Visar resultat för..."Mr Swanson"

»Rekommenderas till alla som är intresserade av emigrationen och/eller svensk film.« Populär HistoriaFrån år 1840 och ett sekel framåt utvandrade över en miljon människor från Sverige till Amerika. Att så många valde att lämna Sverige för att söka ett bättre liv på andra sidan Atlanten var ett stort trauma för den svenska nationen. Filmmakarna var inte sena att på olika sätt belysa fenomenet som skulle få märkbar betydelse för den svenska nationella identiteten. I Välkommen hem Mr Swanson analyserar filmvetaren Ann-Kristin Wallengren hur emigrationen till USA och den svenskamerikanske återvändaren skildrats i svensk film mellan 1910 och 1950, med nedslag även i senare filmer och tv-program. Sågs emigranten som en nationell förrädare eller som en modig nybyggare som kunde återvända med moderna idéer? I stor utsträckning visades svenska filmer även för immigranterna i USA, och Wallengren diskuterar de föreställningar om Sverige och svenskhet som spreds därigenom. Författaren tar också ett specifikt grepp om bilden av svenska invandrarkvinnorna i amerikansk film, en representation som på många sätt stod i kontrast till den svenska idealbilden. Wallengren visar hur ideologier om nationalitet haft en framträdande plats i filmens berättelser bilderna projicerar de uppfattningar om svensk nationell identitet och USA som dominerat över tid.

Från år 1840 och ett sekel framåt utvandrade över en miljon människor från Sverige till Amerika. Att så många valde att lämna Sverige för att söka ett bättre liv på andra sidan Atlanten var ett stort trauma för den svenska nationen. Filmmakarna var inte sena att på olika sätt belysa fenomenet som skulle få märkbar betydelse för den svenska nationella identiteten. I Välkommen hem Mr Swanson analyserar filmvetaren Ann-Kristin Wallengren hur emigrationen till USA och den svenskamerikanske återvändaren skildrats i svensk film mellan 1910 och 1950, med nedslag även i senare filmer och tv-program. Sågs emigranten som en nationell förrädare eller som en modig nybyggare som kunde återvända med moderna idéer? I stor utsträckning visades svenska filmer även för immigranterna i USA, och Wallengren diskuterar de föreställningar om Sverige och svenskhet som spreds därigenom. Författaren tar också ett specifikt grepp om bilden av svenska invandrarkvinnorna i amerikansk film, en representation som på många sätt stod i kontrast till den svenska idealbilden. Wallengren visar hur ideologier om nationalitet haft en framträdande plats i filmens berättelser – bilderna projicerar de uppfattningar om svensk nationell identitet och amerikansk livsstil som dominerat över tid.

Between 1840 and 1940, over one million people emigrated from Sweden to America. The fact that so many chose to leave to seek a better life across the Atlantic was a major trauma for the Swedish nation. Filmmakers were not slow to pick up on an exodus that proved to be of lasting importance for the Swedes’ national identity. In Welcome Home Mr Swanson, the film studies scholar Ann-Kristin Wallengren analyses the ways in which Swedish emigrants and Swedish-American returnees are depicted in Swedish film between 1910 and 1950, continuing on to recent films and television shows. Were Sweden’s emigrants seen as national traitors or as brave trailblazers who might return home with modern ideas? Many of the Swedish films were distributed to the immigrants in the US, and Wallengren discusses the notions of Sweden and Swedishness that circulated there as a result. She also considers the image of Swedish immigrant women in American films—a representation that bore little resemblance to the Swedes’ idealized view. Wallengren shows how ideologies of nationality had a prominent place in the films’ narratives, resulting in films that project enduring perceptions of Swedish national identity and the American way of life.

Swanson builds a case that the time has come to set behind us the idea that a war can ever be just. This critique of "Just War" theory finds the criteria such theories use to be either unmeasurable, unachievable, or amoral, and the perspective taken too narrow.This book argues that belief in the possibility of a just war does tremendous damage by facilitating enormous investment in war preparations–which strips resources from human and environmental needs while creating momentum for numerous unjust wars.

U.S. exceptionalism, the idea that the United States of America is superior to other nations, is no more fact-based and no less harmful than racism, sexism, and other forms of bigotry. The purpose of this book is to persuade you of that statement. This book examines how the United States actually compares with other countries, how people think about the comparison, what damage that thinking does, and what changes we might want to consider making.

