Alistair McDowall – författare

This is the first collection from groundbreaking playwright Alistair McDowall, "an exceptionally talented and fast-rising writer. Still only in his twenties, this writer is surely going places. Whatever he dreams up next, his name will almost certainly be in lights at the Royal Court soon, if not at the National Theatre." (The Times) Having won a Judges Award at the Bruntwood Prize in 2011 and been shortlisted for the Writers' Guild Best Play Award in 2013, Alistair McDowall is one of the most exciting playwrights of this generation.The anthology features the play that brought McDowall to people's attention, Brilliant Adventures, up to his latest major play, Pomona, that received ecstatic reviews, transferred to the National Theatre, and hailed him as one of the most important playwrights of this generation. It also includes two previously unpublished plays. Brilliant Adventures (Royal Exchange/Live Theatre, 2013) is a fast paced tale of brotherhood, addiction and breaking the laws of physics. It won McDowall a Bruntwood Prize.Captain Amazing (Live Theatre, 2013) is a funny and poignant one-man show that thrusts us into the life of Britain’s only part-time superhero.Talk Show (Royal Court, 2013) is black comedy about talking and transmission. It was premiered as part of the Royal Court's Open Court season and has not previously been published.Pomona (Royal Welsh College of Music and Drama/Orange Tree Theatre, 2014) is a sinister and surreal thriller, which takes as its setting Manchester's Pomona - an abandoned concrete island at the heard of the city; a place where journeys end and nightmares are born.The anthology is introduced by the author and includes a foreword by Olivier-award-winning playwright Simon Stephens.

This is the first collection from groundbreaking playwright Alistair McDowall, "an exceptionally talented and fast-rising writer. Still only in his twenties, this writer is surely going places. Whatever he dreams up next, his name will almost certainly be in lights at the Royal Court soon, if not at the National Theatre." (The Times) Having won a Judges Award at the Bruntwood Prize in 2011 and been shortlisted for the Writers' Guild Best Play Award in 2013, Alistair McDowall is one of the most exciting playwrights of this generation.The anthology features the play that brought McDowall to people's attention, Brilliant Adventures, up to his latest major play, Pomona, that received ecstatic reviews, transferred to the National Theatre, and hailed him as one of the most important playwrights of this generation. It also includes two previously unpublished plays. Brilliant Adventures (Royal Exchange/Live Theatre, 2013) is a fast paced tale of brotherhood, addiction and breaking the laws of physics. It won McDowall a Bruntwood Prize.Captain Amazing (Live Theatre, 2013) is a funny and poignant one-man show that thrusts us into the life of Britain’s only part-time superhero.Talk Show (Royal Court, 2013) is black comedy about talking and transmission. It was premiered as part of the Royal Court's Open Court season and has not previously been published.Pomona (Royal Welsh College of Music and Drama/Orange Tree Theatre, 2014) is a sinister and surreal thriller, which takes as its setting Manchester's Pomona - an abandoned concrete island at the heard of the city; a place where journeys end and nightmares are born.The anthology is introduced by the author and includes a foreword by Olivier-award-winning playwright Simon Stephens.

Drawing together the work of 10 leading playwrights, this National Theatre Connections anthology features work by some of the most exciting and established contemporary playwrights. Gathered together in one volume, the plays collected offer young performers between the ages of 13 and 19 an engaging selection of material to perform, read or study.Each play has been specifically commissioned by the National Theatre's literary department with the young performer in mind. The anthology contains 10 play scripts; notes from the writer and director of each play, addressing the themes and ideas behind the play; and production notes and exercises for the drama groups.This year's anniversary anthology includes plays by Suhayla El-Bushra, Anders Lustgarten, Robin French, Tim Etchells, Patrick Marber, Kellie Smith, Lizzie Nunnery, Harriet Braun and Alistair McDowall.

I think I’d sleep a lot easier if I knew none of us would wake up tomorrow.Ollie’s sister is missing. Searching Manchester in desperation, she finds all roads lead to Pomona - an abandoned concrete island at the heart of the city.Here at the centre of everything, journeys end and nightmares are born.Pomona premiered in 2014 and has subsequently become a much-produced and widely studied drama text. It is published here as a Student Edition alongside commentary and notes by Dan Rebellato. The ancillary material is geared at students and includes:- an introduction outlining the play's plot, character, themes context and performance history- the full text of the play- a chronology of the playwright's life and work- extensive textual notes- questions for further studyThis play includes some strong language.

“McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you. It’s sci-fi – and theatre – at its best.” The StageBillions of miles from home, the lone research base on Pluto has lost contact with Earth. Unable to leave or send for help, the skeleton crew sit waiting.Waiting.Waiting long enough for time to start eating away at them.To lose all sense of it.To start seeing things in the dark outside.X premiered at the Royal Court Theatre, London, in 2016. This new Modern Classics edition features an introduction by Dr Cristina Delgado-García.

Ta Ta Ta Ta Ta TaBBBBBBBBBBFaceFacesSmileSmilingYesYesYes Yes YesBbbbbbbbbA short play for one performer about all of it. This edition was published to coincide with the world premiere at the Royal Court in February 2020, performed by Kate O'Flynn.

