Barry Mazor – författare

The definitive biography of the Everly Brothers, one of the greatest and most influential acts in popular music history, based on dozens of exclusive and archival interviews, as well as long-lost global reportingIn between the Elvis years and the rise of the Beatles, there was no bigger act than The Everly Brothers. From 1957-1962, they were among the highest selling pop acts in the U.S., with 11 Number One singles and over 35 high- charting records in all. In that time, they developed their own brand of rock 'n' roll and gentle pop balladry that leaned heavily on older, close harmony styles of country music singing. "Wake Up, Little Susie," "All I Have to Do Is Dream," "Cathy's Clown," "Let it Be Me," - their hits were legion and their sweet and sour Appalachian-style harmonies influenced everyone from The Beatles to Simon and Garfunkel to the Beach Boys to Crosby, Stills, and Nash. "Blood harmony" refers to the kind of close harmony seemingly only obtainable by siblings, and Don and Phil Everly were the kings of it. Anytime you hear the style of harmony you hear in, say, the Beatles' "Please Please Me," you are hearing the sound (and impact) of The Everly Brothers. The Everly Brothers-Don and Phil-are inducted members of both the Rock and Roll Hall of Fame and the Country Music Hall of Fame, and progenitors of the hybrid Americana roots music format. Yet the duo have remained the only original, founding inductees of the Rock Hall without a penetrating, substantial biography. What books there have been-most published 30-40 years ago, reflecting perspectives of that time-have been either fan-written and surface-skimming or approached the Everlys with particular emphasis on their discography, more than their lived experiences.Blood Harmony: The Everly Brothers Story is the first biography that's focused on the dramatic, complicated relationship of these two famous and strikingly talented brothers, and explores how the evolution of their relationship played out in the much- loved music they created-through some sixty years of performing. Their story is the story of American music, from their rural Kentucky origins to massive international fame, falling out of fashion in the wake of the rise of rock bands and singer-songwriters, and their many comebacks.Written with reverence and insight, and featuring dozens of brand new and archival interviews with those who knew them best, as well as long-lost global reporting, Blood Harmony is a fitting ode to the brothers who made a huge impact on the modern music scene, celebrating how their creative "blood harmony" evolved to become an entry point into country music for millions around the world.

In the nearly eight decades since his death from tuberculosis at age thirty-five, singer-songwriter Jimmie Rodgers has been an inspiration for numerous top performers--from Woody Guthrie, Lead Belly, Bill Monroe and Hank Williams to Elvis Presley, Johnny Cash, Dolly Parton, Bob Dylan, and Beck. How did this Mississippi-born vaudevillian, a former railroad worker who performed so briefly so long ago, produce tones, tunes, and themes that have had such broad influence and made him the model for the way American roots music stars could become popular heroes?In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes---sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies' man--that connected him to such a broad public and set the stage for the stars who followed him.Mazor goes beyond Rodgers's own life to map the varied places his music has gone, forever changing not just country music but also rock and roll, blues, jazz, bluegrass, Western, commercial folk, and much more. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew--not as an historical figure, but as a vibrant, immediate force.

In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers'' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers'' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies'' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.

In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "The Singing Brakeman" from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers'' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "Blue Yodel" and "In the Jailhouse Now." As Mazor shows, Rodgers brought emotional clarity and a unique sense of narrative drama to every song he performed, whether tough or sentimental, comic or sad. His wistful singing, falsetto yodels, bold flat-picking guitar style, and sometimes censorable themes--sex, crime, and other edgy topics--set him apart from most of his contemporaries. But more than anything else, Mazor suggests, it was Rodgers'' shape-shifting ability to assume many public personas--working stiff, decked-out cowboy, suave ladies'' man--that connected him to such a broad public and set the stage for the stars who followed him. In reconstructing this far-flung legacy, Mazor enables readers to meet Rodgers and his music anew-not as an historical figure, but as a vibrant, immediate force.