Fredrick Swanson tells the story of Guy M. Brandborg and his impact on the practices of the U.S. Forest Service. As supervisor of Montana's Bitterroot National Forest from 1935 to 1955, Brandborg engaged in a management style that promoted not only the well-being of the forest community but also the social and economic welfare of the local people. By relying on selective cutting, his goal was to protect the watersheds and wildlife habitats that are devastated by clear-cutting, and to prevent the job losses that follow such practices. Following his retirement, he became concerned that his agency was deviating from the practice of sustained-yield management of the forest's timber lands, and led a highly visible public outcry that became known as the Bitterroot controversy. Brandborg's behind-the-scenes lobbying contributed materially to the passage of the National Forest Management Act of 1976, the single most important law affecting public forestry since the creation of the Forest Service. Meticulously written, The Bitterroot and Mr. Brandborg articulates Brandborg's Progressive-era idealism and is based on extensive archival research in collections throughout the Rockies and the Northwest, including the Brandborg family papers. Swanson's crisp narration of how one national forest supervisor understood the intricate connection between the grasslands and forests under his care and the communities that were so dependent on these invaluable resources, opens a much larger story about the meaning of public lands in a democratic society.

Winner of the Wallace Stegner Prize in American Environmental or Western History Frederick Swanson tells the story of Guy M. Brandborg and his impact on the practices of the U.S. Forest Service. As supervisor of Montana's Bitterroot National Forest from 1935 to 1955, Brandborg engaged in a management style that promoted not only the well-being of the forest community but also the social and economic welfare of the local people. By relying on selective cutting, his goal was to protect the watersheds and wildlife habitats that are devastated by clear-cutting, and to prevent the job losses that follow such practices. Following his retirement, he became concerned that his agency was deviating from the practice of sustained-yield management of the forest's timber lands, and led a highly visible public outcry that became known as the Bitterroot controversy. Brandborg's behind-the-scenes lobbying contributed materially to the passage of the National Forest Management Act of 1976, the single most important law affecting public forestry since the creation of the Forest Service.Meticulously written, The Bitterroot and Mr. Brandborg articulates Brandborg's Progressive-era idealism and is based on extensive archival research in collections throughout the Rockies and the Northwest, including the Brandborg family papers. Swanson's crisp narration of how one national forest supervisor understood the intricate connection between the grasslands and forests under his care and the communities that were so dependent on these invaluable resources, opens a much larger story about the meaning of public lands in a democratic society. Winner of the Western Writers of America Spur Award for Best Western Nonfiction-Contemporary.

There are threads in our lives. You pull one, and everything else gets affected.When they were children, Sean Devine, Jimmy Marcus and Dave Boyle were friends. But then a strange car pulled up their street. One boy got in the car, two did not, and something terrible happened - something that ended their friendship and changed all three boys forever.Twenty-five years later, Sean Devine is a homicide detective. Jimmy Marcus is an ex-con who owns a corner store. And Dave Boyle is trying to hold his marriage together and keep his demons at bay -demons that urge him to do horrific things.When Jimmy Marcus' daughter is found murdered, Sean Devine is assigned to the case. His personal life unravelling, he must go back into a world he thought he'd left behind to confront not only the violence of the present but the nightmares of his past. His investigation brings him into conflict with Jimmy Marcus, who finds his old criminal impulses tempt him to solve the crime with brutal justice. And then there is Dave Boyle, who came home the night Jimmy's daughter died covered in someone else's blood...

Representation, subjectivity and sexuality continue to be central to scholarly inquiry in the humanities and social sciences. Deciphering Culture explores their relationship, each author taking a distinct approach to the concept of 'curiosity' as a way of deciphering the working of particular cultural formations. In the process they address a variety of topics including:* the historical formation of subjectivities, identities and differences* cultural conduct and habits of the self* everyday cultures and negotiation* consumption and the body* memory, history and autobiography* the ethics of critical and textual inquiry. This fascinating book will appeal to students and academics from a variety of disciplinary backgrounds in the social sciences and cultural studies.

The explosive Orphan X thriller from bestselling author Gregg Hurwitz.'HURWITZ FIRING ON ALL CYLINDERS' GUARDIANTO THOSE WHO TRAINED HIM, HE'S ORPHAN-X. TO THOSE WHO NEED HIM, HE'S THE NOWHERE MAN.Once a secret government assassin, Evan Smoak walked away to help others.But when his old handler calls with a warning - the Orphans are being killed off - he also receives a final mission.A young girl - the last Orphan recruit - is in danger. First, Evan must find her. Then he must protect her.But those tasked with her elimination will not stop.And leading them is one of Evan's fellow Orphans - who'll do anything to see him dead . . ._______________'WONDERFUL' THE TIMES'MEMORABLE AS HELL' JAMES PATTERSON