Alison Coplan – författare

The first major monograph on Jill Mulleady, whose paintings feature humans and animals enacting their instinctive psychological reactions to ever-present threats of dangerIn the paintings and woodcuts of Swiss artist Jill Mulleady (born 1980), characters enact the physiological stress reactions of “fight or flight”: either adopting extreme or violent survival methods, or retreating into isolation. Mulleady's work roots out fantasies, motivations and fears in order to depict a landscape of polarization and crisis. Ancient mythologies and recent histories are reanimated in her feverish work with an enduring, twisted force. And yet, opposed and extreme, the figures and scenes featured also point to futures in which beings are pushed into marginal spaces, suggesting an ominous threat at civilization’s center. Fight or Flight is the first major monograph on Jill Mulleady, surveying her artistic output over the last 10 years. It features newly commissioned essays by curator Laura McLean-Ferris, author Ottessa Moshfegh and anthropologist Michael Taussig, and a conversation between Mosfegh and Mulleady.

Complete documentation of the longest-running work from Hans Haacke's famous Poll seriesGerman artist and institutional critique pioneer Hans Haacke (born 1936) is famed worldwide for examining museums by directly asking their audiences questions. Hans Haacke: Swiss Institute Visitors Poll documents the results of his longest ever poll work, which was conducted at Swiss Institute from June 21, 2018 to October 24, 2019.Newly commissioned for this publication, Haacke's featured essay outlines the history of his poll works, discussing the context and development of this body of work over four decades—all leading up to the Swiss Institute Visitors Poll. The book documents the results of the poll, including 652 pages of facsimile index cards that were written by poll respondents in response to Question #20: “What multiple-choice question would you also have liked to see in this poll?”

The first ever overview of Pfeiffer's lively artistic output across mediums from the 1960s to the present, from A to ZPublished with Pacific.Inspired by the illustrated alphabets found in abecedariums, this new book on Walter Pfeiffer (born 1946) presents playful and illuminating insights into the Swiss artist’s practice from A to Z, annotated by Pfeiffer himself. The book also features new texts reflecting on five decades of Pfeiffer’s artistic output from an international group of curators, critics and writers. At once a meticulously crafted artist’s book and a comprehensive monograph, Walter Pfeiffer demonstrates the artist’s sustained commitment to exquisite, innovative publications.This book is part of Swiss Institute’s newly redesigned SI Series. Each book in the SI Series adds context through seminal essays, archival materials, event transcripts, artist portfolios and exhibition documentation, as well as reprints and new translations of important texts.

In the mysterious and surreptitious world of NULA, all lairs and smuggling tunnels lead to the Cabaret Économique, where fear dissolves all distinctionsPublished with METER Books.An artist's book created by Irena Haiduk and Blakey Bessire following Haiduk's 2020 exhibition at Swiss Institute, NULA is a dystopian photo-novel following three women through an otherworldly criminal underworld.

The body as flexible habitat, from Arakawa and Gins to Lyle Ashton HarrisAustrian artist and curator Anna-Sophie Berger here assembles a group of works that register the body as a habitat that can be imaginatively stretched, altered, modified, adorned, replicated or destroyed. The starting point for Berger were two designs for necklaces by the Surrealist Meret Oppenheim—one resembling a baby’s legs wrapped around a neck, and the other featuring a pendant with a grinning toothy mouth smoking a cigarette, designed to hang at the softest part of the throat. In a similar spirit, each work in Life and Limbs was chosen for its ability to trouble the limits of what a body can become: from the metamorphosis that comes from wearing a garment to complete transfigurations into surreal, new beings. This volume includes works by Arakawa and Madeline Gins, Moyra Davey, CoBrA, Sarah Charlesworth, Lyle Ashton Harris, Rosemarie Trockel and more.

From olive oil soap to WhatsApp messages: an absurd exploration of our contemporary ecosystemAcross objects, writing, sound and choreography, British artist Cally Spooner (born 1983) addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last 10 years.

Immersive installations of found objects and sound machines create an experiential score incorporating feedback and distortionSwiss artist Jan Vorisek (born 1987) works across sculpture, video and sound to create site-specific installations that examine formal hierarchies through the delineation of space. In assemblages of found materials and sound-producing devices, he explores the fluctuation of noise as a medium for information. The multitudes of the smallest details of Vorisek’s practice provide, just as the complexities of the room-size installation do, an intricate, layered and endlessly unfolding potential for encounter and revelation. The essays in the artist's first-ever monograph, alongside image portfolios of the exhibitions they explore and an appendix that features photos and documentation of Vorisek’s performances, recordings and ephemera, grant us unprecedented access to the private fictions that the work reveals.