Ada Limón – författare

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR POETRY 2019Ada Limón is a poet of ecstatic revelation . . . a book of deep wisdom and urgent vulnerability' Tracy K. Smith, Guardian'Vulnerable, tender, acute . . . The Carrying is a gift' Natasha Trethewey, Pulitzer Prize-winning poet and former US Poet Laureate'Exquisite poems' Roxane GayFrom National Book Critics Circle Award Winner Ada Limón comes The Carrying - her most powerful collection yet.Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility - 'What if, instead of carrying / a child, I am supposed to carry grief?' - and a body seized by pain and vertigo as well as ecstasy. A nation convulses: 'Every song of this country / has an unsung third stanza, something brutal.' And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. 'Fine then, / I'll take it,' she writes. 'I'll take it all.'The Carrying leads us deeper towards the hard-won truth of what it means to live in an imperfect world.

An astonishing collection about interconnectedness - between the human and nonhuman, ancestors and ourselves - from National Book Critics Circle Award winner and National Book Award finalist Ada Limón.'I have always been too sensitive, a weeper / from a long line of weepers,' writes Limón. 'I am the hurting kind.' What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings - and to know that those beings are resolutely their own, that they 'do not / care to be seen as symbols'?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions - incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honour parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behaviour of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. 'Slippery and waddle thieving my tomatoes still / green in the morning's shade,' writes Limón of a groundhog in her garden, 'she is doing what she can to survive.''Limón is a poet of ecstatic revelation' Guardian 'I can always rely on an Ada Limón poem to give me hope . . . Limón gives us two brains in her poems, too, revealing new ways to view the world' New York Times Magazine 'Ada Limón is a bright light in a dark time. Her keen attention to the natural world is only matched by her incredible emotional honesty' Vanity Fair

Bright Dead Things examines the chaos that is life, the dangerous thrill of living in a world you know you have to leave one day, and the search to find something that is ultimately "disorderly, and marvelous, and ours." A book of bravado and introspection, of 21st century feminist swagger and harrowing terror and loss, this fourth collection considers how we build our identities out of place and human contact--tracing in intimate detail the various ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth, and falls in love. Limon has often been a poet who wears her heart on her sleeve, but in these extraordinary poems that heart becomes a "huge beating genius machine" striving to embrace and understand the fullness of the present moment. "I am beautiful. I am full of love. I am dying," the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds, and Mark Doty, Limon's work is consistently generous and accessible--though every observed moment feels complexly thought, felt, and lived.

As part of her tenure as US poet laureate, Ada Limón has written “In Praise of Mystery,” which will be engraved on the Europa Clipper spacecraft that launches to Jupiter and its moons in October 2024. Published here as Limón’s debut picture book, this luminous poem is illustrated by celebrated and internationally renowned artist Peter Sís.In Praise of Mystery celebrates humankind’s endless curiosity, asks us what it means to explore beyond our known world, and shows how the unknown can reflect us back to ourselves.

'Bright Dead Things buoyed me in this dismal year. I'm thankful for this collection, for its wisdom and generosity, for its insistence on holding tight to beauty even as we face disintegration and destruction.' Celeste Ng, author of Everything I Never Told You A book of bravado and introspection, of feminist swagger and harrowing loss, Bright Dead Things considers how we build our identities out of place and human contact - tracing in intimate detail the ways the speaker's sense of self both shifts and perseveres as she moves from New York City to rural Kentucky, loses a dear parent, ages past the capriciousness of youth and falls in love. In these extraordinary poems Ada Limón's heart becomes a 'huge beating genius machine' striving to embrace and understand the fullness of the present moment. 'I am beautiful. I am full of love. I am dying,' the poet writes. Building on the legacies of forebears such as Frank O'Hara, Sharon Olds and Mark Doty, Limón's work is consistently generous, accessible, and 'effortlessly lyrical' (New York Times) - though every observed moment feels complexly thought, felt and lived.

The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family's roots in Mexico, from a dying parent, from her prior self. The world is always in motion and it is also full of risk.In such a world, how should one proceed? Throughout Sharks in the Rivers, Limón suggests that we must cleave to the world as it 'keep[s] opening before us,' for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each person's mouth 'is the same / mouth as everyone's, all trying to say the same thing.' For Limón, it's the saying - individual and collective - that transforms each of us into 'a wound overcome by wonder,' that allows 'the wind itself' to be our 'own wild whisper'.

