Andrew Levy – författare

It includes works bysixty-eight authors: short fiction, novels, cartoons, graphics,hypertexts, creative nonfiction, and theoretical writings. This is thefirst anthology to do full justice to the vast range of Americaninnovation in fiction writing since 1945.

The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.

The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.

With more than one in ten Americans—and more than one in five families—affected, the phenomenon of migraine is widely prevalent yet often ignored or misdiagnosed. For Andrew Levy, his migraines were occasional reminders of a persistent illness that he’d wrestled with half his life. Then in 2006 Levy was struck almost daily by a series of debilitating migraines that kept him essentially bedridden for months, imprisoned by pain and nausea that retreated only briefly in gentler afternoon light. When possible, he kept careful track of what triggered an onset and in luminous prose recounts his struggle to live with migraines, his meticulous attempts at calibrating his lifestyle to combat and avoid them, and most tellingly, the personal relationship a migraineur develops—an almost Stockholm syndrome–like attachment—with the indescribable pain, delirium, and hallucinations. Levy researched how personalities and artists throughout history—Alexander Pope, Freud, Virginia Woolf, even Elvis—dealt with their migraines and candidly describes his rehabilitation with the aid of prescription drugs and his eventual reemergence into the world, back to work and writing. An enthralling blend of memoir and provocative analysis, A Brain Wider Than the Sky offers rich insights into an illness whose effects are too often discounted and whose sufferers are too often overlooked

With more than one in ten Americans -- and more than one in five families -- affected, the phenomenon of migraine is widely prevalent and often ignored or misdiagnosed. By his mid-forties, Andrew Levy''s migraines were occasional reminders of a persistent illness that he''d wrestled with half his life, though he had not fully contemplated their physical and psychological influence on the individual, family, and society at large. Then in 2006 Levy was struck almost daily by a series of debilitating migraines that kept him essentially bedridden for months, imprisoned by pain and nausea that retreated only briefly in gentler afternoon light. When possible, Levy kept careful track of what triggered an onset -- the "thin, taut" pain from drinking a bourbon, the stabbing pulse brought on by a few too many M&M''s -- and in luminous prose recounts his struggle to live with migraines, his meticulous attempts at calibrating his lifestyle to combat and avoid them, and most tellingly, the personal relationship a migraineur develops -- an almost Stockholm syndrome-like attachment -- with the indescribable pain, delirium, and hallucinations. Levy read about personalities and artists throughout history with migraine -- Alexander Pope, Nietzsche, Freud, Virginia Woolf, even Elvis -- and researched the treatments and medical advice available for migraine sufferers. He candidly describes his rehabilitation with the aid of prescription drugs and his eventual reemergence into the world, back to work and writing. An enthralling blend of memoir and provocative analysis, A Brain Wider Than the Sky offers rich insights into an illness whose effects are too often discounted and whose sufferers are too often overlooked.

A provocative, exuberant, and deeply researched investigation into Mark Twain’s writing of America’s favorite icon of childhood, Huckleberry Finn: “A boldly revisionist reading of Twain’s Huckleberry Finn…Twain’s masterpiece emerges as a compelling depiction of nineteenth-century troubles still all too familiar in the twenty-first century” (Booklist, starred review).In the “groundbreaking” (Dallas Morning News) Huck Finn’s America, award-winning biographer Andrew Levy shows how modern readers have misunderstood Huckleberry Finn for decades. Mark Twain’s masterpiece is often discussed either as a carefree adventure story for children or a serious novel about race relations, yet Levy argues, it is neither. Instead, Huck Finn was written at a time when Americans were nervous about “uncivilized” bad boys, and a debate was raging about education, popular culture, and responsible parenting—casting Huck’s now-celebrated “freedom” in a very different and very modern light. On issues of race, on the other hand, Twain’s lifelong fascination with minstrel shows and black culture inspired him to write a book not about civil rights, but about race’s role in entertainment and commerce, the same features on which much of our own modern consumer culture is also grounded. In Levy’s vision, Huck Finn has more to say about contemporary children and race that we have ever imagined—if we are willing to hear it. An eye-opening, groundbreaking exploration of the character and psyche of Mark Twain as he was writing his most famous novel, Levy’s book “explores the soul of Mark Twain''s enduring achievement with the utmost self-awareness...An eloquent argument, wrapped up in rich biographical detail and historical fact.” (USA TODAY). Huck Finn’s America brings the past to vivid, surprising life, and offers a persuasive argument for why this American classic deserves to be understood anew.

Robert Carter III, the grandson of Tidewater legend Robert “King” Carter, was born into the highest circles of Virginia’s Colonial aristocracy. He was neighbor and kin to the Washingtons and Lees and a friend and peer to Thomas Jefferson and George Mason. But on September 5, 1791, Carter severed his ties with this glamorous elite at the stroke of a pen. In a document he called his Deed of Gift, Carter declared his intent to set free nearly five hundred slaves in the largest single act of liberation in the history of American slavery before the Emancipation Proclamation.How did Carter succeed in the very action that George Washington and Thomas Jefferson claimed they fervently desired but were powerless to effect? And why has his name all but vanished from the annals of American history? In this haunting, brilliantly original work, Andrew Levy traces the confluence of circumstance, conviction, war, and passion that led to Carter’s extraordinary act.At the dawn of the Revolutionary War, Carter was one of the wealthiest men in America, the owner of tens of thousands of acres of land, factories, ironworks–and hundreds of slaves. But incrementally, almost unconsciously, Carter grew to feel that what he possessed was not truly his. In an era of empty Anglican piety, Carter experienced a feverish religious visionthat impelled him to help build a church where blacks and whites were equals. In an age of publicly sanctioned sadism against blacks, he defied convention and extended new protections and privileges to his slaves. As the war ended and his fortunes declined, Carter dedicated himself even more fiercely to liberty, clashing repeatedly with his neighbors, his friends, government officials, and, most poignantly, his own family.But Carter was not the only humane master, nor the sole partisan of freedom, in that freedom-loving age. Why did this troubled, spiritually torn man dare to do what far more visionary slave owners only dreamed of? In answering this question, Andrew Levy teases out the very texture of Carter’s life and soul–the unspoken passions that divided him from others of his class, and the religious conversion that enabled him to see his black slaves in a new light.Drawing on years of painstaking research, written with grace and fire, The First Emancipator is a portrait of an unsung hero who has finally won his place in American history. It is an astonishing, challenging, and ultimately inspiring book.From the Hardcover edition.