Andrew Cunning – författare

'Clara and Christina radiates with wisdom, intelligence and humanity. Andrew Cunning is a very fine writer' Wendy Erskine, author of The Benefactors 'An absolute delight, full of warmth and human surprise' Louise Nealon, author of Snowflake'A novel full of wisdom, insight, tenderness, and love, it stands in a league of its own among recent debuts' Patrick Holloway, author of The Language of RememberingTwo women meet in an unassuming coffee shop in Belfast; they seem an unlikely pair. Clara is young, inquisitive, optimistic for what the meeting holds. Christina is older, in her seventies, still glamorous, still quick. She is working on her fifth novel but no one yet knows of its existence. Clara is there to interview Christina, for her own book, anticipating some major scoop on this reclusive novelist. She wants to unearth the truth behind the fiction. But Christina has a different lesson in store for Clara.Over a few months, a relationship forms between these two women who live their lives in books. Clara, writing her first, embraces this opportunity to learn from a writer finishing her last. During this time, Clara, face to face with her hero, begins to question her own convictions ultimately asking herself: what if there is nothing but fiction?Clara and Christina details the beautiful unfurling of an unexpected friendship; a friendship based on lessons taught and lessons learned, as well as mutual respect between young and old. It heralds the arrival of a bold new voice in Northern Irish fiction.

'Clara and Christina radiates with wisdom, intelligence and humanity. Andrew Cunning is a very fine writer' Wendy Erskine, author of The Benefactors 'An absolute delight, full of warmth and human surprise' Louise Nealon, author of Snowflake'A novel full of wisdom, insight, tenderness, and love, it stands in a league of its own among recent debuts' Patrick Holloway, author of The Language of RememberingTwo women meet in an unassuming coffee shop in Belfast; they seem an unlikely pair. Clara is young, inquisitive, optimistic for what the meeting holds. Christina is older, in her seventies, still glamorous, still quick. She is working on her fifth novel but no one yet knows of its existence. Clara is there to interview Christina, for her own book, anticipating some major scoop on this reclusive novelist. She wants to unearth the truth behind the fiction. But Christina has a different lesson in store for Clara.Over a few months, a relationship forms between these two women who live their lives in books. Clara, writing her first, embraces this opportunity to learn from a writer finishing her last. During this time, Clara, face to face with her hero, begins to question her own convictions ultimately asking herself: what if there is nothing but fiction?Clara and Christina details the beautiful unfurling of an unexpected friendship; a friendship based on lessons taught and lessons learned, as well as mutual respect between young and old. It heralds the arrival of a bold new voice in Northern Irish fiction.

'An absolute delight, full of warmth and human surprise' Louise Nealon, author of Snowflake'An exquisitely written novel . . . full of big ideas, quietly and carefully explored' Jan Carson, author of The FirestartersTwo women meet in an unassuming coffee shop in Belfast; they seem an unlikely pair. Clara is young, inquisitive, optimistic for what the meeting holds. Christina is older, in her seventies, still glamorous, still quick. She is working on her fifth novel but no one yet knows of its existence. Clara is there to interview Christina, for her own book, anticipating some major scoop on this reclusive novelist. She wants to unearth the truth behind the fiction. But Christina has a different lesson in store for Clara.Over a few months, a relationship forms between these two women who live their lives in books. Clara, writing her first, embraces this opportunity to learn from a writer finishing her last. During this time, Clara, face to face with her hero, begins to question her own convictions ultimately asking herself: what if there is nothing but fiction?

Marilynne Robinson, Theologian of the Ordinary posits that Robinson’s widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson’s published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion.This book demonstrates that the Ordinary is the source of Robinson’s writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson’s notion of transcendence emerges. Robinson’s theology is one centered on the material reality of the world and on the subjective nature of one’s encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson’s fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson’s metaphysics.

Marilynne Robinson, Theologian of the Ordinary posits that Robinson's widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson's published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion.This book demonstrates that the Ordinary is the source of Robinson's writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson's notion of transcendence emerges. Robinson's theology is one centered on the material reality of the world and on the subjective nature of one's encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson's fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson's metaphysics.

Marilynne Robinson, Theologian of the Ordinary posits that Robinson's widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson's published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion.This book demonstrates that the Ordinary is the source of Robinson's writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson's notion of transcendence emerges. Robinson's theology is one centered on the material reality of the world and on the subjective nature of one's encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson's fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson's metaphysics.