Amanda Renshaw – författare

A comprehensive monograph on the pioneering artist Anthony Caro. Regarded as the greatest British artist of his generation and represented in museum collections all over the world, Anthony Caro revolutionized sculpture in the 1960s, by taking the radical step of removing the plinth and placing his work directly on the ground not only changed our relationship with the artwork, but the direction of sculpture itself. This beautifully designed book includes a comprehensive survey of Caro's work over a period of more than half a century – ranging from his time as Henry Moore's assistant in the early 1950s right up until his death in 2013. More than fifty of his masterworks are each examined in detail through never before published archival installation images and comments by the artist from the time of production or exhibition. Furthermore, a collection of specially commissioned new documentary photographs by Toby Glanville capture the processes behind the sculptor's work, from conception to production to installation and exhibition in major exhibitions and installations. A collection of short texts by leading contemporary artists, including Antony Gormley, Liz Larner, Joel Shapiro, Simon Starling, Frank Stella, Rebecca Warren and Richard Wentworth demonstrate the influence of Caro's work, and a series of key essays by renowned critics and art historians, such as Clement Greenberg and Michael Fried, provide an unparalleled overview of his career and complete this intimate celebration of the artist.

Collecting the World collects twenty-five years of Sasha Gusov’s street photography, exploring the morals, customs and manners of people across the world. ‘Whatever Sasha focuses his lens on reveals both the humour and pathos of our human condition. He is a master of composition, and somehow his light touch enables us to come face to face with the tragedy of our complicity in historical repetition.’ - Gillian Anderson OBE, actor and winner of two Primetime Emmy Awards, two Golden Globe Awards and four Screen Actors Guild Awards Sasha Gusov (b.1960) is a Russia-born, UK-based photographer, fascinated by the morals, customs and manners of people across the world. Alongside his commercial work for influential clients including Vogue, Christie’s and Sotheby’s, Gusov is an avid street photographer, and his keen eye finds the differences, commonalities, comedy and gravity in people and places. Collecting the World presents his photographs taken over twenty-five years in a picture selection curated by editor Amanda Renshaw. An essay by academic and photographer Peter Hamilton sheds light on Gusov’s life as a photographer in Russia and London and his unique visual language. In Collecting the World Gusov juxtaposes toreadors outside a bullring in Spain with synchronised swimmers in Belarus; a sumo wrestler riding a bicycle with a pilot sitting with his bike in front of an aircraft; and Jude Law in jeans and a ballerina from the Bolshoi Ballet in costume puffing on cigarettes. His message is clear: people are people all over the world. Copublished by moholinushk archive, Zurich, and Hurtwood, London

Two decades ago, Phaidon published the first volume in The Art Book for Children series (adapted especially for children from Phaidon's iconic The Art Book), which quickly became beloved by children and parents the world over. To share its legacy with a new generation of readers, this combined, updated, and expanded edition pairs a selection of 'best of' artists from the original series with 30 brand-new contemporary entries. This single volume features 60 artists through a wide range of large-scale, full-page reproductions of their artworks, including paintings, photographs, sculptures, video, prints, and installations from across time and space. Each page showcases defining artworks by the artists, combined with an interactive and informative conversation, giving relatable and memorable contexts for children, and inspiring a curiosity and appreciation for the Visual Arts that will continue into adulthood. With a fresh new design, this book both features the 'best of' from the original two volumes, plus new entries, specially selected in collaboration with art historian and writer, Ferren Gipson.Ages 7-12

“Time moves in one direction, memory in another.We are that strange species that constructs artifacts intended to counter the natural flow of forgetting”. William GibsonWe are our memories.They define what and who we are and help us to understand our reality.When we remember, we do not simply recall a perfect representation of the past.A memory is not a snapshot or movie of our lives.We reconstruct our memories based on a set of things that happened, combined with what we perceived and imagined.What those perceptions are depends, in turn, on our past experiences, our knowledge, and our selves. Consequently, each time we recall an event, we change it.We construct a skeleton with the most important facts and fill in the gaps with our imaginations. So the memory recreated is not a perfect representation of the past event. Our memories are flawed but we do not even realize it.Thinking about the future is one of the main characteristics of being human. We plan ahead.We visualize the future: imagining what will happen and how we will react.Thinking about the past and future can seem like different activities, but when we think about the future, we do the same mental work as when we remember. We just remember a future that has not happened yet.These two activities, remembering the past and remembering the future, are deeply connected and never stop.We perform these activities throughout our lives, in a more or less conscious way, in order to define ourselves and to understand our world.