Theresa Coletti is Professor of English at the University of Maryland; she is the author of Naming the Rose: Eco, Medieval Signs, and Modern Theory and Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England.

This attractive edition by Theresa Coletti, an expert on medieval English drama and the author of a monograph on the play and its contexts, [1] may--I hope--kickstart a more general interest in this remarkable work, especially by historians of both English theater and gender and sexuality. . . . This is an excellent edition for graduates, and advanced scholars, and even for undergraduates. It is accessible, informative, scholarly, and completely reliable. --Ruth Evans, University of St. Louis

• AcknowledgmentsIntroductionThe Digby Mary Magdalene PlayExplanatory NotesTextual NotesBibliographyGlossary

Theresa Coletti is Professor of English at the University of Maryland; she is the author of Naming the Rose: Eco, Medieval Signs, and Modern Theory and Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England.

This attractive edition by Theresa Coletti, an expert on medieval English drama and the author of a monograph on the play and its contexts, [1] may--I hope--kickstart a more general interest in this remarkable work, especially by historians of both English theater and gender and sexuality. . . . This is an excellent edition for graduates, and advanced scholars, and even for undergraduates. It is accessible, informative, scholarly, and completely reliable. --Ruth Evans, University of St. Louis

• AcknowledgmentsIntroductionThe Digby Mary Magdalene PlayExplanatory NotesTextual NotesBibliographyGlossary

Theresa Coletti is Professor of English at the University of Maryland; she is the author of Naming the Rose: Eco, Medieval Signs, and Modern Theory and Mary Magdalene and the Drama of Saints: Theater, Gender, and Religion in Late Medieval England.

This attractive edition by Theresa Coletti, an expert on medieval English drama and the author of a monograph on the play and its contexts, [1] may--I hope--kickstart a more general interest in this remarkable work, especially by historians of both English theater and gender and sexuality. . . . This is an excellent edition for graduates, and advanced scholars, and even for undergraduates. It is accessible, informative, scholarly, and completely reliable. --Ruth Evans, University of St. Louis

• AcknowledgmentsIntroductionThe Digby Mary Magdalene PlayExplanatory NotesTextual NotesBibliographyGlossary