A.L. Kennedy – författare

The heroes and heroines of Night Geometry and the Garscadden Trains, A. L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death... and the ability of public transport to affect our lives.

Alfred Day wanted his war. In its turmoil he found his proper purpose as the tail-gunner in a Lancaster bomber; he found the wild, dark fellowship of his crew, and - most extraordinary of all - he found Joyce, a woman to love. But that's all gone now - the war took it away. Maybe it took him, too.Now in 1949, employed as an extra in a war film that echoes his real experience, Day begins to recall what he would rather forget...

After six novels, five story collections and two books of non-fiction, and countless international prizes, A.L. Kennedy certainly has the authority to talk about the craft of writing books – it’s just a wonder she’s found the time. These are missives from the authorial front line – urgent and vivid, full of the excitement, fury and frustration of trying to make thousands of words into a publishable book. At the core of On Writing is the hugely popular blog that Kennedy writes for the Guardian – and we follow her during a three-year period when she finished one collection of stories and started another, and wrote a novel in between. Readers and aspiring writers will have almost everything they need to know about the complexities of researching, writing and publishing fiction, but they will be receiving this wisdom conversationally, from one of the funniest and most alert of our contemporary authors.Alongside the blogs are brilliant essays on character, voice, writers’ workshops and writers’ health and the book ends with the transcript of Kennedy’s celebrated one-person show about writing and language that she has performed round the world to huge acclaim. Read together, all these pieces add up to the most intimate master-class imaginable from one of the finest – and most humane – writers in our language.

LONGLISTED FOR THE MAN BOOKER PRIZEJon is 59 and divorced: a senior civil servant in Westminster who hates many of his colleagues and loathes his work, he is a good man in a bad world. Meg is a bankrupt accountant – two words you don’t want in the same sentence, or anywhere near your CV. Living on Telegraph Hill, she can see London unfurl below her. Somewhere out there is safety.As Jon and Meg navigate the sweet and serious heart of London – passing through 24 hours that will change them both for ever – they tell a very unusual, unbearably moving love story.

The world's fascination with New Orleans stems from the allure of the music of the city—music that owes its origins and development to many sources. Until now, popular and scholarly books, dissertations, and articles that attempt to explain these sources have failed to recognize the unsung heroes of the New Orleans jazz scene: the teachers in its public schools. Through more than 90 original interviews and extensive research in New Orleans' historical collections, Dr. Kennedy documents ways that public school teachers pushed an often unwilling urban institution to become an important structure that transmitted jazz and the other musical traditions of the city to future musicians.Music legends from Louis Armstrong to Ellis Marsalis Jr.—who also provides the foreword—are just two of the many well-known former students of the New Orleans public schools. Chord Changes on the Chalkboard shows that, particularly after the 1920s, public school students benefited not only from the study of instrumental music and theory, but also from direct exposure to musicians, many of whom were invited to perform for the students. The impact the teachers had on generations of musicians and music fans is undeniable, yet their teaching techniques are only part of the story. In addition to the successes enjoyed with their students, the teachers' own musical experiences, recordings, and performances are also examined. The interaction between teachers and students in New Orleans public school classrooms opens a new field of research for music historians, and this book is the first to document ways in which public school teachers acted as mentors to shape the future of jazz and the music of New Orleans. An important addition to its field, Chord Changes on a Chalkboard will provide invaluable information for jazz fans and historians, music scholars and students, and it is also useful reading for any public school teacher. A must for any music library, it should also be a welcome addition to any collection supporting A

'Kennedy is a superb writer and the canniness of her observation keeps you reading' Sunday TimesHumour, fantasy, rage and despair both help and hinder the protagonists of these stories as they navigate changing circumstances, accumulating losses, moments of comprehension and tenderness. Here is the woman, hoping for a quiet day at the zoo, who finally snaps at a white man's racist tirade and vents years of fury; the micro-celebrity who practises lines for a chat show on which he'll never appear; and the woman who walks out of her honeymoon suite at midnight, perhaps for good. Unsparing in her close examination of human relationships, A. L. Kennedy proves once again why she is regarded as one of our great storytellers.'Kennedy dissects the small intimacies of inner thoughts... Her prose is typically direct, her sentences clear-cut and yet capable of great tenderness' Observer'An author with a proven ability to see - truly see - and whose prose can fire like gunshots across the page' New Statesman

Packed with tips from bestselling and prize-winning authors, Novel Writing: A Writers' and Artists' Companion will give you all the practical advice you need to write and publish your novel. PART 1 provides an introduction to the forms and history of the novel and helps you plan and research your masterpiece, develop characters and compelling narratives and your own authorial voice. PART 2 contains guest contributions from Philip Pullman, Louise Doughty, Glenn Patterson, Jeanette Winterson, Jonathan Franzen, Stevie Davies, Doris Lessing, Tash Aw, Elif Shafak, Anne Enright, Tim Pears, Anita Desai, Tim Lott, Amit Chaudhuri, Andrea Levy, Alan Hollinghurst, Bernardo Atxaga, Hanan Al-Shaykh, Michèle Roberts, Joan Brady, Lynn Freed, Evelyn Toynton as well as a number of the 2013 list of the Best of Young British Novelists including Kamila Shamsie, Tamima Anam, Naomi Alderman, Ned Beauman, Jenni Fagan and Joanna Kavenna. PART 3 offers practical advice on collaborative writing, overcoming writer's block, editing and rewriting and finding an agent and a publisher for your work. Written by two multi-award winning authors, this is a comprehensive manual for established and aspiring novelists alike.

Winston Churchill hated The Life and Death of Colonel Blimp, and tried to have it banned when it was released in 1943. But Martin Scorsese, a champion of directors Michael Powell and Emeric Pressburger, considers it a masterpiece. It’s a film about desires repressed in favour of worthless and unsatisfying ideals. And it’s a film about how England dreamt of itself as a nation and how this dream disguised inadequacy and brutality in the clothes of honour. A. L. Kennedy, writing as a Scot, is fascinated by the nationalism which The Life and Death of Colonel Blimp explores. She finds human worth in the film and the pathos of stifled emotions and unfulfilled lives. ‘If he is unaware of his passions, ‘ she writes of Clive Candy, the film’s central figure, ‘this is because his pains have become habitual, a part of personality, and because he was never taught a language that could speak of emotions like pain.’.This edition includes a foreword by the author exploring the film's continuing relevance in an age of Brexit, when English and British national identity are deeply contested concepts.

'A daring collection written in response to lockdown' Alison MacLeod 'A collection that reminds us what it is to be human. A book for right now' , Angela Readman '18 well-chosen stories, loosely based on the idea of solitude, explore loss, loneliness and love,'DAILY MAIL Brilliantly funny, terrifying, tender and sharp: the best short stories to come out of lockdown.