Anne Price-Owen – författare

David Jones – author of In Parenthesis, the great poem of World War I – is increasingly recognized as a major voice in the first generation of British modernist writers. Acclaimed by the likes of T.S. Eliot, W.B. Yeats, and W.H. Auden, his writing was deeply informed by his Catholic faith and Welsh blood.This book makes available for the first time a number of previously unpublished statements by Jones that open new perspectives on his own work and the religious, political, and cultural engagements of British modernism more broadly. Annotated throughout, with detailed commentaries exploring the historical context of each document, the volume presents the restored text of Jones’s essay on Hitler and includes a letter to Neville Chamberlain, an unfinished essay on Gerard Manley Hopkins, and the transcript of an interview with Jones a year before his death. These reveal an unknown side of Jones and give fresh insight into the influences and assumptions of 20th-century British literary culture.

David Jones – author of In Parenthesis, the great poem of World War I – is increasingly recognized as a major voice in the first generation of British modernist writers. Acclaimed by the likes of T.S. Eliot, W.B. Yeats, and W.H. Auden, his writing was deeply informed by his Catholic faith and Welsh blood.This book makes available for the first time a number of previously unpublished statements by Jones that open new perspectives on his own work and the religious, political, and cultural engagements of British modernism more broadly. Annotated throughout, with detailed commentaries exploring the historical context of each document, the volume presents the restored text of Jones’s essay on Hitler and includes a letter to Neville Chamberlain, an unfinished essay on Gerard Manley Hopkins, and the transcript of an interview with Jones a year before his death. These reveal an unknown side of Jones and give fresh insight into the influences and assumptions of 20th-century British literary culture.

Tim Davies is one of the most exciting artists working in Britain today. Internationally exhibited and acclaimed he specialises in art which explores identity through artefacts - he has approached Wales through wool, fire, oil-drenched seabird feathers, lead from the roof of a disused chapel. More exotically he has returned a tropical hardwood parquet floor to the Belizean jungle from whence it came, laying the blocks among the trees where new plants now grow through them and termites erode them. Change, organic and by intervention, and method are at the centre of Davies' art; process is its determining feature. In a retrospective approach three leading critics provide an illuminating and informative commentary to his work. David Alston is the Keeper of Art at the Lowry Centre; Iwan Bala is one of Wales' leading artists and critics; Anne Price-Owen is Senior Lecturer in Art at the Swansea Institute. Together they explore the practise, the international context, the Welsh context and the recurring motifs of Tim Davies' work. Davies himself also provides a commentary on five of his significant pieces, and the Foreword is provided by Susan Daniel-McElroy, Director of Tate St Ives. Tim Davies was born in Haverforwest in 1960, and has exhibited widely in the UK and abroad, including shows in Australia, Mexico, Hong Kong, Belize, Ireland, Estonia, Poland and Croatia.