'I marvel at Ada Limón's ability to weave on the page her playfulness and wisdom. Her lyricism dances. This is the poetry of a tender and compassionate human' Joan Baez'Startlement is a book of rare treasures. With lyrical mastery and intimate storytelling, Limón's poetry reveals new ways of paying attention. This powerful collection is a gift' Amy Tan'Ada Limón is a bright light in a dark time' Vanity Fair'Limón is a poet of ecstatic revelation' Tracy K. Smith, GuardianDrawing from six previously published books - including widely acclaimed collections The Hurting Kind, The Carrying, and Bright Dead Things - as well as introducing vibrant new work, Startlement exalts the mysterious. With a tender curiosity, Ada Limón wades into potent unknowns - the strangeness of our brief human lives, the ever-changing nature of the universe - and emerges each time with new revelations about our place in the world.Both a lush overview of her work and a powerful narrative of a poet's life, this curation embodies Limón's capacity for 'deep attention,' her 'power to open us up to the wonder and awe that the world still inspires' (New York Times). From the chaos of youthful desire, to the waxing of love and loss, to the precarity of our environment, to the stars and beyond, Limón's poetry bears witness to the arc of all we know with patient lyricism and humble wonder.'A poet of ecstatic revelation' (Tracy K. Smith), Limón encourages us to meet our shared futures with open and hungry hearts, assuring 'What we are becoming, we are / becoming together.'

WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARDFINALIST FOR THE PEN/JEAN STEIN BOOK AWARDFrom U.S. Poet Laureate Ada Limón comes The Carrying—her most powerful collection yet.Vulnerable, tender, acute, these are serious poems, brave poems, exploring with honesty the ambiguous moment between the rapture of youth and the grace of acceptance. A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

Now in paperback! With over 60,000 hardcover copies in print, the astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselvesfrom U.S. Poet Laureate and MacArthur Fellow Ada Limón."I have always been too sensitive, a weeper / from a long line of weepers," writes Limón. "I am the hurting kind." What does it mean to be the hurting kind? To be sensitive not only to the world's pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings-and to know that those beings are resolutely their own, that they "do not / care to be seen as symbols"?With Limón's remarkable ability to trace thought, The Hurting Kind explores those questions-incorporating others' stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. "Slippery and waddle thieving my tomatoes still / green in the morning's shade," writes Limón of a groundhog in her garden, "she is doing what she can to survive.

NATIONAL BESTSELLERA 2025 National Endowment for the Arts Big Reads SelectionA 2024 NPR "Books We Love" Selection"Whoever you are, you will find yourself and your own world in the expansiveness of this collection."-Margaret Renkl, New York TimesPublished in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about "nature poetry," illuminating the myriad ways our landscapes-both literal and literary-are changing.You Are Here features fifty previously unpublished poems from some of the nation's most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author's local landscape-be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop-offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what "nature" and "poetry" are today, inviting readers to experience both anew.

NATIONAL BESTSELLERThe #1 bestselling and beloved poetry anthology, now in paperback!“Whoever you are, you will find yourself and your own world in the expansiveness of this collection.”–Margaret Renkl, New York Times“A lovely book to take with you to read at the end of your next hike.” –Los Angeles TimesPublished in association with the Library of Congress and edited by the twenty-fourth Poet Laureate of the United States, a singular collection of poems reflecting on our relationship to the natural world by fifty of our most celebrated contemporary writers.  In recent years, our poetic landscape has evolved in profound and exciting ways. So has our planet. Edited and introduced by the twenty-fourth Poet Laureate of the United States, Ada Limón, this book challenges what we think we know about “nature poetry,” illuminating the myriad ways our landscapes—both literal and literary—are changing.You Are Here features fifty previously unpublished poems from some of the nation’s most accomplished poets, including Joy Harjo, Diane Seuss, Rigoberto González, Jericho Brown, Aimee Nezhukumatathil, Paul Tran, and more. Each poem engages with its author’s local landscape—be it the breathtaking variety of flora in a national park, or a lone tree flowering persistently by a bus stop—offering an intimate model of how we relate to the world around us and a beautifully diverse range of voices from across the United States.Joyful and provocative, wondrous and urgent, this singular collection of poems offers a lyrical reimagining of what “nature” and “poetry” are today, inviting readers to experience both anew.

