Laci Mattison - Böcker

Virginia Woolf's deep and creative interest in materiality is not only illuminated by but precedes current theorisations of objects, things and matter among them, new materialism, object-oriented ontology and thing theory. Through both critical and creative engagements, contributors explore the possibilities and limitations of these theoretical accounts: what new readings they afford; what they say that Woolf has already shown us; and how Woolf goes beyond or can't be fully captured by these ideas. This volume thus gathers various, sometimes even contradictory, approaches on the topic; in turn, it emphasises congruences and tensions in theoretical, literary and cultural interpretations of Woolf's material investments. What emerges in Virginia Woolf Objects, Things, Matter is an account of how Woolf reveals things to be vital, active and strange by refiguring the relationship between subject and object and, at times, even inverting, subverting or redefining those very terms.

Virginia Woolf’s deep and creative interest in materiality is not only illuminated by but precedes current theorisations of objects, things and matter – among them, new materialism, object-oriented ontology and thing theory. Through both critical and creative engagements, contributors explore the possibilities and limitations of these theoretical accounts: what new readings they afford; what they say that Woolf has already shown us; and how Woolf goes beyond or can’t be fully captured by these ideas. This volume thus gathers various, sometimes even contradictory, approaches on the topic; in turn, it emphasises congruences and tensions in theoretical, literary and cultural interpretations of Woolf’s material investments. What emerges in Virginia Woolf – Objects, Things, Matter is an account of how Woolf reveals things to be vital, active and strange by refiguring the relationship between subject and object and, at times, even inverting, subverting or redefining those very terms.

Henri Bergson is frequently cited amongst the holy trinity of major influences on Modernism-literary and otherwise-alongside Sigmund Freud and William James. Gilles Deleuze's Bergsonism has re-popularized Bergson for the 21st century, so much so that, perhaps, our Bergson is Deleuze's Bergson. Despite renewed interest in Bergson, his influence remains understudied and consequently undervalued. While books examining the impact of Freud and James on Modernism abound, Bergson's impact, though widely acknowledged, has been closely examined much more rarely. Understanding Bergson, Understanding Modernism remedies this deficiency in three ways. First, it offers close readings and critiques of six pivotal texts. Second, it reassesses Bergson's impact on Modernism while also tracing his continuing importance to literature, media, and philosophy throughout the twentieth and into the 21st century. In its final section it provides an extended glossary of Bergsonian terms, complete with extensive examples and citations of their use across his texts. The glossary also maps the influence of Bergson's work by including entries on related writers, all of whom Bergson either corresponded with or critiqued.

Understanding Deleuze, Understanding Modernism explores the multi-faceted and formative impact of Gilles Deleuze on the development and our understanding of modernist thought in its philosophical, literary, and more broadly cultural manifestations. Gilles Deleuze himself rethought philosophical history with a series of books and essays on individual philosophers such as Kant, Spinoza, Leibniz, Nietzsche, and Bergson and authors such as Proust, Kafka, Beckett and Woolf, on the one hand, and Bacon, Messiaen, and Pollock, among others, in other arts. This volume acknowledges Deleuze's profound impact on a century of art and thought and the origin of that impact in his own understanding of modernism.Understanding Deleuze, Understanding Modernism begins by "conceptualizing" Deleuze by offering close readings of some of his most important works. The contributors offer new readings that illuminate the context of Deleuze's work, either by reading one of Deleuze's texts against or in the context of his entire body of work or by challenging Deleuze's readings of other philosophers. A central section on Deleuze and his aesthetics maps the relationships between Deleuze's thought and modernist literature. The volume's final section features an extended glossary of Deleuze's key terms, with each definition having its own expert contributor.

Understanding Deleuze, Understanding Modernism explores the multi-faceted and formative impact of Gilles Deleuze on the development and our understanding of modernist thought in its philosophical, literary, and more broadly cultural manifestations. Gilles Deleuze himself rethought philosophical history with a series of books and essays on individual philosophers such as Kant, Spinoza, Leibniz, Nietzsche, and Bergson and authors such as Proust, Kafka, Beckett and Woolf, on the one hand, and Bacon, Messiaen, and Pollock, among others, in other arts. This volume acknowledges Deleuze's profound impact on a century of art and thought and the origin of that impact in his own understanding of modernism.Understanding Deleuze, Understanding Modernism begins by "conceptualizing" Deleuze by offering close readings of some of his most important works. The contributors offer new readings that illuminate the context of Deleuze's work, either by reading one of Deleuze's texts against or in the context of his entire body of work or by challenging Deleuze's readings of other philosophers. A central section on Deleuze and his aesthetics maps the relationships between Deleuze's thought and modernist literature. The volume's final section features an extended glossary of Deleuze's key terms, with each definition having its own expert contributor.