Christopher Woodall – författare
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3 produkter
3 produkter
E-bok
Engelska, 2016350 kr
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November may be said to have four protagonists: a group of night-shift workers in Southeast France; their friends, relatives, lovers, acquaintances; the factory in which they work; the work itself. The focus is on two and a half hours during one evening in November 1976 and the plastic die-casting workshop where the men are employed. Staggering in scope, November is a virtuoso performance—a contemporary take on the classical modernist novel, anatomizing the ways we live, think, and labor: what we''ve lost, and what we''re losing.
Häftad, Engelska, 2019
186 kr
Skickas inom 5-8 vardagar
The twenty-first century doesn’t much care for subtlety. Now is the era of the gist, the elevator pitch, the big idea boiled down. This is precisely why Christopher Woodall’s fiction gives such pleasure. His meticulous stories about love, death, fidelity, friendship, and human solitude do not wave their narrative arms wildly, demanding unwarranted attention. They speak in a calm voice, inviting the reader closer—inviting him not merely to react but to feel and think. Sweets and Toxins is the first collection of short fiction to be published by this talented novelist and it marks him as a writer whose sharp eye for detail and feeling for people is a rare commodity indeed. He is one of the major English authors writing today.
Häftad, Engelska, 2017
279 kr
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November may be said to have four sets of protagonists: a group of night- shift workers in southeast France; their friends, relatives, lovers, and acquaintances; the factory in which they work; and the work itself.Christopher Woodall is a writer and translator. His translations include Piero Camporesi’s Exotic Brew and Lydie Salvayre’s The Company of Ghosts. November is his first novel.This novel takes place over the course of two and a half hours one evening in November 1976 at the plastic die-casting workshop where these men are employed. Staggering in scope, November is a virtuosic performance -a contemporary take on the classical modernist novel, anatomizing the ways we live, think, and labor; what we have lost; and what we are losing.