Brian Winkenweder – författare & böcker

Mary Jane Jacob, Glenn Adamson, Svetlana Alpers, John Badlessari, Alice Bellony–rewold, Mary Bergstein, Walead Beshty, Andrea Bowers, Daniel Buren, Rochelle Feinstein, David J Getsy, Michelle Grabner, Rodney Graham, Amy Granat, Karl Haendel, Rachel Harrison, Caroline A Jones, Suzanne Lacy, Thomas Lawson, Lynn Lester Hershman, Shana Lutker, Annika Marie, Courtney Martin, Carrie Moyer, Bruce Nauman, Michael Peppiatt, David Reed, Lane Relyea, David Robbins, Judith Rodenbeck, Joe Scanlan, Brenda Schmahmann, Carolee Schneemann, Barry Schwabsky, Katy Siegel, Howard Singerman, Michael Smith, Buzz Spector, Frances Stark, Robert Storr, Charline Von Heyl, Majorie Welish, James Welling, Brian Winkenweder, John Wood, Mary Jane Jacob - Studio Reader – On the Space of Artists, Häftad

Studio Reader – On the Space of Artists

Häftad, Engelska, 2010

327 kr

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The image of a tortured genius working in near isolation has long dominated our conceptions of the artist's studio. Examples are abound: think Jackson Pollock dripping resin on a cicada carcass in his shed in the Hamptons. But times have changed; ever since Andy Warhol declared his art space a 'factory', artists have begun to envision themselves as the leaders of production teams, and their sense of what it means to be in the studio has altered just as dramatically as their practices. "The Studio Reader" pulls back the curtain from the art world to reveal the real activities behind artistic production. What does it mean to be in the studio? What is the space of the studio in the artist's practice? How do studios help artists envision their agency and, beyond that, their own lives? This forward-thinking anthology features an all-star array of contributors, ranging from Svetlana Alpers, Bruce Nauman, and Robert Storr to Daniel Buren, Carolee Schneemann, and Buzz Spector, each of whom locates the studio both spatially and conceptually - at the center of an art world that careens across institutions, markets, and disciplines.A companion for anyone engaged with the spectacular sites of art at its making, "The Studio Reader" reconsiders this crucial space as an actual way of being that illuminates our understanding of both artists and the world they inhabit.

Routledge Companion to Marxisms in Art History

AvTijen Tunalı,Brian Winkenweder

Inbunden, Engelska, 2025

3 630 kr

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This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.

Nyhet

Routledge Companion to Marxisms in Art History

AvTijen Tunalı,Brian Winkenweder

Häftad, Engelska, 2026

782 kr

Skickas inom 10-15 vardagar

This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.

Routledge Companion to Marxisms in Art History

AvBrian Winkenweder,Tijen Tunali

E-bok

PDF, Engelska, 2025

952 kr

Läs direkt efter köp

This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.

Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.

This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.

Routledge Companion to Marxisms in Art History

AvBrian Winkenweder,Tijen Tunali

E-bok

Engelska, 2025

952 kr

Läs direkt efter köp

This companion is an essential contribution to the study of historical materialism in general and the social history of art in particular.

Each chapter in the collection focuses on a key figure, concept or historical epoch. Increasingly, scholars adopt an array of Marxist methods intertwined with a host of other theoretical practices, particularly the historiography of key issues regarding hegemony, ideology and identity. Ideological issues of connoisseurship, patronage and analyses of the artwork as a form of labor and leisure are essential to the practice of Marxisms in art history. This collection spotlights a plurality of Marxian theories in which the ideas of such figures as Walter Benjamin, Guy Debord and T.J. Clark are debated and developed through analyses of the socio-historical conditions that impact how art is produced, circulated and received. This ultimately underscores that the historical contextualization of artworks and their "markets" within a class-based society is crucial for writing socially engaged art history.

This book will be of interest to scholars working in art history, visual studies, visual sociology, communication studies and the sociology of art.

Art History As Social Praxis

The Collected Writings of David Craven

AvDavid Craven,Brian Winkenweder

Häftad, Engelska, 2018

536 kr

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Art History as Social Praxis: The Collected Writings of David Craven brings together more than thirty essays that chart the development of Craven s voice as an unorthodox Marxist who applied historical materialism to the study of modern art. This book demonstrates the range and versatility of David Craven's praxis as a 'democratic socialist' art historian who assessed the essential role the visual arts play in imagining more just and equitable societies.

Del 5 - Value: Art: Politics

Dialectical Conversions

Donald Kuspit’s Art Criticism

AvDavid Craven,Brian Winkenweder

Inbunden, Engelska, 2011

2 065 kr

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Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit’s role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, “A Phenomenological Approach to Artistic Intention.” Dense and demanding, yet deft and incisive, Kuspit’s multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit’s insights into art.

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Brian Winkenweder – författare

Studio Reader – On the Space of Artists

Routledge Companion to Marxisms in Art History

Routledge Companion to Marxisms in Art History

Routledge Companion to Marxisms in Art History

Routledge Companion to Marxisms in Art History

Art History As Social Praxis

Dialectical Conversions

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