An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

24th Poet Laureate of the United States Ada Limn inspires us to see poetry as much more than just wordsas a powerful force for healing, a call to action, and a vibrant celebration of humanity's many voices.Ada Limncelebrated poet laureate and 2023 MacArthur fellowtakes us on an inspiring journey into a world where poetry is both a soothing balm for the soul and a spark for transformation. With her blend of accessible yet profound prose, Limn delivers a powerful message: poetry has the ability to heal, connect, and remind us of our shared humanity. Limn's mission to make poetry approachable shines brightly in this slim but impactful book. Recognized as a 2024 Time magazine Woman of the Year for her commitment to bringing poetry into everyday lives, Limn passionately argues that poetry is essential to understanding ourselvesour tenderness, courage, imperfections, and our deep, unshakable worthiness of love. Drawing from her own experiences as the 24th US poet laureate, Limn shares how poetry connects us not only to each other but to the natural world. This theme is at the heart of her project You Are Here, which celebrates the beauty of our environment and our place in it. Her prose, like her poetry, feels like an open invitationwelcoming readers of all backgrounds to explore the richness of human experience through verse. Fans of Robin Wall Kimmerer, Matthew Zapruder, or Jesmyn Ward will find a kindred spirit in Against Breakingwhich offers a refuge, a reminder of the resilience and beauty found within us and all around us. As Limn writes with heartfelt clarity, ';If you need to remember what makes us human, tender, brave, flawed, and worthy of love, you need poetry.'

24th Poet Laureate of the United States Ada Limn inspires us to see poetry as much more than just wordsas a powerful force for healing, a call to action, and a vibrant celebration of humanity's many voices.

I den amerikanska poeten Ada Limóns diktsamling Bärandet kämpar diktjaget med barn­lös­het, i en kropp som bär tyngden av både sitt eget för­flutna och en sam­tid präglad av stor oro. Det är en vacker och allvar­sam dikt, som också rymmer stor hopp­fullhet och en ständig förundran inför tillvaron i hem­trakterna i centrala Kentucky. Bärandet tilldelades 2019 års National Book Critics Circle Award för bästa diktsamling. Översättning av Henrik C. Enbohm. Ada Limón, född i Kalifornien 1976, är en av USA:s mest uppmärksammade poeter. Hon har utkommit med sex diktsamlingar sedan debuten 2006 och utnämndes hösten 2022 till landets första U. S. Poet Laureate med mexikanskt-amerikanskt ursprung.

U.S. Poet Laureate Ada Limón has a keen eye for the natural world.This poem pulses with the joyful energy of a fox bounding through backyards, piecing together a living in his own way. Paired with lush illustrations by Gaby D''Alessandro, this picture book brings Limón''s work to a new generation.Comes with its streak of red / flashing across the lawn, squirrel / bound and bouncing . . .

U.S. Poet Laureate Ada Limón has a keen eye for the natural world.This poem pulses with the joyful energy of a fox bounding through backyards, piecing together a living in his own way. Paired with lush illustrations by Gaby D''Alessandro, this picture book brings Limón''s work to a new generation.Comes with its streak of red / flashing across the lawn, squirrel / bound and bouncing . . .

The speaker in this extraordinary collection finds herself multiply dislocated: from her childhood in California, from her family's roots in Mexico, from a dying parent, from her prior self. The world is always in motion -- both toward and away from us--and it is also full of risk: from sharks unexpectedly lurking beneath estuarial rivers to the dangers of New York City, where, as Limon reminds us, even rats find themselves trapped by the garbage cans they've crawled into. In such a world, how should one proceed? Throughout Sharks in the Rivers, Limon suggests that we must cleave to the world as it "keep[s] opening before us," for, if we pay attention, we can be one with its complex, ephemeral, and beautiful strangeness. Loss is perpetual, and each person's mouth "is the same / mouth as everyone's, all trying to say the same thing." For Limon, it's the saying--individual and collective -- that transforms each of us into "a wound overcome by wonder," that allows "the wind itself" to be our "own wild whisper."