Adrian Duncan – författare

From award-winning author Adrian Duncan comes his first collection of astonishing short stories. These modern stories have been written over the past decade, half having been previously published in The Moth, The Stinging Fly, Dublin Review and elsewhere, half completely new. Patterning and happenstance make up the rich quotidian lives of the characters portrayed in these strange, energetic tales. The loose figures of young artists, footballers and artisan engineers act out against diverse backgrounds from Dublin’s northside to Hamburg, Abu Dhabi and Accra, lives tethered yet adrift in a random universe of hard scrabble and occasional illumination. The prose is spare, precise and imagistic, the humour dark and absurdist, shot through with an underlying humanity that has become the trademark of this remarkable writer. Taking inspiration from his childhood fascination with football team formations, Duncan arranges this collection with an eye to how each piece interacts with the others: ‘While looking at a starting eleven and imagining the team’s possible patterns of movement on the field of play, one question always prevails: What is behind all of this?’ With two novels and one short story collection published in the same number of years, the Lilliput Press is proud to present this new collection as Adrian Duncan quickly gains international attention. Recently winning the inaugural John McGahern Annual Book Prize and being shortlisted for the inaugural Dalkey Literary Award for Emerging Writer, Duncan’s prowess grows with each work. Edge Hill Short Story Prize 2021 Longlist.

A collection of stories written in duet.Eight highly original stories, each woven from the joint inspiration of two amazing writers.Sixteen celebrated authors respond, play, twist and develop their story in turn. Without the certainty of being in full control, Duets brings a new dimension to the drama of reading and writing.

''Duncan brings a new way of seeing to the world of prose'' Irish TimesMichael has been away from Ireland for most of his life and lives alone in Bilbao after the death of Catherine, his girlfriend. Each day he listens to two versions of the same piece of music before walking the same route to visit Richard Serra''s enormous installation, The Matter of Time, in the Guggenheim. As he walks, his thoughts circle around the five-year period of mental agitation spent in Leipzig with Catherine. This ''sabbatical'', caused by the stress of his job and the suicide of a former colleague, splits his career as an engineer into two distinct parts. Intensely realistic, mapped out like Michael''s intricate drawings, this is a novel of precision and beguiling intelligence.

''When I was sent by the Soviet state to London to further my studies in calculus, knowing I would never become a great mathematician, I strayed instead into the foothills of anthropology ...''It is 1950 and Nikolai Lobachevsky, great-grandson of his illustrious namesake, is surveying a bog in the Irish Midlands, where he studies the locals, the land and their ways. One afternoon, soon after he arrives, he receives a telegram calling him back to Leningrad for a ''special appointment''. Lobachevsky may not be a great genius but he is not foolish: he recognises a death sentence when he sees one and leaves to go into hiding on a small island in the Shannon estuary, where the island families harvest seaweed and struggle to split rocks. Here Lobachevsky must think about death, how to avoid it and whether he will ever see his home again

'Duncan brings a new way of seeing to the world of prose' Irish TimesMichael has been away from Ireland for most of his life and lives alone in Bilbao after the death of Catherine, his girlfriend. Each day he listens to two versions of the same piece of music before walking the same route to visit Richard Serra's enormous installation, The Matter of Time, in the Guggenheim.As he walks, his thoughts circle around the five-year period of mental agitation spent in Leipzig with Catherine. This 'sabbatical', caused by the stress of his job and the suicide of a former colleague, splits his career as an engineer into two distinct parts.Intensely realistic, mapped out like Michael's intricate drawings, this is a novel of precision and beguiling intelligence.

