Antonia Hoerschelmann – författare
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6 produkter
6 produkter
495 kr
Skickas inom 3-6 vardagar
388 kr
Skickas inom 3-6 vardagar
547 kr
Skickas inom 3-6 vardagar
402 kr
Skickas inom 5-8 vardagar
With his Fat Cars and Tiny Houses, his sculptures of cucumbers, bread rolls, and sausages, Erwin Wurm (*1954) shines a critical spotlight on consumer society’s manipulative mechanisms and their effects. On the occasion of Wurm’s 70th birthday this extensive catalog documents all of the important stations of Erwin Wurm’s artistic career to date.Wurm uses shifted proportions and new angles on objects of everyday life to gain new perspectives and insights into our world and our lives. Alongside with his main works this presentation also aims to introduce the public to less well-known but equally significant works and work groups. The resulting selection will form a dense network of artistic statements comprising sculptures, drawings, working instructions and documentation, videos, objects, photographs, and paintings.
431 kr
Skickas inom 5-8 vardagar
While Munch's pessimistic, melancholy world view crucially defines our understanding of his work, many important postwar and contemporary artists have drawn inspiration from several aspects of his oeuvre. This richly illustrated book explores how seven such artists- Georg Baselitz, Miriam Cahn, Peter Doig, Marlene Dumas, Tracey Emin, Jasper Johns and Andy Warhol-engaged with Munch's work at different points in, or throughout, their careers. It features elaborate reproductions of sixty works by Munch juxtaposed with those inspired by him. Readers discover how Baselitz cunningly pays tribute to his artistic hero how Tracey Emin's practice, like Munch's, is autobiographical, both drawing from their personal torment to create their unnerving works ; how Marlene Dumas was drawn to the expressiveness of Munch's portraits; and how Peter Doig draws on Munch's radical treatment of pigments and materiality. Essays by leading scholars detail each artist's unique preoccupation with Munch and offer a focused exploration of the ways women artists in particular were inspired by his examinations of loneliness, fear, and trauma.
384 kr
Skickas inom 5-8 vardagar
Jean-Michel Basquiat’s symbolic, complex, and often emotionally charged work made a huge impact on the 1980s downtown New York City art scene. And though his all-too-brief career ended when he died at age 27, Basquiat left behind an enormous legacy—not only in the number of works he produced, but also in the messages he encoded around political, social, racial, and cultural issues. This exciting book shows how Basquiat used an intricate network of signs and symbols to challenge the very system that made him a darling of the art world. It traces his inspiration from cartoons, children’s drawings, and advertising as well as his own Haitian and Puerto Rican heritage; discusses the influence of African-American, African, and Aztec cultural histories; and shows how Basquiat incorporated into his work classical themes and contemporary icons—from athletes to musicians. What becomes clear is how, even as a young man, Basquiat had a profound understanding of the artist’s role in art history, and of his position as a young Black artist in a world of racism, suppression and social injustice. This book helps readers decode Basquiat’s unique lingua franca, an intoxicating body of work brimming with social commentary that was in turns incisive, angry, comic, hip, and heartbreaking, and that remains powerful and meaningful today.