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John Constable (1776–1837) is England’s best-loved landscape painter, and the familiarity of his images can disguise how revolutionary he really was. His passionate concentration on the truth of the natural world influenced not just other painters but the whole course of romanticism, and the spontaneity and energy of his vision and technique remain as fresh today as ever. It was a long journey for this sensitive, not very sociable man, a journey whose fascinating twists and turns we can trace through his many vivid letters, where Constable shared his developing ideas and practice with a small group of friends and patrons. To read his letters today is to gain unparalleled insight into a pioneering creative mind. For the first time, these letters have now been selected and arranged into chronological order to create a coherent narrative. The editor is the leading expert on Constable, Anne Lyles, and she has also written an extensive introduction.
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"Forget the rural idylls. This sublime show recasts John Constable as the godfather of the Avant Garde, producing explosive, nightmarish paintings of a vanishing world." – Jonathan Jones, GuardianOne of Britain’s greatest landscape painters, John Constable (1776–1837) was brought up in Dedham Vale, the valley of the River Stour in Suffolk. The eldest son of a wealthy mill owner, he entered the Royal Academy Schools in 1800 at the age of 24, and thereafter committed himself to painting nature out of doors. His ‘six-footers’, such as The Hay Wain and The Leaping Horse, were designed to promote landscape as a subject and to stand out in the Academy’s Annual Exhibition. Despite this, he sold few paintings in his lifetime and was elected a Royal Academician late in his career.With texts by leading authorities on the artist, this handsome book looks at the freedom of Constable’s late works and records his enormous contribution to the English landscape tradition.