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The Beat! was the first book to explore the musical, social, and cultural phenomenon of go-go music. In this new edition, updated by a substantial chapter on the current scene, authors Kip Lornell and Charles C. Stephenson, Jr., place go-go within black popular music made since the middle 1970s--a period during which hip-hop has predominated. This styling reflects the District's African American heritage. Its super-charged drumming and vocal combinations of hip-hop, funk, and soul evolved and still thrive on the streets of Washington, D.C., and in neighboring Prince George's County, making it the most geographically compact form of popular music.Go-go--the only musical form indigenous to Washington, D.C.--features a highly syncopated, nonstop beat and vocals that are spoken as well as sung. The book chronicles its development and ongoing popularity, focusing on many of its key figures and institutions, including established acts such as Chuck Brown (the Godfather of Go-Go), Experience Unlimited, Rare Essence, and Trouble Funk; well-known DJs, managers, and promoters; and filmmakers who have incorporated it into their work. Now updated and back in print, The Beat! provides longtime fans and those who study American musical forms a definitive look at the music and its makers.
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The definitive history of go-go music and cultureGo-go is the heart and soul of Washington, DC's African American culture—a source of resilience for the community and a way to celebrate Black lives. As the soundtrack of the District since the mid-1970s, go-go was designated the official music of Washington in 2020, and it has been incorporated into music genres such as hip-hop and R&B for decades.Crankin! offers a rich narrative packed with photos that highlight go-go's key figures, bands, and moments—spanning fifty years from its beginnings all the way to its central role in the #BLM protests in 2020 and the #DontMuteDC and Moechella movements. This sweeping history of go-go music culture details the life of Chuck Brown, the "godfather of go-go," and documents the history of the genre's early pioneers, Trouble Funk, Rare Essence, and Experience Unlimited (EU). The book also covers EU's 1988 number one hit, "Da Butt," go-go's gospel and grown 'n' sexy subgenres, go-go's international impact, the bouncebeat sound, go-go lifestyles, activism, and, finally, the homecoming as go-go artists brought Chuck Brown's African-inspired beat to Africa.Crankin! will entertain and inform fans of go-go as well as African American and American-created music; musicologists; scholars of American culture and subcultures; and readers interested in DC history.