Theatre has a complex history of responding to crises, long before they happen. Through stage plays, contemporary challenges can be presented, explored and even foreshadowed in ways that help audiences understand the world around them. Since the theatre of the Greeks, audiences have turned to live theatre in order to find answers in uncertain political, social and economic times, and through this unique collection questions about This anthology brings together a collection of 20 scenes from 20 playwrights that each respond to the world in crisis. Twenty of the world’s most prolific playwrights were asked to select one scene from across their published work that speaks to the current world situation in 2020. As COVID-19 continues to challenge every aspect of global life, contemporary theatre has long predicted a world on the edge. Through these 20 scenes from plays spanning from 1980 to 2020, we see how theatre and art has the capacity to respond, comment on and grapple with global challenges that in turn speak to the current time in which we are living. Each scene, chosen by the writer, is prefaced by an interview in which they discuss their process, their reason for selection and how their work reflects both the past and the present. From the political plays of Lucy Prebble and James Graham to the polemics of Philip Ridley and Tim Crouch. From bold works by Inua Ellams, Morgan Lloyd Malcom and Tanika Gupta to the social relevance of Hannah Khalil, Zoe Cooper and Simon Stephens this anthology looks at theatre in the present and asks the question: “how can theatre respond to a world in crisis?” The collection is prefaced by an introduction from Edward Bond, one of contemporary theatre’s most prolific dramatists.

People find me. When it’s dark.1863. An asylum.A woman locked in a windowless cell, with no memory as to who she is, or how she arrived there.When spiritualist medium Mrs Lyall requires a new assistant, this nameless woman seems the perfect candidate.But as the woman’s past begins to reveal itself, so do new powers neither are prepared for.Alistair McDowall’s haunting new play The Glow was the 2018 Pinter Commission, an award given annually by Lady Antonia Fraser to support a new commission at the Royal Court Theatre.This edition was published to coincide with the world premiere at London’s Royal Court Theatre in January 2022.

I suppose I never questioned why I was only one piece beforeA woman trapped at home during an air raid.A mother who starts to see double.A whole life in one breath.Three short plays by Alistair McDowall introduce us to three women whose ordinary lives mask extraordinary internal worlds.This trilogy includes the plays Northleigh, 1940, In Stereo and all of it, written for and performed by Kate O’Flynn. This edition was published to coincide with the run at the Royal Court and the Avignon Festival in June 2023.

What do you do as Captain Amazing?Fight… baddies and things. Save people… make people go to bed when they're supposed to go to bed…Join the world's most unassuming superhero in Alistair McDowall’s (Pomona, The Glow, X, all of it) critically-acclaimed masterpiece.From battling his arch-nemesis, to getting his daughter to school on time, follow Captain Amazing on his incredible adventures and discover how even the invincible aren't immune to tragedy.A hilarious and heart-breaking adventure which reminds us that one day, even the bravest of superheroes will need to hang up their cape… forever.This edition was published to coincide with the 10th anniversary production at London's Southwark Playhouse in May 2024.

ALISTAIR MCDOWALL ‘uses language with virtuosity. He folds it, unfolds it, dirties it, mishandles it, and in doing so, he celebrates it...It is as a poet that he uses writing to honour its promises: to excite the imagination, to stimulate play, to provoke staging and to elevate the theatre.’ Le Monde‘McDowall’s plays are portals to the extraordinary.’ GuardianX: ‘McDowall masterfully plants ideas that grow until they explode into extraordinary shapes. Filthy humour breaks down into a cracked algorithm of letters and loss … a play that will gnaw away at you.’The StageThe Glow: ‘A mind-bending, ambitious play, which attempts impossible things, demonstrating the power of theatre to bridge the gap between imagination and reality.’Exeuntall of it: ‘Genius...an epic of inner life...McDowall brilliantly captures how febrile consciousness scribbles around our spoken half-truths.’GuardianNorthleigh, 1940: ‘Quietly devastating...[McDowall] is extraordinary at channelling his disturbing, poetic vision of the characters’ hidden worlds.’The TimesZero for the Young Dudes! A play for youth groups commissioned by the National Theatre and performed around the country in 2017.

Nineteen-year-old science genius Luke finally has some peace to work on the extraordinary box in his living room, holed up in a dingy flat on a near-abandoned Middlesbrough housing estate. After his unbalanced brother Rob introduces him to a wealthy out-of-towner they’re thrown into a dangerous world that threatens to tear the brothers apart and unleash the power inside his invention.Brilliant Adventures is a fast paced tale of brotherhood, addiction and breaking the laws of physics.

My dad is a superhero. No one else knows ‘cos it has to stay a secret.Alistair McDowall's play is a funny and poignant one-man show that thrusts us into the life of Britain’s only part-time superhero. Struggling to balance his family responsibilities and more conventional job with defeating super-villains and rescuing families from burning buildings, Captain Amazing represents how all parents strive to be heroes in the eyes of their children. Discover this man's origins, his family life, and how even the invincible aren’t immune to tragedy.Captain Amazing received its world premiere at the Edinburgh Festival Fringe 2013, starring Mark Weinman, and directed by Clive Judd. It was revived for a national tour from March 2014.'[He] is the kind of man you wouldn’t look twice at in the street: balding; stooped; tentative. He’s skating over the surface of life, marking time with his job at B&Q, barely acquiring possessions, not speaking to his alcoholic father. And then he meets a woman who does look twice at him; who gives birth to their daughter, Emily, and suddenly Emily is convinced that her beloved father is a superhero.' Daily Telegraph