Susquehanna University Press – serie
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10 produkter
10 produkter
Inbunden, Engelska, 1991
858 kr
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Inbunden, Engelska, 2008
707 kr
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Inbunden, Engelska, 2001
832 kr
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Inbunden, Engelska, 2002
832 kr
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Inbunden, Engelska, 1999
958 kr
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Essays include studies on Grave's literary criticism, new insights into his poetry and fiction, reflections on the origins of his White Goddess and examinations of the literary cross-currents that have pollinated his work. The essays draw on new biographical material and manuscripts that have come to light in the last ten years.
Inbunden, Engelska, 2000
626 kr
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Inbunden, Engelska, 2004
952 kr
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The White Goddess is the most remarkable work of an extraordinary writer. Presenting the personal mythology and poetic theories of Robert Graves, a major modern poet, it is essential reading for anyone concerned with poetry, myth, gender or religion, and has been a vital source of inspiration for poets and scholars ever since its appearance in 1948. The essays collected here survey the approaches currently undertaken toward analyzing and discussing The White Goddess as well as the opinions on the work of international scholars whose approaches include biography, cultural history, literary criticism, textual studies, and Celtic studies.
Inbunden, Engelska, 2002
832 kr
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Inbunden, Engelska, 2002
902 kr
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Inbunden, Engelska, 2005
888 kr
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In Elizabethan England, dramatists and painters were both achieving the greatest degree of artistic excellence yet witnessed, but they were also in a state of transition, vying for social status and patronage, as well as struggling against religious reformers' accusations of idolatry and eroticism. This interdisciplinary study brings to light the radical, inventive ways in which dramatists such as Shakespeare, Lyly, and Marston appropriated painting and subtly competed with painters to advance their own art and defend theater against Puritan attacks. They transformed painting into a provocative stage property and trope that enhanced the language of their scripts and the audience's imaginative participation in the drama. At the same time, they reflected a profound ambivalence towards painting by staging scenes with painters and pictures that emphasized the dangerous powers inherent in visual images and image-making, thus drawing attention to the controversial moral and social status of English painters during the Reformation. Marguerite Tassi is Associate Professor of English at the University of Nebraska-Kearney.