Aisha Khan – författare

In case studies that include the Caribbean, South America, Mexico, and the United States, the contributors to this interdisciplinary volume trace the establishment of Islam in the Americas over the past four centuries. They simultaneously explore Muslims’ lived experiences and the ways Islam has been shaped in the New World—by “Muslim minority” societies such as the Shriners; through the Gilded Age’s fascination with Orientalism; in the embrace of Islam by American black intellectuals like Malcolm X and the Black Power movement; and by the ways hip hop artists re-create and reimagine Muslim identities.

Together, the twelve essays challenge the typical view of Islam as timeless, predictable, and opposed to Western worldviews and value systems, showing how the religion continually engages with issues of culture, class, gender, and race.

In case studies that include the Caribbean, Latin America, and the United States, the contributors to this interdisciplinary volume trace the establishment of Islam in the Americas over the past three centuries. They simultaneously explore Muslims’ lived experiences and examine the ways Islam has been shaped in the "Muslim minority" societies in the New World, including the Gilded Age’s fascination with Orientalism, the gendered interpretations of doctrine among Muslim immigrants and local converts, the embrace of Islam by African American activist-intellectuals like Malcolm X, and the ways transnational hip hop artists re-create and reimagine Muslim identities.

Together, these essays challenge the typical view of Islam as timeless, predictable, and opposed to Western worldviews and value systems, showing how this religious tradition continually engages with local and global issues of culture, gender, class, and race.

Khan combines ethnographic research she conducted in Trinidad over the course of a decade with extensive archival research to explore how Hindu and Muslim Indo-Trinidadians interpret authority, generational tensions, and the transformations of Indian culture in the Caribbean through metaphors of mixing. She demonstrates how ambivalence about the desirability of a callaloo nation—a multicultural society—is manifest around practices and issues, including rituals, labor, intermarriage, and class mobility. Khan maintains that metaphors of mixing are pervasive and worth paying attention to: the assumptions and concerns they communicate are key to unraveling who Indo-Trinidadians imagine themselves to be and how identities such as race and religion shape and are shaped by the politics of multiculturalism.