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    1. Språk och ordböcker
    2. Språkundervisning och språkinlärning

    Telling Stories

    The Craft of Narrative and the Writing Life

    AvLee Martin

    Häftad, Engelska, 2017

    220 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    A prolific and award-winning writer, Lee Martin has put pen to paper to offer his wisdom, honed during thirty years of teaching the oh-so-elusive art of writing. Telling Stories is intended for anyone interested in thinking more about the elements of storytelling in short stories, novels, and memoirs. Martin clearly delineates helpful and practical techniques for demystifying the writing process and provides tools for perfecting the art of the scene, characterization, detail, point of view, language, and revision-in short, the art of writing. His discussion of the craft in his own life draws from experiences, memories, and stories to provide a more personal perspective on the elements of writing.Martin provides encouragement by sharing what he’s learned from his journey through frustrations, challenges, and successes. Most important, Telling Stories emphasizes that you are not alone on this journey and that writers must remain focused on what they love: the process of moving words on the page. By focusing on that purpose, Martin contends, the journey will always take you where you’re meant to go.

    Produktinformation

    • Utgivningsdatum:2017-10-01
    • Mått:152 x 229 x 15 mm
    • Vikt:396 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:258
    • Förlag:University of Nebraska Press
    • ISBN:9781496202024

    Utforska kategorier

    • Språkundervisning och språkinlärning inom Språk och ordböcker
    • Skrivande och redigering inom Språk och ordböcker
    • Kreativt skrivande inom Språk och ordböcker

    Mer om författaren

    Lee Martin is a distinguished professor of English and teaches creative writing at Ohio State University. He is the author of several books, including Such a Life (Nebraska, 2012), From Our House (Nebraska, 2009), The Bright Forever (finalist for the 2006 Pulitzer Prize for fiction), and Turning Bones (Nebraska, 2003).

    Recensioner i media

    “‘Why shouldn’t good writing be hard? It’s our attempt at salvation,’ Lee Martin says in this exceptional book. Martin, through craft lessons, exercises, and literary examples, helps writers discover salvation one carefully selected word at a time.”-Sue William Silverman, author of Fearless Confessions: A Writer’s Guide to Memoir“Lee Martin has long been one of my favorite writers of fiction and memoir, and now he’s one of my favorite writers of advice about the writer’s craft. Everyone who writes, or wants to, should read this wise and inspiring book.”-David Jauss, author of On Writing Fiction

    Innehållsförteckning

    • AcknowledgmentsIntroductionPart 1. Structure: Once upon a TimeWriting the Opening of a Short StoryJuggling Balls: An Exercise for Opening a Short StoryUsing Mystery to Open Your StoryTrouble? I’ve Seen TroubleMaking a SceneThe Inevitable SurpriseFraming the StoryCharacter and IncidentI Didn’t Expect ThatOne Way to Structure a MemoirOrganizing the MemoirThe Layers of MemoirI Was Wearing Them the Day: Touchstone Moments and Details for the Fiction WriterYogi Berra and the Art of Flash NonfictionMad Libs for Creative NonfictionEnough about Me, Tell Me What You Think about MeShrinking a NovelPreparing the Final Scene by Avoiding ConflictHere We Are at the EndTaking Care at the End: The Art of MisdirectionPart 2. Characterization: There Were Three Little PigsOn a Mother’s Birthday, a Writer Loves the WorldTightening the Screws: Putting Pressure on Our CharactersContradictory CharactersOdd Couples: The Writer as MatchmakerCharacterization in the Personal EssayCreating Richer CharactersThe Art of the SnarkPart 3. Detail: A House of Straw, a House of Sticks, a House of BricksMy Mother Gives Me a Writing LessonGet the Particulars RightKnow Your PlaceThat Kind of Place: An Argument for NostalgiaNostalgia and the MemoiristA Detail and All It Can DoThe Places We Know: What Richard Ford Taught MeDaydreaming Your MemoirThe Heart’s Field: Place in FictionOh, Those Pesky Facts: What’s a Memoir Writer to Do?Memoir and the Work of ResurrectionUsing Photos in MemoirOrdinary Details in MemoirConnecting ParticularsContextPart 4. Point of View: “Little Pig, Little Pig, Let Me Come In”Your Point of View Choice Creates the Effect of the StoryThe Inner Story of the Writer’s ThinkingFinding a Different LensMemoir and the FutureLiving Full: Avoiding Sentimentality in MemoirInto the FirePart 5. Language: “Not by the Hair of My Chinny Chin Chin”Stylin’The Value of a Beautiful SentenceThe Art of the Twerk: Writing the Miley Cyrus WayCommunal and Personal VoicesVoice in Creative NonfictionPersonae and Tone in FictionPaying Attention to Form in Flash NonfictionThe KiteThe Thing Said: Ten Thoughts on Writing Dialogue in MemoirAlligators and Marshmallows: A Lesson in HumorComedy in FictionPart 6. Revision: And the Third Little Pig Lived Happily Ever AfterTaking Flight: First DraftsFelt Sense: Focusing on RevisionMore Revision ActivitiesThe Doorway between Memoir and FictionProverbs for Revising a NovelPart 7. The Writing Life: The Two Little Pigs Now Felt Sorry for Having Been So Lazy and Built Their Houses with BricksMy Mother’s Gifts to MeMy Aunt among the RocksFive Ways We Keep Ourselves from WritingFive Things All Writers Can ControlReading Like a WriterWriting to PreserveTravel and the WriterSlowing DownOur Quiet PlacesWhat Fills UsThe Books and the Boys of SummerA Writer Writes: A Lifelong ApprenticeshipDefeating Writer’s BlockTen Thoughts on the Writing LifeKeep Facing the Blank Page