C. J. Sisson – författare

Originally published in 1956 as part of the Shakespeare Problems series, this two-volume work contains a survey of contemporary proposals for the restoration of the 'true text' of Shakespearean plays. This first volume assesses various points of contention in the Comedies and in Shakespeare's poems The Rape of Lucrece, Venus and Adonis, A Lover's Complaint, The Passionate Pilgrim and the well-known Sonnets. This book will be of value to anyone with an interest in the reconstruction of Shakespeare's plays and in the history of Shakespearean textual criticism.

Originally published in 1956 as part of the Shakespeare Problems series, this two-volume work contains a survey of contemporary proposals for the restoration of the 'true text' of Shakespearean plays. This second volume assesses various points of contention in the Histories and the Tragedies. This book will be of value to anyone with an interest in the reconstruction of Shakespeare's plays and in the history of Shakespearean textual criticism.

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.

The problem of justice seems to have haunted Shakespeare as it haunted Renaissance Christendom. In this book, first published in 1963, four aspects of the problems of justice in action in Shakespeare’s great tragedies are explored. This study is based on the lifetime’s research of Elizabethan habits of mind by one of the most distinguished Shakespearean scholars, and will be of interest to students of English Literature, Drama and Performance.

The Boar’s Head Theatre, first published in 1972, provides an account of one of the Elizabethan inn-yard theatres. It is a reconstruction of considerable importance in our understanding of the performance conditions affecting Elizabethan drama, the mode of presentation and the nature of the audience. C. J. Sisson (1885-1966) was known especially for his research into Elizabethan court cases and the light they can throw on the literature and drama of the period. His discoveries included material on the Elizabethan inn-yard theatres which provides unquestionable evidence of great importance in relation to the evolution of the theatre in England. This book, which has been edited for publication by Stanley Wells, was to have been his major work on the subject. Historians of the theatre of this period will find this book indispensable, and those with a more general interest in the greatest age of English drama will be engrossed by the detailed and intimate glimpses of the theatre world which this story affords.