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Marsilio – serie

Visar alla böcker i serien Marsilio. Handla med fri frakt och snabb leverans.

4 produkter

  1. Sileno Salvagnini, Chiara Mari, Luca Massimo Barbero - Osvaldo Licini, Häftad. Tillgänglighet: Lägg i varukorg

    Osvaldo Licini

    Let Sheer Folly Sweep Me Away

    Av Sileno Salvagnini, Chiara Mari m. fl.

    Häftad, 2019

    419 kr

    Lägg i varukorg

    Departing from his earlier figurative works and engagement with Futurist ideals, Italian painter Osvaldo Licini (1894–1958) turned away from realism in 1940 and painted only abstract works from then on. His paintings from that fruitful decision engage in a surrealist language of precise lines, …

  2. Germano Celant - Emilio Vedova, Inbunden. Tillgänglighet: Tillfälligt slut

    Emilio Vedova

    Av Germano Celant

    Inbunden, 2020

    652 kr

    Tillfälligt slut

    A massive full-career retrospective for Arte Informale painter Emilio VedovaOne hundred years after his birth, Emilio Vedova examines the career of the Italian painter Emilio Vedova (1919–2006), best known for his role in the postwar Arte Informale movement. The book surveys Vedova’s career in …

  3. Luca Massimo Barbero, Luca Massimo Barbero - Franco Angeli, Häftad. Tillgänglighet: Tillfälligt slut

    Franco Angeli

    The 60s

    Av Luca Massimo Barbero, Luca Massimo Barbero

    Häftad, 2018

    574 kr

    Tillfälligt slut

    Franco Angeli was one of the leading figures in the Italian art of the post-war period. Often labelled superficially as Pop, he is revealed here, through new documents and studies, as an artist who took a surprising and unprecedented approach to his work. He made his debut in the fifties in a still …

  4. Denis Curti, Denis Curti - Fulvio Roiter, Inbunden. Tillgänglighet: Tillfälligt slut

    Fulvio Roiter

    Photographs 1948-2007

    Av Denis Curti, Denis Curti

    Inbunden, 2018

    627 kr

    Tillfälligt slut

    An incomparable photographer with images from all over the world, Roiter started to take photographs in 1947. For twenty-five years, he preferred to use black and white, with an uncompromising formal and compositional rigor and a technique rooted in contrast, a technique he would continue to seek …