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In latent spaces of immense mathematical matrices, artificial neural networks understand the world as a code and begin to learn by themselves to produce images and sounds, to write, to translate, to speak. The World Through AI: this book is a cornerstone of the intellectual edifice that examines these new tools that make it possible to rethink and renew the processes of creation while shedding light on the way in which machines see and inhabit the world. The book unveils the works—some of them previously unpublished—of artists from the French and international scene who have approached new AI technologies from different perspectives: Kate Crawford & Vladan Joler, Fabien Giraud, Agnieszka Kurant, Christian Marclay, Trevor Paglen, Hito Steyerl…
885 kr
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One of the iconic figures of the 20th cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin. This comprehensive volume of Eisenstein's writings is the first ever English-language edition of his newly discovered notes for a general history of the cinema, a project he undertook in 1946-47 before his death in 1948.
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One of the iconic figures of the twentieth-century cinema, Sergei Eisenstein is best known as the director of The Battleship Potemkin. His craft as director and film editor left a distinct mark on such key figures of the Western cinema as Nicolas Roeg, Francis Ford Coppola, Sam Peckinpah and Akiro Kurosawa. This comprehensive volume of Eisenstein's writings is the first ever English-language edition of his newly discovered notes for a general history of the cinema, a project he undertook in 1946-47 before his death in 1948. In his writings, Eisenstein presents the main coordinates of a history of the cinema without mentioning specific directors or films: what we find instead is a vast genealogy of all the media and of all the art forms that have preceded cinema's birth and accompanied the first decades of its history, exploring the same expressive possibilities that cinema has explored and responding to the same, deeply rooted urges cinema has responded to. Cinema appears here as the heir of a very long tradition that includes death masks, ritual processions, wax museums, diorama and panorama, and as a medium in constant transformation, that far from being locked in a stable form continues to redefine itself.The texts by Eisenstein are accompanied by a series of critical essays written by some of the world's most qualified Eisenstein scholars.