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A four-volume definitive resource on the career and unique works of the postwar American artist Richard DiebenkornThe celebrated American artist Richard Diebenkorn (1922–1993) was a singular figure in postwar American art. Early in his career, he created abstract paintings that combined landscape influence, aerial perspective, and a deeply personal calligraphic language. Then, in late 1955, he began working in a representational mode (landscapes, figure studies, and still lifes) and was associated with the Bay Area figurative movement. Diebenkorn later abandoned figurative references in the 1960s and embarked on monumental abstract, geometrical compositions, including his celebrated Ocean Park works.This four-volume catalogue raisonné is the definitive resource on Diebenkorn’s unique works, including his paintings, works on paper, and three-dimensional objects. The first volume gives an overview of the artist’s career, featuring essays by noted scholars John Elderfield, Ruth E. Fine, Jane Livingston, Steven Nash, and Gerald Nordland, as well as an illustrated chronology, list of exhibitions, bibliography, and selection of studio notes. The second volume spans his student and early abstract works; the third volume features his representational works during the Berkeley period; and the fourth volume covers his later periods, as well as his sketchbooks and other little-known private drawings. Many of the more than five thousand works illustrated in this catalogue are being published for the first time, and with new color photography that showcases his work like never before.Published in association with the Richard Diebenkorn Foundation and the Fine Arts Museums of San Francisco
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The two-volume definitive resource of prints by postwar American artist Richard Diebenkorn While he is renowned for a painting practice that spanned abstract and representational works, Richard Diebenkorn (1922–1993) also worked simultaneously in other media. Throughout his fifty-year career he actively pursued printmaking, achieving unparalleled mastery of the medium. For the artist, printmaking both nourished his efforts in painting and provided a separate path for exploring alternate materials and techniques. Richard Diebenkorn: The Catalogue Raisonné of Prints is a comprehensive resource of the artist’s prints, documenting his entire output across lithography, monotype, woodcut, drypoint, and etching. This landmark publication’s two volumes examine Diebenkorn’s prints chronologically at workshops including Crown Point Press, Gemini G.E.L., Tamarind Lithography Workshop, and several smaller residencies. The first volume examines the history and role of printmaking in the artist’s practice and features an illustrated chronology, biographies of his printmaking collaborators, and an exhibition history. The second volume illustrates and thoroughly documents the artist’s more than four hundred prints. Together, these volumes offer a definitive resource on one of the most prolific printmakers of the postwar period. Published in association with the Richard Diebenkorn Foundation