'When I was sent by the Soviet state to London to further my studies in calculus, knowing I would never become a great mathematician, I strayed instead into the foothills of anthropology ...'It is 1950 and Nikolai Lobachevsky, great-grandson of his illustrious namesake, is surveying a bog in the Irish Midlands, where he studies the locals, the land and their ways. One afternoon, soon after he arrives, he receives a telegram calling him back to Leningrad for a 'special appointment'. Lobachevsky may not be a great genius but he is not foolish: he recognises a death sentence when he sees one and leaves to go into hiding on a small island in the Shannon estuary, where the island families harvest seaweed and struggle to split rocks. Here Lobachevsky must think about death, how to avoid it and whether he will ever see his home again

Paul, a young Irish engineer, follows his girlfriend to Berlin and begins work on the renovation of a commercial building in Alexanderplatz. Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered. Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site's physical reality. As the narration explores the mind's fragile architecture, he begins to map his own strange geography through a series of notebooks, or 'Love notes'. 'In such a brutish and masculine atmosphere, Duncan's account is an unmasked ray of hope... The prose is minimal, yet the ideas are maximal. If more men thought and wrote as tenderly and honestly as Adrian Duncan, we'd have stronger, sturdier novels and fewer garish monuments to consumerism' Irish Independent.

Paul, a young Irish engineer, follows his girlfriend to Berlin and begins work on the renovation of a commercial building in Alexanderplatz. Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered. Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site's physical reality. As the narration explores the mind's fragile architecture, he begins to map his own strange geography through a series of notebooks, or 'Love notes'. 'In such a brutish and masculine atmosphere, Duncan's account is an unmasked ray of hope... The prose is minimal, yet the ideas are maximal. If more men thought and wrote as tenderly and honestly as Adrian Duncan, we'd have stronger, sturdier novels and fewer garish monuments to consumerism' Irish Independent.

'An utterly distinctive voice in contemporary Irish literature' IRISH TIMES'One of our most original writers'IRISH INDEPENDENTSummer, 1923. Six-year-old Catherine Carolan grows restless on her parents' farm. It's already clear that her intellect will soon outgrow the two-room schoolhouse across the fields. But in post-Civil War Ireland, an education is not an easy thing for a girl to access, and young Catherine is not the only one in her family who will come to tire of rural life.Summer, 1951. To ease him through his final days, Dr. Josef Alois calls for someone from his past. Enter Catherine Carolan, now an Oxford professor. As Alois's mind and body falter, Catherine must decide how far she will follow this man that she loves.A novel in two strands, A Thought without Collision is a beautiful meditation on how we construct our relationship to the world around us.'Duncan offers a different model of novelistic causality, with characters that feel alive in their vivid and quiet complexity' SUSANNAH DICKEY'Very moving, very funny, it will make your brain dance' JO LLOYD'An original voice, a writer who has come to recreate the world on his own terms' COLM TÓIBÍN

AN IRISH INDEPENDENT AND IRISH TIMES BOOK TO LOOK OUT FOR'An original voice' Colm Tóibín'Duncan brings a new way of seeing' Irish Times'A deliberative and delicate reading experience, revelatory in the truest sense of that word' GuardianDuring winter season in a secluded Alpine city, John Molloy, an Irish restorative sculptor, meets Bernadette, an enigmatic Italian sociologist. As John falls in love, a distressing moment from his youth rises into view, the disastrous fallout of which has reverberated unchecked through his life.Years later, a letter from home arrives, asking him to pray for the speedy death of an ailing friend. Over a day-long odyssey through the ancient streets and churches of Bologna, John is forced to confront his present, his past and the bedrock of his psyche. A delicately crafted novel of two halves, a decade apart, The Gorgeous Inertia of the Earth is a masterful excavation of human desires, inhibitions, and the patterns of habit to which we unwittingly fall prey.

Bungalow Bliss, first published in 1971, was a book of house designs that buyers could use to build a home for themselves affordably. It first appeared two years before Ireland was to join the EEC as a self-published catalogue by Jack Fitzsimons from his Kells Art Studios in County Meath. He and his wife designed and collated it and printed it locally.Fitzsimons sold these books out of his car to newsagents, petrol garages and bookshops.Over the course of thirty years, Fitzsimons sold over a quarter of a million copies of his catalogue. The first edition contained twenty designs – the final edition contained two hundred and sixty.This guidebook of how to build your own home radically transformed housing in Ireland. Now, for the first time, author and structural engineer Adrian Duncan looks at the cultural impact that Bungalow Bliss and the accessible bungalow design had on the housing market, the Irish landscape, and on the individual families who made these bungalows their homes.