pieces.The publication’s account of Vedova’s career is enriched by an extensive set of illustrations: images of the artist’s works, plus reproductions of his personal photographs, texts and archival material that flesh out the artist’s historical and artistic context. Emilio Vedova offers a comprehensive overview of the work of a pivotal figure in postwar Italian art.

Franco Angeli was one of the leading figures in the Italian art of the post-war period. Often labelled superficially as Pop, he is revealed here, through new documents and studies, as an artist who took a surprising and unprecedented approach to his work. He made his debut in the fifties in a still little-known experimental Roman laboratory where the new generations encountered the masters of Italian art.This book reconstructs the stylistic and artistic reciprocities and the relations of Angeli with his friends and colleagues up until the sixties, a time when, with his attainment of an existential image that was at the same time deeply polemical and provocative, his work developed along versatile lines, in an original dialogue with the international context.

An incomparable photographer with images from all over the world, Roiter started to take photographs in 1947. For twenty-five years, he preferred to use black and white, with an uncompromising formal and compositional rigor and a technique rooted in contrast, a technique he would continue to seek even in his later work with colour. The catalogue celebrates Fulvio Roiter with essays by Italo Zannier and Denis Curti and an anthology of writings on his art. The photographs are organized into thematic sections: Venice in Black and White, The Tree, Venice in Colour, Italy in Black and White, Around the World and A Man Without Desires.