Angelique V. Nixon – författare

An innovative contribution to the field of Black Feminist Studies, this landmark collection brings together the most influential historical and contemporary thinkers in Black feminist theories across transnational contexts.Featuring ground-breaking new work alongside canonical essays from key thinkers, this book adopts a truly global approach to its subject. In doing so, it looks beyond North America to showcase a diverse range of continents and perspectives. The collection includes not only standard academic essays, but also vital statements, interviews, manifestoes, and creative work, which transmit and embody Black feminist thought.The book is broken up into five carefully curated sections:- Black Feminist Foundations- Statements and Manifestos- Cultures and Aesthetics- Bodies, Genders, and Sexualities- Black Feminist FuturesTimely and important, this is an indispensable resource for students and scholars of Black Studies, Women & Gender Studies and Black Feminist Studies, as well as more generally to American Studies, African Studies, Caribbean Studies, and African Diaspora Studies.

An innovative contribution to the field of Black Feminist Studies, this landmark collection brings together the most influential historical and contemporary thinkers in Black feminist theories across transnational contexts.Featuring ground-breaking new work alongside canonical essays from key thinkers, this book adopts a truly global approach to its subject. In doing so, it looks beyond North America to showcase a diverse range of continents and perspectives. The collection includes not only standard academic essays, but also vital statements, interviews, manifestoes, and creative work, which transmit and embody Black feminist thought.The book is broken up into five carefully curated sections:- Black Feminist Foundations- Statements and Manifestos- Cultures and Aesthetics- Bodies, Genders, and Sexualities- Black Feminist FuturesTimely and important, this is an indispensable resource for students and scholars of Black Studies, Women & Gender Studies and Black Feminist Studies, as well as more generally to American Studies, African Studies, Caribbean Studies, and African Diaspora Studies.

Winner of the Caribbean Studies Association’s 2016 Barbara T. Christian AwardTourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region’s overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism.Angelique V. Nixon interrogates the relationship between culture and sex within the production of “paradise” and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism’s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel.Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.

Winner of the Caribbean Studies Association''s 2016 Barbara T. Christian Award for Best Book in the Humanities Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed, tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region''s overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism. Angelique V. Nixon interrogates the relationship between culture and sex within the production of “paradise” and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism''s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.

Winner of the Caribbean Studies Association''s 2016 Barbara T. Christian Award for Best Book in the Humanities Tourists flock to the Caribbean for its beaches and spread more than just blankets and dollars. Indeed, tourism has overly affected the culture there. Resisting Paradise explores the import of both tourism and diaspora in shaping Caribbean identity. It examines Caribbean writers and others who confront the region''s overdependence on the tourist industry and the many ways that tourism continues the legacy of colonialism. Angelique V. Nixon interrogates the relationship between culture and sex within the production of “paradise” and investigates the ways in which Caribbean writers, artists, and activists respond to and powerfully resist this production. Forms of resistance include critiquing exploitation, challenging dominant historical narratives, exposing tourism''s influence on cultural and sexual identity in the Caribbean and its diaspora, and offering alternative models of tourism and travel. Resisting Paradise places emphasis on the Caribbean people and its diasporic subjects as travelers and as cultural workers contributing to alternate and defiant understandings of tourism in the region. Through a unique multidisciplinary approach to comparative literary analysis, interviews, and participant observation, Nixon analyzes the ways Caribbean cultural producers are taking control of representation. While focused mainly on the Anglophone Caribbean, the study covers a range of territories including Antigua, the Bahamas, Grenada, Haiti, Jamaica, as well as Trinidad and Tobago, to deliver a potent critique.