Aaron William Moore – författare

How Maoism Was Made focuses on the history of the early years in China after 1949, featuring new scholarship by academics across Europe and North America. The field of early PRC history has been transformed by the unprecedented accessibility of archives from the 1990s to the early 2010s. Sixteen contributors show how the revolutionary system was built and maintained by the efforts of non-elite actors, including scientists, farmers, designers, artists, cadres, and ordinary citizens. By abandoning the Cold War political work of vilifying or celebrating Chinese communism, How Maoism Was Made aims to render the history of the Maoist system comprehensible to specialists and non-specialists alike, by viewing it through the lens of people who made it. Chinese communism is revealed to be a set of beliefs and practices that inspired millions of people to (re-)build their country and find a new life within it, at times with tragic consequences.

Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history.Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.

World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allies and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they experienced firsthand its terrible impact at home.

World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allies and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they experienced firsthand its terrible impact at home.

World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allies and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they experienced firsthand its terrible impact at home.

World War II is enshrined in our collective memory as the good war - a victory of good over evil. However, the bombing war has always troubled this narrative as total war transformed civilians into legitimate targets and raised unsettling questions such as whether it was possible for Allies and Axis alike to be victims of aggression. In Bombing the City, an unprecedented comparative history of how ordinary Britons and Japanese experienced bombing, Aaron William Moore offers a major new contribution to these debates. Utilising hundreds of diaries, letters, and memoirs, he recovers the voices of ordinary people on both sides - from builders, doctors and factory-workers to housewives, students and policemen - and reveals the shared experiences shaped by gender, class, race, and age. He reveals how it was that the British and Japanese public continued to support bombing elsewhere even as they experienced firsthand its terrible impact at home.

This edited volume assembles a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan’s foremost intellectuals, translated for the first time into English. It begins with an introduction by the editors, Seth Jacobowitz and Aaron William Moore, that contextualizes Hirabayashi’s significance as a non-doctrinaire Marxist cultural critic, visionary thinker, and much-beloved popular fiction writer. The ‘Short Stories’, features a selection of Hirabayashi’s literary work, including science fiction (‘The Artificial Human’), detective fiction (‘This is How I Died!’), and more idiosyncratic works such as ‘Demon at the Pulpit’, an antitheist and anticlerical story.The ‘Essays’ provides a range of groundbreaking critical and theoretical tracts that address such topics as ‘The Social Basis of Modernism’, ‘The Feminisation of Culture’, ‘Political Value and Artistic Value: A Re-Appraisal of Marxist Literary Theory’, ‘Film as a Mechanism of Americanization’, ‘The Technological Revolution in Literature and the Arts’, and many more. Hirabayashi’s systematic approach to cultural theory befitting the era of massification in the 1920s places him front and centre in the hothouse intellectual climate of pre-war Japan. It also affords striking parallels to the leading thinkers in Europe such as Walter Benjamin and Antonio Gramsci, thereby forming an integral part of the history of global modernity.

This edited volume assembles a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan''s foremost intellectuals, translated for the first time into English. It begins with an introduction by the editors, Seth Jacobowitz and Aaron William Moore, that contextualizes Hirabayashi''s significance as a non-doctrinaire Marxist cultural critic, visionary thinker, and much-beloved popular fiction writer. The ''Short Stories'', features a selection of Hirabayashi''s literary work, including science fiction (''The Artificial Human''), detective fiction (''This is How I Died!''), and more idiosyncratic works such as ''Demon at the Pulpit'', an antitheist and anticlerical story.The ''Essays'' provides a range of groundbreaking critical and theoretical tracts that address such topics as ''The Social Basis of Modernism'', ''The Feminisation of Culture'', ''Political Value and Artistic Value: A Re-Appraisal of Marxist Literary Theory'', ''Film as a Mechanism of Americanization'', ''The Technological Revolution in Literature and the Arts'', and many more. Hirabayashi''s systematic approach to cultural theory befitting the era of massification in the 1920s places him front and centre in the hothouse intellectual climate of pre-war Japan. It also affords striking parallels to the leading thinkers in Europe such as Walter Benjamin and Antonio Gramsci, thereby forming an integral part of the history of global modernity.

This edited volume assembles a wide array of writings by Hirabayashi Hatsunosuke, one of 20th-century Japan''s foremost intellectuals, translated for the first time into English. It begins with an introduction by the editors, Seth Jacobowitz and Aaron William Moore, that contextualizes Hirabayashi''s significance as a non-doctrinaire Marxist cultural critic, visionary thinker, and much-beloved popular fiction writer. The ''Short Stories'', features a selection of Hirabayashi''s literary work, including science fiction (''The Artificial Human''), detective fiction (''This is How I Died!''), and more idiosyncratic works such as ''Demon at the Pulpit'', an antitheist and anticlerical story.The ''Essays'' provides a range of groundbreaking critical and theoretical tracts that address such topics as ''The Social Basis of Modernism'', ''The Feminisation of Culture'', ''Political Value and Artistic Value: A Re-Appraisal of Marxist Literary Theory'', ''Film as a Mechanism of Americanization'', ''The Technological Revolution in Literature and the Arts'', and many more. Hirabayashi''s systematic approach to cultural theory befitting the era of massification in the 1920s places him front and centre in the hothouse intellectual climate of pre-war Japan. It also affords striking parallels to the leading thinkers in Europe such as Walter Benjamin and Antonio Gramsci, thereby forming an integral part of the history of global modernity.