Brynn Saito – författare

Brynn Saito's debut collection of poetry begins in a cityscape and ends "deep in the cloud-filled valley," traversing myriad terrains-both emotional and physical-as it weaves towards completion. From the bays of Denmark to the deserts of California, Saito's searching lyricism gathers stories of sudden departures, forced removals, and the journeys chosen in between. Narrative selections inspired by childhood, sisterhood, lost loves and newfound freedoms are cased by interludes of otherworldly visions and persona poems spoken from many perspectives-animal and otherwise. This is a book about the ever-present capacity for wonder, transformation, and change: "The fighter is in me," claims the speaker in the poem "Winter in Denmark," "and the future is in me." Inside every moment of rage or loss-beneath tough city sidewalks and under the quiet of a moonlit valley-is another moment, ripe with possibility and foretelling the future sky.

Guided by the character of the Woman Warrior—witty, swift, and ruthless in her wonder—readers of Brynn Saito's second collection of poetry travel the terrain of personal and historical memory: narrative poems about family, farming towns, and the bravery of girlhood are interspersed with lyric poetry written from the voice of a stone found in a Japanese American internment camp during the wartime incarceration. What histories can be summoned with poetry? What are the forces shaping an American life in the 21st century? Car accidents, patriarchy, and television fall under this poet?s gaze, along with the intergenerational reverberations of historical trauma. As with The Palace of Contemplating Departure, Saito's first award-winning collection, Power Made Us Swoon strives for wonder and speaks--in edgy and vulnerable tones--of the fraught journey toward a more just world. "Learn to lie to survive," sings the woman warrior, "Learn to outlast the flame / learn the art of surprise."

Brynn Saito takes her readers on a journey with her father to the desert prison at Gila River where, over 80 years ago, her grandparents met and made a life together. Born of an unquenchable desire to animate the shadow archive, Saito’s poetry sings a song of rage, confusion, and, ultimately, love; descendants of wartime incarceration exchange dreams, mothers become water goddesses, and a modern daughter haunts future ruins. Mystical inclinations, yellow cedars, and sisterhood make a balm for trauma’s scars. This work opens a dialogue between the past and present, radical ancestor and future child, desert prison and family garden.

Brynn Saito takes her readers on a journey with her father to the desert prison at Gila River where, over 80 years ago, her grandparents met and made a life together. Born of an unquenchable desire to animate the shadow archive, Saito’s poetry sings a song of rage, confusion, and, ultimately, love; descendants of wartime incarceration exchange dreams, mothers become water goddesses, and a modern daughter haunts future ruins. Mystical inclinations, yellow cedars, and sisterhood make a balm for trauma’s scars. This work opens a dialogue between the past and present, radical ancestor and future child, desert prison and family garden.

An anthology of poetry on Nikkei incarceration, written by descendants of the WWII prisons and campsA tribute to the 150,000 people incarcerated by the United States and Canada during WWII, this anthology is the first of its kind. The poetry expresses a range of experiences and perspectives from the afterlife of this historical yet enduring injustice. With a foreword by acclaimed poet, activist, and concentration camp survivor, Mitsuye Yamada, and an introduction by the editors, poets Brynn Saito and Brandon Shimoda, The Gate of Memory explores intergenerational trauma as the contributors, all of whom are descendants of those who were incarcerated, sift through an intimate record of wartime incarceration.Contributors to this anthology include poets of Japanese American, Japanese Canadian, Okinawan American, Okinawan Canadian, Japanese Hawaiian, Alaska Native, mixed race Nikkei, and Japanese descent. Their poems reimagine, reinhabit, and retell the story of incarceration while embodying its many legacies, through a diversity of modes and themes, creating a panoramic portrait of anti-Asian racism, assimilation, loyalty, resistance, and redemption. The anthology illuminates individual perspectives and reveals collective experience. It insists upon the imperative of poetry in the processes of solidarity and transgenerational healing.With contributions from: Kiik Araki-Kawaguchi, Brittany Arita, Aaron Caycedo-Kimura, Brian Komei Dempster, Miya Folick, Sesshu Foster, Sharon Fujimoto-Johnson, Steve Fujimura, Laura K. Fukumoto, Cathlin Goulding, Rebecca A. Green, Richard Hamasaki, Sharon Hashimoto, Casey Hidekawa Lane/Levinski, Garrett Hongo, Jodi Hottel, Kurt Yokoyama Ikeda, Kevin Irie, Michael Ishii, Erica H. Isomura, Lauren Emiko Ito, Susan Kiyo Ito, Miya Iwataki, Dr. Claire Kageyama-Ramakrishnan, W. Todd Kaneko, Traci Kato-Kiriyama, Amanda Mei Kim, Christine Kitano, Aisuke Kondo, Garrett Kurai, Keiko Lane, Katherine Terumi Laubscher, Alison Lubar, Mia Ayumi Malhotra, Angela Marian May, Ali Meyers-Ohki, Emily Mitamura, Hikari Leilani Miya, Starr Sumie Miyata, James Fujinami Moore, Paulette "Tkl Un Yeik" Moreno, David Mura, Heather Nagami, Noriko Nakada, Greer Nakadegawa-Lee, Carolyn Nakagawa, Yukiko Nakagura (translator), Ryan Hitoshi Nakano, Tamiko Nimura, Mona Oikawa, Troy Osaki, Michael Prior, Brynn Saito, Brandon Shimoda, Patrick Shiroishi, Leanne Toshiko Simpson, Dana Swensen, Kenneth Tanemura, Micah Tasaka, George Uba, Amy Uyematsu, Terry Watada, Anne Watanabe, Syd Westley, Sho Yamagushiku, Doug Yamamoto, Traise Yamamoto. Cover art by Rob Sato.