Christian de Pee – författare

A groundbreaking work that treats writing as a ritual practice and texts as ritual objects.Approaching writing as a form of cultural practice and understanding text as an historical object, this book not only recovers elements of the ritual practice of Middle-Period weddings, but also reassesses the relationship between texts and the Middle-Period past. Its fourfold narrative of the writing of weddings and its spirited engagement with the texts-ritual manuals, engagement letters, nuptial songs, calendars and almanacs, and legal texts-offer a form and style for a cultural history that accommodates the particularities of the sources of the Chinese imperial past.

In the eleventh century, the cities of the Song Empire (960-1279) emerged into writing. Literati in prior centuries had looked away from crowded streets, but literati in the eleventh century found beauty in towering buildings and busy harbors. Their purpose in writing the city was ideological. On the written page, they tried to establish a distinction that eluded them in the avenues and to discern an immanent pattern in the movement of people, goods, and money. By the end of the eleventh century, however, they recognized that they had failed in their efforts. They had lost the Way in the city. Urban Life and Intellectual Crisis in Middle-Period China, 800-1100 reveals the central place of urban life in the history of the eleventh century. Important developments in literary innovation and monetary policy, in canonical exegesis and civil engineering, in financial reform and public health, converge in this book as they converged in the city.

Urban Life and Intellectual Crisis in Middle-Period China, 800-1100 reveals the central place of urban life in the history of the eleventh century. Important developments in literary innovation and monetary policy, in canonical exegesis and civil engineering, in financial reform and public health, converge in this book.

The city of Hangzhou symbolized all of the contradictions of the declining Song Empire (960–1279). It was paramount and feeble, awe-inspiring and threatened, the most admired city and a disgrace to its dynastic founders. Rather than debate the merit of these polemical judgments, the contributors to this volume treat them as expressions of their historical moment, reflecting ideological convictions and aesthetic preferences.Leading scholars of the field, including Beverly Bossler, Stephen West, and Martin Powers, have produced essays that relate changes in literary convention to shifts in territorial boundaries, and analyze writing, painting, dance, and music as means by which individual literati placed themselves in time and space.