Andre Lefevere - Böcker

This varied collection of essays represents the differing strands of work currently being undertaken in the exciting new field of Translation Studies and reflects a shift of emphasis away from a more descriptive form of translation towards the idea that translation occupies a seminal position in the devlopment of culture. Susan Bassnett is Director of the Centre for British Comparative Cultural Studies at the University of Warwick. Andre Lefevere is Professor of Germanic Philology at the University of Texas at Austin.

The most important and productive statements on the translation of literature from Roman times to the 1920s are collected in this book. Arranged thematically around the main topics which recur over the centuries - power, poetics, universe of discourse, language, education - it contains texts previously unavailable in English, and translated here for the first time from classical, Medieval, and Renaissance Latin, from French and from German. As the first survey of its kind in both scope and selection it argues that translation commands a central position in the shaping of European literatures and cultures.^Translation/History/Culture creates a framework for further study of the history of translation in the West by tracing European historical thought about translation, and discussing the topicality of many of the texts included.

Parzival, an Arthurian romance completed by Wolfram von Eschenbach in the first years of the thirteenth century, is one of the foremost works of German literature and a classic that can stand with the great masterpieces of the world. The most important aspects of human existence, worldly and spiritual, are presented in strikingly modern terms against the panorama of battles and tournaments and Parzival's long search for the Grail. The world of knighthood, of love and loyalty and human endeavor despite the cruelty and suffering of life, is constantly mingling with the world of the Grail, affirming the inherent unity between man's temporal condition and his quest for something beyond human existence.

Designed for courses on literary translation, Translating Literature discusses the process and the product of literary translation, incorporating both practical advice for translators and theoretical discussion on the role translations play in the evolution and interpretation of literatures. Exercises and examples highlight problems in translation.

The most important and productive statements on the translation of literature from Roman times to the 1920s are collected in this book. Arranged thematically around the main topics which recur over the centuries - power, poetics, universe of discourse, language, education - it contains texts previously unavailable in English, and translated here for the first time from classical, Medieval, and Renaissance Latin, from French and from German. As the first survey of its kind in both scope and selection it argues that translation commands a central position in the shaping of European literatures and cultures.^Translation/History/Culture creates a framework for further study of the history of translation in the West by tracing European historical thought about translation, and discussing the topicality of many of the texts included.

One of the first books to shine a light on the broad scope of translation studies,this Routledge Translation Classic is widely regarded as a pillar of the discipline.Authored by one of the most infl uential translation theorists of the twentiethcentury, Translation, Rewriting, and the Manipulation of Literary Fame showshow rewriting – translation, anthologization, historiography, criticism, editing –infl uences the reception and canonization of works of literature.Firmly placing the production and reception of literature within the widerframework of a culture and its history, André Lefevere explores how rewritingmanipulates works of literature to ideological and artistic ends, and demonstrateshow rewriting a text can give it a new, sometimes subversive, historical orliterary status.Ranging across various literatures, including Classical Latin, French, andGerman, and here reissued with a new foreword by Scott G. Williams, this is aseminal text for all students and specialists in translation studies, literary theory,and comparative and world literature.

One of the first books to shine a light on the broad scope of translation studies,this Routledge Translation Classic is widely regarded as a pillar of the discipline.Authored by one of the most infl uential translation theorists of the twentiethcentury, Translation, Rewriting, and the Manipulation of Literary Fame showshow rewriting – translation, anthologization, historiography, criticism, editing –infl uences the reception and canonization of works of literature.Firmly placing the production and reception of literature within the widerframework of a culture and its history, André Lefevere explores how rewritingmanipulates works of literature to ideological and artistic ends, and demonstrateshow rewriting a text can give it a new, sometimes subversive, historical orliterary status.Ranging across various literatures, including Classical Latin, French, andGerman, and here reissued with a new foreword by Scott G. Williams, this is aseminal text for all students and specialists in translation studies, literary theory,and comparative and world literature.

Translation Studies is currently one of the fastest growing interdisciplinary subjects in the world. Constructing Cultures brings together for the first time the work of the two translator/scholars who are regarded as founders of this major field of study. This collection of essays continues to develop some of the principal research lines that both have been pursuing in recent years, most specifically the cultural turn in Translation Studies. Among topics discussed are Chinese and Western theories of translation, the limits of translatability, when is a translation not a translation, why cultures develop certain genres at certain times, what is the relationship between Translation Studies and Cultural Studies. Some essays are genre specific, focusing on theatre translation or the translating of poetry, others are devoted to specific case studies, and consider the fortunes of such major writers as Virgil or Brecht in English. Written in the accessible, jargon-free style that characterises the work of Bassnett and Lefevere, this collection of essays will be invaluable to anyone interested in translation and comparative cultural studies.