Bill Anthes - Böcker
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7 produkter
7 produkter
2 358 kr
Skickas inom 10-15 vardagar
To fully understand photography, it is essential to study both the theoretical and the technical. In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice: visionlight/shadowreproductive processesediting/ presentation/ evaluation.Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.Key Features: case studies featuring profiles of contemporary and historical artistsglossary definitions of critical and technical vocabulary to aid learning‘how to’ sections provide students with illustrated, step by step guides to different photographic methods, alongside related theoryfully up-to-date, with both high and low tech suggestions for activitiesonline resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related siteslavishly illustrated, with over 750 images, including artists’ work and examples of photographic processes.
688 kr
Skickas inom 7-10 vardagar
To fully understand photography, it is essential to study both the theoretical and the technical. In an accessible yet complex way, Rebekah Modrak and Bill Anthes explore photographic theory, history and technique to bring photographic education up-to-date with contemporary photographic practice. Reframing Photography is a broad and inclusive rethinking of photography that will inspire students to think about the medium across time periods, across traditional themes, and through varied materials. Intended for both beginners and advanced students, and for art and non-art majors, and practicing artists, Reframing Photography compellingly represents four concerns common to all photographic practice: visionlight/shadowreproductive processesediting/ presentation/ evaluation.Each part includes an extensive and thoughtful essay, providing a broad cultural context for each topic, alongside discussion of photographic examples. Essays introduce the work of artists who use a diverse range of subject matter and a variety of processes (straight photography, social documentary, digital, mixed media, conceptual work, etc.), examine artists' conceptual and technical choices, describe cultural implications and artistic influences, and analyze how these concerns interrelate. Following each essay, each part continues with a "how-to" section that describes a fascinating range of related photographic equipment, materials and methods through concise explanations and clear diagrams.Key Features: case studies featuring profiles of contemporary and historical artistsglossary definitions of critical and technical vocabulary to aid learning‘how to’ sections provide students with illustrated, step by step guides to different photographic methods, alongside related theoryfully up-to-date, with both high and low tech suggestions for activitiesonline resources at: www.routledge.com/textbooks/reframingphotography will update information on equipment and provide further activities, information and links to related siteslavishly illustrated, with over 750 images, including artists’ work and examples of photographic processes.
427 kr
Skickas inom 7-10 vardagar
Between 1940 and 1960, many Native American artists made bold departures from what was considered the traditional style of Indian painting. They drew on European and other non-Native American aesthetic innovations to create hybrid works that complicated notions of identity, authenticity, and tradition. This richly illustrated volume focuses on the work of these pioneering Native artists, including Pueblo painters JosÉ Lente and Jimmy Byrnes, Ojibwe painters Patrick DesJarlait and George Morrison, Cheyenne painter Dick West, and Dakota painter Oscar Howe. Bill Anthes argues for recognizing the transformative work of these Native American artists as distinctly modern, and he explains how bringing Native American modernism to the foreground rewrites the broader canon of American modernism.In the mid-twentieth century, Native artists began to produce work that reflected the accelerating integration of Indian communities into the national mainstream as well as, in many instances, their own experiences beyond Indian reservations as soldiers or students. During this period, a dynamic exchange among Native and non-Native collectors, artists, and writers emerged. Anthes describes the roles of several anthropologists in promoting modern Native art, the treatment of Native American “Primitivism” in the writing of the Jewish American critic and painter Barnett Newman, and the painter Yeffe Kimball’s brazen appropriation of a Native identity. While much attention has been paid to the inspiration Native American culture provided to non-Native modern artists, Anthes reveals a mutual cross-cultural exchange that enriched and transformed the art of both Natives and non-Natives.
1 226 kr
Skickas inom 7-10 vardagar
For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces. In the first book-length study of this important artist, Bill Anthes analyzes Heap of Birds's art and politics in relation to the international contemporary art scene, Native American history, and settler colonialism. Foregrounding how Heap of Birds roots his practice in Cheyenne spirituality and an indigenous way of seeing and being in the world, Anthes describes how Heap of Birds likens his art to "sharp rocks"-weapons delivering trenchant critiques of the loss of land, life, and autonomy endured by Native Americans. Whether appearing as interventions in public spaces or in a gallery, Heap of Birds's carefully honed artworks pose questions about time, modernity, identity, power, and the meaning and value of contemporary art in a global culture.
386 kr
Skickas inom 7-10 vardagar
For over three decades, contemporary Native American artist Hock E Aye Vi Edgar Heap of Birds has pursued a disciplined practice in multiple media, having shown his paintings, drawings, prints, and text-based conceptual art throughout numerous national and international galleries and public spaces. In the first book-length study of this important artist, Bill Anthes analyzes Heap of Birds's art and politics in relation to the international contemporary art scene, Native American history, and settler colonialism. Foregrounding how Heap of Birds roots his practice in Cheyenne spirituality and an indigenous way of seeing and being in the world, Anthes describes how Heap of Birds likens his art to "sharp rocks"-weapons delivering trenchant critiques of the loss of land, life, and autonomy endured by Native Americans. Whether appearing as interventions in public spaces or in a gallery, Heap of Birds's carefully honed artworks pose questions about time, modernity, identity, power, and the meaning and value of contemporary art in a global culture.
549 kr
Skickas inom 7-10 vardagar
474 kr
Skickas inom 7-10 vardagar
Native modern studio art represents a critical yet often overlooked history. The publication sheds light on the remarkable, inter-generational story of modern Indigenous painters and sculptors who first developed and then revolutionised the movement for Native American fine art. Native Studio Art Since the 1920s reproduces an outstanding group of works from the William P. Healey Collection at the Saint Louis Art Museum. The selection includes sixty-three Indigenous artists across a range of media, with a focus on the Western United States. The book’s comprehensive breadth conveys major narratives and key figures of twentieth century Native American art. Advancing multi-vocal knowledge, this collection catalogue features essays by art historians, conservators, and artists’ relations. List of featured artists: Tony Abeyta, Awa Tsireh, Rick Bartow, Fred Beaver, Charlie Begay, Shonto Begay, Dennis Belindo, Earl Biss, Archie Blackowl, Acee Blue Eagle, Blackbear Bosin, David Bradley, T. C. Cannon, Robert Chee, Chiu-tah (Vicente Mirabal), Woody Crumbo, Dawakema (Milland Lomakema), Degadoga (Cecil Dick), Bob Haozous, Haskay Yahne Yah (Harrison Begay), Ha So De (Narciso Abeyta), Joe Herrera, Valjean Hessing, Joan Hill, John Hoover, Allan Houser, Fred Kabotie, Glen La Fontaine, Jerry Lee, Linda Lomahaftewa, Lomawywesa (Michael Kabotie), Ma Pe Wi (Velino Shije Herrera), Julian Martinez, Solomon McCombs, Rafael Medina, Stephen Mopope, George Morrison, Gerald Nailor, Dan Namingha, Dennis Numkena, Diane O’Leary, Otis Polelonema, Pop Chalee, Quah Ah (Tonita Peña), Kevin Red Star, J. D. Roybal, C. Terry Saul, Fritz Scholder, Soqween (José Encarnación Peña), Willard Stone, Carl Sweezy, Quincy Tahoma, Jerome Tiger, Tos-que (David Williams), Tsa-sah-wee-eh (Helen Hardin), Andrew Tshinahjinnie, Donald Vann, Pablita Velarde, Wah-pah-nay-yah (Dick West), Beatian Yazz (Jimmy Toddy), James Wayne Yazzie.