Andrew Levy – författare

It includes works bysixty-eight authors: short fiction, novels, cartoons, graphics,hypertexts, creative nonfiction, and theoretical writings. This is thefirst anthology to do full justice to the vast range of Americaninnovation in fiction writing since 1945.

The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.

The Culture and Commerce of the Short Story is a cultural and historical account of the birth and development of the American short story from the time of Poe. It describes how America - through political movements, changes in education, magazine editorial policy and the work of certain individuals - built the short story as an image of itself and continues to use the genre as a locale within the realm of art where American political ideals can be rehearsed, debated and turned into literary forms. While the focus of this book is cultural, individual authors such as Edgar Allan Poe and Edith Wharton are examined as representative of the phenomenon. As part of its project, this book also contains a history of creative writing and the workshop dating back a century. Andrew Levy makes a strong case for the centrality of the short story as a form of art in American life and provides an explanation for the genre's resurgence and ongoing success.

With more than one in ten Americans—and more than one in five families—affected, the phenomenon of migraine is widely prevalent yet often ignored or misdiagnosed. For Andrew Levy, his migraines were occasional reminders of a persistent illness that he’d wrestled with half his life. Then in 2006 Levy was struck almost daily by a series of debilitating migraines that kept him essentially bedridden for months, imprisoned by pain and nausea that retreated only briefly in gentler afternoon light. When possible, he kept careful track of what triggered an onset and in luminous prose recounts his struggle to live with migraines, his meticulous attempts at calibrating his lifestyle to combat and avoid them, and most tellingly, the personal relationship a migraineur develops—an almost Stockholm syndrome–like attachment—with the indescribable pain, delirium, and hallucinations. Levy researched how personalities and artists throughout history—Alexander Pope, Freud, Virginia Woolf, even Elvis—dealt with their migraines and candidly describes his rehabilitation with the aid of prescription drugs and his eventual reemergence into the world, back to work and writing. An enthralling blend of memoir and provocative analysis, A Brain Wider Than the Sky offers rich insights into an illness whose effects are too often discounted and whose sufferers are too often overlooked