Charlotte Cross – författare

This book investigates the relationship between heritage and development from the global visions articulated by UNESCO and the Sustainable Development Goals (SDGs) to local activism, livelihood innovations and political strategies employed in diverse countries of the Global South. In recent years, as culturally informed approaches to international development have become increasingly important, engaging with heritage has been seen as a way to draw on practices and meanings from the past to help build future development. This book gathers researchers and practitioners from across disciplines to address important themes such as health, the environment, sustainability, peace, security, tourism and economic growth. In doing so, the book asks us to consider whose past and whose future is ultimately at stake in efforts to use heritage for development. Key topics explored include histories and legacies of colonialism and calls for decolonisation, and related questions of expertise, ownership and agency.Students, practitioners and researchers from across the broad areas of history, heritage, education, archaeology, geography and development studies will find this book an invaluable guide to dynamic and contested understandings of heritage and development and the relationship between them.

This book investigates the relationship between heritage and development from the global visions articulated by UNESCO and the Sustainable Development Goals (SDGs) to local activism, livelihood innovations and political strategies employed in diverse countries of the Global South. In recent years, as culturally informed approaches to international development have become increasingly important, engaging with heritage has been seen as a way to draw on practices and meanings from the past to help build future development. This book gathers researchers and practitioners from across disciplines to address important themes such as health, the environment, sustainability, peace, security, tourism and economic growth. In doing so, the book asks us to consider whose past and whose future is ultimately at stake in efforts to use heritage for development. Key topics explored include histories and legacies of colonialism and calls for decolonisation, and related questions of expertise, ownership and agency.Students, practitioners and researchers from across the broad areas of history, heritage, education, archaeology, geography and development studies will find this book an invaluable guide to dynamic and contested understandings of heritage and development and the relationship between them.

'Haunting and seductive . . . I drank in this wonderfully sapphic, gothic tale with a sense of ever-deepening dread' – Francesca May, author of This Vicious HungerTold through letters and diary entries, The Brides is a chilling reimagining of Bram Stoker's Dracula – with a devastating sapphic romance at its heart.'Come to me, and be mine for eternity'1884. When Mafalda journeys to Budapest to care for her grieving aunt, her secret love, Lucy, hurries from London to comfort her, with chaperone and lady’s maid in tow.But lady’s maid Alice, blessed and cursed with the Sight, is tormented by terrifying visions. When chaperone Eliza falls prey to a disturbing wasting illness, the women hope to seek the healing waters of Transylvania. At a nobleman’s invitation, they set out for Castle Dracula.In the depths of the forest, miles from civilization, their host reveals his true intentions; a monstrous ambition which will tear the women apart.And not all of them will survive.'Dracula's worthy successor . . . chills and delights in equal measure' – Johanna Van Veen, author of Blood on Her TonguePerfect for fans of Hungerstone by Kat Dunn and The Historian by Elizabeth Kostova.

'Haunting and seductive . . . I drank in this wonderfully sapphic, gothic tale with a sense of ever-deepening dread' – Francesca May, author of This Vicious HungerTold through letters and diary entries, The Brides is a chilling reimagining of Bram Stoker's Dracula – with a devastating sapphic romance at its heart.'Come to me, and be mine for eternity'1884. When Mafalda journeys to Budapest to care for her grieving aunt, her secret love, Lucy, hurries from London to comfort her, with chaperone and lady’s maid in tow.But lady’s maid Alice, blessed and cursed with the Sight, is tormented by terrifying visions. When chaperone Eliza falls prey to a disturbing wasting illness, the women hope to seek the healing waters of Transylvania. At a nobleman’s invitation, they set out for Castle Dracula.In the depths of the forest, miles from civilization, their host reveals his true intentions; a monstrous ambition which will tear the women apart.And not all of them will survive.'Dracula's worthy successor . . . chills and delights in equal measure' – Johanna Van Veen, author of Blood on Her TonguePerfect for fans of Hungerstone by Kat Dunn and The Historian by Elizabeth Kostova.

'Haunting and seductive . . . I drank in this wonderfully sapphic, gothic tale with a sense of ever-deepening dread' – Francesca May, author of This Vicious HungerChilling, gothic and utterly gripping, The Brides is a stunningly original reimagining of Bram Stoker's Dracula – with a devastating sapphic romance at its heart.'Come to me, and be mine for eternity'1884. When Mafalda journeys to Budapest to care for her grieving aunt, her secret love, Lucy, hurries from London to comfort her, with chaperone and lady’s maid in tow.But lady’s maid Alice, blessed and cursed with the Sight, is tormented by terrifying visions. When chaperone Eliza falls prey to a disturbing wasting illness, the women hope to seek the healing waters of Transylvania. At a nobleman’s invitation, they set out for Castle Dracula.In the depths of the forest, miles from civilization, their host reveals his true intentions; a monstrous ambition which will tear the women apart.And not all of them will survive.'Dracula's worthy successor . . . chills and delights in equal measure' – Johanna Van Veen, author of Blood on Her TonguePerfect for fans of Hungerstone by Kat Dunn and The Historian by Elizabeth Kostova.