Anne Sarah Rubin – författare
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4 produkter
4 produkter
Häftad, Engelska, 2007
362 kr
Skickas inom 10-15 vardagar
Historians often assert that Confederate nationalism had its origins in pre-Civil War sectional conflict with the North, reached its apex at the start of the war, and then dropped off quickly after the end of hostilities. Anne Sarah Rubin argues instead that white Southerners did not actually begin to formulate a national identity until it became evident that the Confederacy was destined to fight a lengthy war against the Union. She also demonstrates that an attachment to a symbolic or sentimental Confederacy existed independent of the political Confederacy and was therefore able to persist well after the collapse of the Confederate state. White Southerners redefined symbols and figures of the failed state as emotional touchstones and political rallying points in the struggle to retain local (and racial) control, Rubin argues, even as former Confederates took the loyalty oath and applied for pardons in droves.
E-bok
Engelska, 2018425 kr
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A rare and dramatic first-person account by a Union scout who served General William Tecumseh Sherman on his “march to the sea” After his father-in-law passed away, Stephen Murphy found, among the voluminous papers left behind, an ancestral memoir. Murphy quickly became fascinated with the recollections of George W. Quimby (1842–1926), a Union soldier and scout for General William Tecumseh Sherman. Before Quimby became a part of Sherman’s March, he was held captive by Nathan Bedford Forrest’s troops in western Tennessee. He joined Sherman’s Army in Vicksburg, destroying railroads and bridges across Mississippi and Alabama on the way to Georgia. As the notorious march began, Quimby became a scout and no longer experienced war as his fellow soldiers did. Scouts moved ahead of the troops to anticipate opportunities and dangers. The rank and file were instructed to be seen and feared, while scouts were required to be invisible and stealthy. This memoir offers the rare perspective of a Union soldier who ventured into Confederate territory and sent intelligence to Sherman. Written around 1901 in the wake of the Spanish American War, Quimby’s memoir shows no desire to settle old scores. He’s a natural storyteller, keeping his audience’s attention with tales of drunken frolics and narrow escapes, providing a memoir that reads more like an adventure novel. He gives a new twist to the familiar stories of Sherman’s March, reminding readers that while the Union soldiers faced few full-scale battles, the campaign was still quite dangerous. More than a chronicle of day-to-day battles and marches, The Perfect Scout is more episodic and includes such additional elements as the story of how he met his wife and close encounters with the enemy. Offering a full picture of the war, Quimby writes not only about his adventures as one of Sherman’s scouts, but also about the suffering of the civilians caught in the war. He provides personal insight into some of the war’s historic events and paints a vivid picture of the devastation wreaked upon the South that includes destroyed crops and homes and a shattered economy. He also tells of the many acts of kindness he received from Southerners, including women and African Americans, who helped him and his fellow scouts by providing food, shelter, or information.
E-bok
Engelska, 2014401 kr
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Sherman''s March, cutting a path through Georgia and the Carolinas, is among the most symbolically potent events of the Civil War. In Through the Heart of Dixie, Anne Sarah Rubin uncovers and unpacks stories and myths about the March from a wide variety of sources, including African Americans, women, Union soldiers, Confederates, and even Sherman himself. Drawing her evidence from an array of media, including travel accounts, memoirs, literature, films, and newspapers, Rubin uses the competing and contradictory stories as a lens into the ways that American thinking about the Civil War has changed over time. Compiling and analyzing the discordant stories around the March, and considering significant cultural artifacts such as George Barnard''s 1866 Photographic Views of Sherman''s Campaign, Margaret Mitchell''s Gone with the Wind, and E. L. Doctorow''s The March, Rubin creates a cohesive narrative that unites seemingly incompatible myths and asserts the metaphorical importance of Sherman''s March to Americans'' memory of the Civil War. The book is enhanced by a digital history project, which can be found at shermansmarch.org.
Häftad, Engelska, 2017
352 kr
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Sherman's March, cutting a path through Georgia and the Carolinas, is among the most symbolically potent events of the Civil War. In Through the Heart of Dixie, Anne Sarah Rubin uncovers and unpacks stories and myths about the March from a wide variety of sources, including African Americans, women, Union soldiers, Confederates, and even Sherman himself. Drawing her evidence from an array of media, including travel accounts, memoirs, literature, films, and newspapers, Rubin uses the competing and contradictory stories as a lens into the ways that American thinking about the Civil War has changed over time. Compiling and analyzing the discordant stories around the March, and considering significant cultural artifacts such as George Barnard's 1866 Photographic Views of Sherman's Campaign, Margaret Mitchell's Gone with the Wind, and E. L. Doctorow's The March, Rubin creates a cohesive narrative that unites seemingly incompatible myths and asserts the metaphorical importance of Sherman's March to Americans' memory of the Civil War. The book is enhanced by a digital history project, which can be found at shermansmarch.org.|Sherman's March, cutting a path through Georgia and the Carolinas, is among the most symbolically potent events of the Civil War. In Through the Heart of Dixie, Anne Sarah Rubin uncovers and unpacks stories and myths about the March from a wide variety of sources, including African Americans, women, Union soldiers, Confederates, and even Sherman himself. Drawing her evidence from an array of media, including travel accounts, memoirs, literature, films, and newspapers, Rubin uses the competing and contradictory stories as a lens for examining the ways American thinking about the Civil War have changed over time. Compiling and analyzing the discordant stories around the March, and considering significant cultural artifacts such as George Barnard's 1866 Photographic Views of Sherman's Campaign, Margaret Mitchell's Gone with the Wind, and E. L. Doctorow's The March, Rubin creates a cohesive narrative that unites seemingly incompatible myths and asserts the metaphorical importance of Sherman's March to Americans' memory of the Civil War. The book is enhanced by a digital history project, which can be found at shermansmarch.org.