B. Ruby Rich – författare

Catalogues the recent critically acclaimed exhibition of Isaac Julien’s work at the de Young Museum, San Francisco. Sir Isaac Julien (b 1960), one of the UK’s leading artists working in film and video, is celebrated for his poetic yet astutely political films and video installations that reflect on the intersection of power, politics and personal experience through the lens of identity, race and sexuality. Distinguished by their fusion of fact and fiction, social critique and aesthetic immersion, his video installations offer poetic meditations on catalytic political and cultural events that have shaped the lives of individuals and societies around the world. His work breaks down the barriers between different artistic disciplines, melding references to cinema, art, poetry, performance and music into spellbinding political allegories that challenge our understanding of histories, both past and present. Isaac Julien: I Dream a World accompanies the first comprehensive retrospective of this renowned artist and filmmaker in the United States. Centering ten of the artist’s key works shot across the Americas, Africa, Asia, the Caribbean and Europe, this volume situates his work within a global context. Provocative essays by a roster of contemporary writers and lavish galleries that feature multiple views of Julien’s work further mark this as an indispensable book on the artist and the subject of art history today.

If there was a moment during the sixties, seventies, or eighties that changed the history of the women’s film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks-with its definitive, the-way-it-was collection of essays-captures the birth and growth of feminist film as no other book has done.For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program “The World” have secured her a place as a central figure in the remarkable history of what she deems “cinefeminism.” In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women’s involvement in cinema but of one of its key players as well. The first book-length work from Rich-whose stature and influence in the world of film criticism and theory continue to grow-Chick Flicks exposes unexplored routes and forgotten byways of a past that’s recent enough to be remembered and far away enough to be memorable.

If there was a moment during the sixties, seventies, or eighties that changed the history of the women’s film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks-with its definitive, the-way-it-was collection of essays-captures the birth and growth of feminist film as no other book has done.For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice, Elle, Out, and the Advocate, and her commentaries on the public radio program “The World” have secured her a place as a central figure in the remarkable history of what she deems “cinefeminism.” In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform. The result is a volume that traces the development not only of women’s involvement in cinema but of one of its key players as well. The first book-length work from Rich-whose stature and influence in the world of film criticism and theory continue to grow-Chick Flicks exposes unexplored routes and forgotten byways of a past that’s recent enough to be remembered and far away enough to be memorable.