Anthony Gardner – författare

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or ''biennials'', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or ''biennials'', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990sIntroduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art sceneUses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990sIntroduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art sceneUses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art

‘Hilarious, joyous and astute’ – Nicholas ColeridgeMild-mannered editor Ben Fairweather is horrified when his genteel religious magazine is taken over by a fanatical movement that believes animals are closer to God than humans and should receive Holy Communion. Amid a national religious revival, this belief becomes mainstream and he is cancelled as a petphobic bigot.Reinventing himself as a nightclub pianist, Ben meets journalist Anita Scott, who is bent on exposing a newly ennobled Russian oligarch as a cultural vandal. But Lord Ogorodnikov’s agenda is far more sinister than they realise, and together they are drawn into a world of spies, art forgery and murder, with their own lives on the line.Anthony Gardner ingeniously blends intrigue with sharp satire in a story that is both thrilling and darkly funny.

‘Hilarious, joyous and astute’ – Nicholas ColeridgeMild-mannered editor Ben Fairweather is horrified when his genteel religious magazine is taken over by a fanatical movement that believes animals are closer to God than humans and should receive Holy Communion. Amid a national religious revival, this belief becomes mainstream and he is cancelled as a petphobic bigot.Reinventing himself as a nightclub pianist, Ben meets journalist Anita Scott, who is bent on exposing a newly ennobled Russian oligarch as a cultural vandal. But Lord Ogorodnikov’s agenda is far more sinister than they realise, and together they are drawn into a world of spies, art forgery and murder, with their own lives on the line.Anthony Gardner ingeniously blends intrigue with sharp satire in a story that is both thrilling and darkly funny.

A virulent disease carried by foxes is spreading across Europe. In London an urgent cull is underway, spearheaded by Frank Smith, the young master of the Hyde Park Hunt. But for Britain's paranoid Prime Minister, fox flu is a chance to foist the ultimate in surveillance technology on an unsuspecting population: the Mulberry Tree system, secretly bought from the Chinese.When biochemist Christophe Hardy discovers the conspiracy, he finds himself caught up in a chase which starts in Beijing and ends in Northumbria involving animal rights activists, a beautiful female missionary, high-society Chinese assassins, and the world most innovative catering venture, the Pu Dong Pudding Company.