National Portrait Gallery – serie
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3 produkter
3 produkter
Inbunden, Engelska, 2024
150 kr
Skickas inom 5-8 vardagar
'What happens when Black artists depict Black figures? What art does this produce, and what worlds of possibility does this reveal?' - Ekow Eshun Reframing the Black Figure showcases more than 20 of the most important Black figurative artists working in the UK and US today. This visual giftbook introduces readers to the field of Black figuration by highlighting a selection of key works from the National Portrait Gallery exhibition, The Time is Always Now: Artists Reframe the Black Figure. Readers will encounter contemporary Black artists producing beautiful, urgent artworks that presents the Black form with nuance and depth. Richly illustrated with artworks and visual details, alongside short biographies for all featured artists, this accessible publication offers an opportunity for readers to experience some of the most exciting artworks depicting the Black form. Within this context, they take on a dual role, as the accomplished work of individual artists on the one hand, and as a collective assertion of Black presence on the other. Featured artists include Hurvin Anderson, Michael Armitage, Jordan Casteel, Njideka Akunyili Crosby, Noah Davis, Godfried Donkor, Kimathi Donkor, Denzil Forrester, Lubaina Himid, Claudette Johnson, Titus Kaphar, Kerry James Marshall, Toyin Ojih Odutola, Chris Ofili, Jennifer Packer, Thomas J. Price, Nathaniel Mary Quinn, Lorna Simpson, Amy Sherald, Henry Taylor and Barbara Walker.
Inbunden, Engelska, 2024
423 kr
Skickas inom 5-8 vardagar
Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In draws parallels between two of the most significant practitioners in the history of photography, presenting fresh research, rare vintage prints, and previously unseen archival works. 'I feel that photographs can either document and record reality or they can offer images as an alternative to everyday life: places for the viewer to dream in.' – Francesca Woodman, 1980 Living and working over a century apart, Julia Margaret Cameron (1815–1879) and Francesca Woodman (1958–1981) experienced very different ways of making and understanding photographs. Francesca Woodman and Julia Margaret Cameron: Portraits to Dream In accompanies the exhibition of the same name opening at the National Portrait Gallery, London, in March 2024. Spanning the careers of both artists, the beautifully illustrated catalogue includes their best-known photographs as well as less familiar images. The exhibition works are arranged into eight thematic sections with feature essays, offering an accessible, engaging opportunity to consider both artists in a new light. This publication presents the artists’ exploration of portraiture as a ‘dream space’. It makes new connections between their work, which pushed the boundaries of the photographic medium and experimented with ideas of beauty, symbolism, transformation and storytelling to produce some of art history’s most compelling and admired photographs.
Inbunden, Engelska, 2023
188 kr
Skickas inom 5-8 vardagar
David Hockney: Normandy Portraits accompanies a major exhibition on David Hockney at the National Portrait Gallery, London. It reveals new portraits painted in Hockney's Normandy Studio between 2020 and 2022. David Hockney: Normandy Portraits illustrates around 40 acrylic on canvas works painted by Hockney at his Normandy studio – depicting his friends and visitors, including his partner JP, pop-star sensation Harry Styles, and the artist himself. This image-led book product will showcase a series of some previously unseen portraits, through 48 pages, uninterrupted by text, to allow readers to engage directly with the artworks that will be on display at the National Portrait Gallery as well as some added exclusives. These works highlight the ongoing importance of portraiture within the artist’s practice and demonstrate his sentiment that ‘drawings and paintings … are a lot better than photographs to give you a sense of the person’. Hockney returned to painting after an intensive period spent depicting the Normandy landscape using an iPad. The portraits were painted quickly and directly onto the canvas without under drawing. As Hockney has said ‘to do a portrait slowly is a bit of a contradiction’.