Carl Wilson - Böcker
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This book is a riveting investigation of what it means to love music and what it means to hate music, both of good and bad taste.Non-fans regard Celine Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Celine Dion, and nothing clever. That's part of her appeal as an object of love or hatred - with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt. This book documents Carl Wilson's brave and unprecedented year-long quest to find his inner Celine Dion fan, and explores how we define ourselves in the light of what we call good and bad, what we love and what we hate.
3 322 kr
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This Companion explores the evolution, representation, and meaning of superheroes within the broader popular media and culture landscape, as connected to both contemporary and historical frameworks. The volume proposes itself as a comprehensive resource in the interdisciplinary field of "Superhero Studies", acknowledging it as its own area of scholarly and cultural interest. Superhero Studies brings together perspectives from a number of intersecting disciplines such as comics studies, film studies, television studies, fandom studies, game studies, and beyond. In answer to the evolutionary portrayals of superheroes in our cultures, histories, and narratives, The Routledge Companion of Superhero Studies addresses the development, transformation, and meaning of these iconic figures, by taking a transnational, multimedia, and interdisciplinary approach to assessing their importance in our evolving representational contexts.
365 kr
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For his 2007 critically acclaimed 33 1/3 series title, Let’s Talk About Love, Carl Wilson went on a quest to find his inner Céline Dion fan and explore how we define ourselves by what we call good and bad, what we love and what we hate. At once among the most widely beloved and most reviled and lampooned pop stars of the past few decades, Céline Dion’s critics call her mawkish and overblown while millions of fans around the world adore her “huge pipes” and even bigger feelings. How can anyone say which side is right? This new, expanded edition goes even further, calling on thirteen prominent writers and musicians to respond to themes ranging from sentiment and kitsch to cultural capital and musical snobbery. The original text is followed by lively arguments and stories from Nick Hornby, Krist Novoselic, Ann Powers, Mary Gaitskill, James Franco, Sheila Heti and others. In a new afterword, Carl Wilson examines recent cultural changes in love and hate, including the impact of technology and social media on how taste works (or doesn’t) in the 21st century.