Arthur Pollard – författare

First published in 1970, this work explores the literary genre of satire. After identifying the definitive aspects of satire, it goes on to examine the subjects which can be susceptible to satire, the modes and means of satire, the tone of satire and the satirist’s relationship with the reader. In doing so, it introduces the reader to a number of key satirical writers such as Geoffrey Chaucer, Jonathan Swift, John Dryden, Samuel Johnson and Henry Fielding.

This book presents a comprehensive overview the genre and provides a useful starting point for those wishing to further study satirical literature.

First published in 1970, this work explores the literary genre of satire. After identifying the definitive aspects of satire, it goes on to examine the subjects which can be susceptible to satire, the modes and means of satire, the tone of satire and the satirist’s relationship with the reader. In doing so, it introduces the reader to a number of key satirical writers such as Geoffrey Chaucer, Jonathan Swift, John Dryden, Samuel Johnson and Henry Fielding.

This book presents a comprehensive overview the genre and provides a useful starting point for those wishing to further study satirical literature.

Anthony Trollope is perhaps best known for the group of Barsetshire novels, a rich and enduring picture of society in a small cathedral town. He also wrote a number of Irish novels and a series about political society known as the ‘Palliser novels’.

First published in 1978, this introduction to Trollope’s life and work surveys all of his forty-seven novels, as well as his various miscellaneous works, and calls for a reassessment of his impressive achievement.

This book will be of interest to those studying Victorian literature.

Anthony Trollope is perhaps best known for the group of Barsetshire novels, a rich and enduring picture of society in a small cathedral town. He also wrote a number of Irish novels and a series about political society known as the ‘Palliser novels’.

First published in 1978, this introduction to Trollope’s life and work surveys all of his forty-seven novels, as well as his various miscellaneous works, and calls for a reassessment of his impressive achievement.

This book will be of interest to those studying Victorian literature.

Within the narrow confines of Haworth Parsonage the Brontë children constructed a multiform fantasy world and to their gift of intense imagination was added the quality of intense passion. The narrowness of Charlotte’s experience makes autobiography important in her novels, while her imagination and passion exalt the subjectivity of her work. Her style is autobiographical also, adding credibility to the often heightened narrative, while the moralism of her heroines often serves to stabilise this exaggeration.

This book, first published in 1968, introduces extracts from the novels of Charlotte Brontë, emphasising the author’s subjectivity, imagination and the resultant heightening of dialogue and experience. There is a central section on her heroines, while others discuss and illustrate events, other characters, the handling of time and place, speech and dialogue and the author’s place in novels. This title will be of interest to students of English Literature.

Within the narrow confines of Haworth Parsonage the Brontë children constructed a multiform fantasy world and to their gift of intense imagination was added the quality of intense passion. The narrowness of Charlotte’s experience makes autobiography important in her novels, while her imagination and passion exalt the subjectivity of her work. Her style is autobiographical also, adding credibility to the often heightened narrative, while the moralism of her heroines often serves to stabilise this exaggeration.

This book, first published in 1968, introduces extracts from the novels of Charlotte Brontë, emphasising the author’s subjectivity, imagination and the resultant heightening of dialogue and experience. There is a central section on her heroines, while others discuss and illustrate events, other characters, the handling of time and place, speech and dialogue and the author’s place in novels. This title will be of interest to students of English Literature.

In The Representation of Business in English Literature, five scholars of different periods of English literature produce original essays on how business and businesspeople have been portrayed by novelists, starting in the eighteenth century and continuing to the end of the twentieth century. The contributors to Representation help readers understand the partiality of the various writers and, in so doing, explore the issue of what determines public opinion about business.

Arthur Pollard (1922–2001) was Professor Emeritus of English at the University of Hull in Hull, East Yorkshire, England.

John Blundell is General Director of the Institute of Economic Affairs, London.