Andrew Crozier - Böcker
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518 kr
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This book provides a much needed accessible introduction to this key topic for students of the twentieth century. An ideal introduction to the events and historiography surrounding this key subject Sets the origins of WWII in both its European and Pacific contexts, and within 150 years of world history First volume in a new series covering major themes and events of the contemporary world
232 kr
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Almost without exception the prose of Andrew Crozier, reviews and articles centred upon the close reading of poetry including fearless debate about the importance of some figures who have either been overlooked by the establishment or given little more than a cursory nod of acknowledgement, has been out of print for far too long. The work, often published in journals or as contributory chapters to other books, has never before been collected together and this seems astonishing. -from Ian Brinton's introduction to this volume.
Free Verse as Formal Restraint
An Alternative to Metrical Conventions in Twentieth-Century Poetic Structure
Häftad, Engelska, 2015
232 kr
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This volume contains the remarkable PhD thesis submitted by Crozier in 1972, and for which his external examiner was J.H. Prynne-whose comments on the thesis are also included here, as an afterword. "My intention in writing this thesis has been to cast some light on the prima facie case that free verse, in abandoning the exercise of metre, has abandoned that principle of restraint upon which the creation of artistic form depends. This point of view contrasts with a general contention on the part of the exponents of free verse that their works possess form which is not only unique but which also bears an immediate relation to the significance of the work, a relationship felt to be 'musical', although not in any directly analogical sense."
188 kr
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In 1975 J.H. Prynne published High Pink on Chrome. The publication was to be avidly devoured by his admirers and fellow poets. Prynne's example loomed large, especially in Cambridge, and John James and Andrew Crozier would both often respond to his work. Later in 1975, John James published Striking the Pavilion of Zero, which references Prynne, and then, three years later, Andrew Crozier published High Zero, the title of which references, and responds to, both of the preceding books - in this case, the connection goes even further, with the first poem in the book being based on the final poem in Prynne's collection, and the last poem being based on the first poem in the James collection.This unusual compendium volume gives readers a chance to look in on this cardinal moment in radical English poetry, and see the connections at work. The sequences can be read in the various collected editions of the three poets, but the limited-edition originals are long out of print. Here the poems are presented together and afresh in the original context of their first grace and audacity.