Christopher Yates – författare

How to Fish is an unabashed, unashamed celebration of the joys of fishing. It is about contentment, calm and solitude, rivers and river banks, losing track of time and, of course, the fish themselves. For those who already enjoy fishing it is a love letter to their art and for those who don't - yet! - it is an insight into a life spent getting up at the crack of dawn and, armed with rod and line, heading for water...

'Though most of my life seems to have been spent on the banks of lakes and rivers, I have always been drawn to the sea . . .'Through twenty-two casts, Britain's best-known freshwater fisherman quits land in favour of the sea. There, he discovers the many pleasures of the coast: wild shores, unpredictable waves, the violent collision of the elements, and, of course, fish that glisten and dart beneath a never-still surface. From childhood remembrances of saltwater escapades to more recent discoveries, Chris Yates brings the sea and its many wonders to scintillating life.

Though an enthusiastic sea-fisher as a child, Chris Yates has concentrated on freshwater throughout his fishing life. In Out of the Blue he describes his return to the sea after half a life-time and his increasing passion for its changeable moods and habits. Remaining faithful to his fundamental angling ethic – fishing simply with the minimum of tackle and always using his old split cane carp rod – he nets a mass of singular experiences, from the quiet magic of a Dorset tide-pool to the strange delight of casting into the midnight sun off the Norwegian Island of Senja.

Sitting on a riverbank, with rod and line, must count as one of the most relaxing and enjoyable – yet occasionally frustrating – experiences known to man.Chris Yates discovered the joys of fishing early in life and was quickly hooked by its pleasures. Many years later, he is still content to sit, day after day, observing the quirks of different fish and losing track of time. For him, fishing is much more than just a question of technique; sometimes it’s about listening to nothing but your instincts, and at other times it’s about enjoying the perfect cup of tea. And it’s always about not knowing how the day is going to unfold . . .There’s no better guide for the uninitiated – and no better companion for those already familiar with the satisfactions of fishing – than Chris Yates. And immersing yourself in How To Fish is almost as delightful an activity as fishing itself.

Sitting on a riverbank, with rod and line, must count as one of the most relaxing and enjoyable – yet occasionally frustrating – experiences known to man.Chris Yates discovered the joys of fishing early in life and was quickly hooked by its pleasures. Many years later, he is still content to sit, day after day, observing the quirks of different fish and losing track of time. For him, fishing is much more than just a question of technique; sometimes it’s about listening to nothing but your instincts, and at other times it’s about enjoying the perfect cup of tea. And it’s always about not knowing how the day is going to unfold . . .There’s no better guide for the uninitiated – and no better companion for those already familiar with the satisfactions of fishing – than Chris Yates. And immersing yourself in How To Fish is almost as delightful an activity as fishing itself.

Written at a time when violence has many faces and goes by many names, this collection is proof that philosophy can remain a vital partner in the twin tasks of diagnosis and action. Emerging across specters of genocide, racism, oppression, terror, poverty, or war, the threat of violence is not only concrete and urgent, but all too often throws the work of critical reflection into vulnerable paralysis. With essays by some of today's finest scholars, these pages breathe new life into the hard work of intellectual engagement. Philosophers such as Peg Birmingham, Robert Bernasconi, and Bernhard Waldenfels not only feel the distinct burden of our age but, with unflagging attention to the philosophical tradition, forge a pronounced counterweight to the violent gyre of today. The result is a stirring critique that looks outward upon the phenomena of injustice, and inward upon the instruments and assumptions of philosophical discourse itself.

The imagination is a decisive, if underappreciated, theme in German thought since Kant. In this rigorous historical and textual analysis, Christopher Yates challenges an oversight of traditional readings by presenting the first comparative study of F.W.J. Schelling and Martin Heidegger on this theme. By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yates'' study argues that Heidegger''s later, more poetic, philosophy cannot be understood properly without appreciating Schelling''s central importance for him. A key figure in post-Kantian German Idealism, Schelling''s penetrating attention to the creative character of thought remains undervalued. Capturing the essential manner in which Heidegger''s ontology and Schelling''s idealism intersect, The Poetic Imagination in Heidegger and Schelling likewise presents an introduction to better understanding Heidegger''s later thought. It reveals how his engagement with Schelling encouraged Heidegger to recover and refine the imagination as a poetic, as opposed to reductive and dogmatic, collaborator in the life of truth.Tracing the theme of imagination in new readings of these major thinkers, Yates'' study not only acknowledges Schelling''s provocative place in post-Kantian German Idealism, but demonstrates as well the significance of Schelling''s philosophical focus and style for Heidegger''s own concentration on the creative vocation of human artistry and thought.

The imagination is a decisive, if underappreciated, theme in German thought since Kant. In this rigorous historical and textual analysis, Christopher Yates challenges an oversight of traditional readings by presenting the first comparative study of F.W.J. Schelling and Martin Heidegger on this theme. By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yates’ study argues that Heidegger’s later, more poetic, philosophy cannot be understood properly without appreciating Schelling’s central importance for him. A key figure in post-Kantian German Idealism, Schelling’s penetrating attention to the creative character of thought remains undervalued. Capturing the essential manner in which Heidegger’s ontology and Schelling’s idealism intersect, The Poetic Imagination in Heidegger and Schelling likewise presents an introduction to better understanding Heidegger’s later thought. It reveals how his engagement with Schelling encouraged Heidegger to recover and refine the imagination as a poetic, as opposed to reductive and dogmatic, collaborator in the life of truth.Tracing the theme of imagination in new readings of these major thinkers, Yates’ study not only acknowledges Schelling’s provocative place in post-Kantian German Idealism, but demonstrates as well the significance of Schelling’s philosophical focus and style for Heidegger’s own concentration on the creative vocation of human artistry and thought.

The imagination is a decisive, if underappreciated, theme in German thought since Kant. In this rigorous historical and textual analysis, Christopher Yates challenges an oversight of traditional readings by presenting the first comparative study of F.W.J. Schelling and Martin Heidegger on this theme. By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yates'' study argues that Heidegger''s later, more poetic, philosophy cannot be understood properly without appreciating Schelling''s central importance for him. A key figure in post-Kantian German Idealism, Schelling''s penetrating attention to the creative character of thought remains undervalued. Capturing the essential manner in which Heidegger''s ontology and Schelling''s idealism intersect, The Poetic Imagination in Heidegger and Schelling likewise presents an introduction to better understanding Heidegger''s later thought. It reveals how his engagement with Schelling encouraged Heidegger to recover and refine the imagination as a poetic, as opposed to reductive and dogmatic, collaborator in the life of truth.Tracing the theme of imagination in new readings of these major thinkers, Yates'' study not only acknowledges Schelling''s provocative place in post-Kantian German Idealism, but demonstrates as well the significance of Schelling''s philosophical focus and style for Heidegger''s own concentration on the creative vocation of human artistry and thought.