Aaron Santesso – författare

Spanning nearly 500 years of cultural and social history, this book examines the ways that literature and surveillance have developed together, as kindred modern practices. As ideas about personhood—what constitutes a self—have changed over time, so too have ideas about how to represent, shape, or invade the self. The authors show that, since the Renaissance, changes in observation strategies have driven innovations in literature; literature, in turn, has provided a laboratory and forum for the way we think about surveillance and privacy. Ultimately, they contend that the habits of mind cultivated by literature make rational and self-aware participation in contemporary surveillance environments possible. In a society increasingly dominated by interlocking surveillance systems, these habits of mind are consequently necessary for fully realized liberal citizenship.

As the greatest satirist in the English language, Jonathan Swift was both admired and feared in his own time for the power of his writing, and hugely influential on writers who followed him. Swift transformed models such as utopian writing, political pamphleteering and social critique with his dark and uncompromising vision of the human condition, deepening the outlook of contemporaries such as Alexander Pope, and leaving a legacy of Swiftian satire in the work of Hogarth, Fielding, Austen and Beckett, among others. This collection of essays, with its distinguished list of international contributors, centres on Swift, the genres and authors who influenced him, and his impact on satire and satirists from his own time to the twentieth century.

As the greatest satirist in the English language, Jonathan Swift was both admired and feared in his own time for the power of his writing, and hugely influential on writers who followed him. Swift transformed models such as utopian writing, political pamphleteering and social critique with his dark and uncompromising vision of the human condition, deepening the outlook of contemporaries such as Alexander Pope, and leaving a legacy of Swiftian satire in the work of Hogarth, Fielding, Austen and Beckett, among others. This collection of essays, with its distinguished list of international contributors, centres on Swift, the genres and authors who influenced him, and his impact on satire and satirists from his own time to the twentieth century.

In Narrativized Space, Aaron Santesso examines a phenomenon that is at least passingly familiar to most of us: space arranged so as to create the feeling of moving through a story. This book analyzes the implementation of narrativized space, a demarcated and sequentialized area that gradually reveals an argument, claim, or story to the person passing through it. Santesso follows the history of this form from the eighteenth century to the modern day, especially as realized within four institutions: landscape gardens, zoos, museums, and amusement parks. As the book reveals, each institution shows a new step in the development of this phenomenon, and each is especially influenced by a particular literary genre. The design of twentieth-century zoo exhibits, for example, reflects the rising popularity of adventure stories, while the theme park has a special relationship with Fantasy and SciFi narratives. The implementation of narrativized space has special relevance to the modern city, and the book discusses both the past and the future of narrativized space as an urban planning strategy. An interdisciplinary work that moves between literary studies, geography, and urban studies, Narrativized Space shows how narrative theory and formalist analysis can offer insight into the operation of real-world story-structures, and makes a case for the value of literary-critical expertise to urban planning and design.