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Some 40 carefully chosen juxtapositions of masterpieces by both artists trace a dialogue that ranks among the most fascinating in art history. This publication brings Pablo Picasso's (1881-1973) encounter with the Cretan-born old master Doménikos Theotokópoulos, better known as El Greco (1541-1614), vividly to life.El Greco’s unmistakable painting style won him considerable fame in his day. Soon after his death, however, his work was largely forgotten. It was only around 1900 that an El Greco revival was launched, with Picasso serving on the front lines. His engagement with the Greek-Spanish master not only went far deeper than has previously been assumed but also lasted much longer. From his first encounter with El Greco's works shortly before 1900 until the end of his life, Picasso not only referenced but engaged in a fascinating artistic dialogue with the old master.
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• This catalog includes a careful and beautiful selection of sculptures that Picasso produced throughout his extensive artistic career.• Matter and Body covers the almost infinite plurality of styles used by the artist to represent human body forms, deconstructing it through different formats and genres.• Written by renowned experts as the curator Carmen Gimenez, Diana Widmaier Picasso, French art historian specialized in modern art and the maternal granddaughter of Pablo Picasso, and Pepe Karmel, Professor of Art History at New York University.• The book celebrates the 50th anniversary of the death of a great genius and revolutionary artist.• Includes photographs taken by his contemporary photographer Brassai.• A great monograph published on occasion of the exhibition at the Guggenhiem Museum in Bilbao and Museo Picasso in Málaga.
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Calder. Sculpting Time explores the profound and transformative impact of one of the 20th century’s most revolutionary artists through a focused lens. Alexander Calder (1898–1976) changed the way we perceive and interact with sculpture by introducing the fourth dimension of time into art with his legendary mobiles — a term coined by Marcel Duchamp that refers to both “motion” and “motive” in French — and by exploring volumes and voids in his stabiles, christened by Jean Arp for his stationary objects.This catalogue includes over 30 masterworks made between 1930 and 1960 — Calder’s most innovative, prolific years — from his early abstractions or sphériques to a magnificent selection of mobiles, stabiles, and standing mobiles of various scales. It also features a large body of Calder’s Constellations, a term proposed by Duchamp and James Johnson Sweeney for the artist’s beloved objects made from wood and wire in 1943, a time when sheet metal was in short supply due to World War II.