Twenty-First Century Perspectives – serie

This book is the first edited collection to focus on the work of contemporary author Hari Kunzru. It contains major new essays on each of his novels – The Impressionist, Transmission, My Revolutions, Gods Without Men, White Tears and Red Pill – as well as his short fiction and non-fiction writings. The collection situates Kunzru’s work within current debates regarding postmodernism, postcolonialism, and post-postmodernism, and examines how Kunzru’s work is central to major thematic concerns of contemporary writing including whiteness, national identity, Britishness, cosmopolitanism, music, space, memory, art practice, trauma, Brexit, immigration, covid-19, and populist politics. The book engages with current debates regarding the politics of publishing of ethnic writers, examining how Kunzru has managed to shape a career in resistance of narrow labelling where many other writers have struggled to achieve long-term recognition.

This is the first work of criticism to reappraise all of this leading transnational author’s film, television, short fiction and novel writing following his award of the Nobel Prize in 2017. Comprising contributions from world-leading Ishiguro scholars as well as new voices, the collection offers chapters devoted to each of the major works, each of which draws out thematic and stylistic connections with his body of work, both literary and filmic. This timely study, following the critical and popular success of his most recent fiction and his recognition by the Nobel committee, is the only comprehensive study of an author at the forefront of world literature.

Zadie Smith’s fiction reimagines subjectivity, relationality, and the conditions of contemporary life.This book offers a timely reassessment of her work, addressing identity, urban experience, and the category of the human. Moving beyond postcolonial and multiculturalist readings, it brings psychoanalytic, historical, symptomatic, and cultural materialist perspectives to bear across her novels, stories, essays, and plays. The collection explores how Smith’s characters, shaped by diverse backgrounds and settings, challenge fixed ideas of Britishness and personhood. It argues that her writing opens up a new ontological space—defined by fluid identities, shifting subjectivities, and evolving forms of relationality.By reconsidering both the human and the spatial in Smith’s work, the book makes a valuable contribution to contemporary literary criticism and to current thinking on narrative, identity, and urban life.

This is the first work of criticism to reappraise all of this leading transnational author’s film, television, short fiction and novel writing following his award of the Nobel Prize in 2017. Comprising contributions from world-leading Ishiguro scholars as well as new voices, the collection offers chapters devoted to each of the major works, each of which draws out thematic and stylistic connections with his body of work, both literary and filmic. This timely study, following the critical and popular success of his most recent fiction and his recognition by the Nobel committee, is the only comprehensive study of an author at the forefront of world literature.