Colin Grant – författare

Discover the definitive biography of Marcus Garvey'Grant is an accomplished storyteller and writes with an elegance leavened by wit and cynicism that makes this book eminently readable' GuardianAt one time during the first half of the twentieth century, Marcus Garvey was the most famous black man on the planet. Hailed as both the 'black Moses' and merely 'a Negro with a hat', he masterminded the first International Convention of the Negro Peoples of the World, began the Universal Negro Improvement Association and captivated audiences with his powerful speeches and audacious 'Back to Africa' programme. But he was to end his life in penury, ignominy and friendless exile, after serving jail time in both the US and Jamaica. With masterful skill, wit and compassion, Colin Grant chronicles Garvey's extraordinary life, the failed business ventures, his misguided negotiations with the Ku Klux Klan, the two wives and the premature obituaries that contributed to his lonely, tragic death. This is the dramatic cautionary tale of a man who articulated the submerged thoughts of an awakening people.'Engrossing...Writing in a concise, expressive style...drawing on gargantuan research ...Grant show's Garvey's heady triumphs and crushing disappointments, his complexity and his paradoxes' Independent on Sunday

A powerful prescient memoir of life in 1970s Britain for a child of Windrush generation parents. 'This book is a classic' Sunday TelegraphTo his fellow West Indians who assemble every weekend for the all-night poker game at Mrs Knight's, he is always known as Bageye. There aren't very many black men in Luton in 1972 and most of them gather there: Summer Wear, Pioneer, Anxious, Tidy Boots - each has his nickname. Bageye already finds it a struggle to feed his family on his wage from Vauxhall Motors, but now his wife Blossom has set her heart on her sons going to private school and she will not settle for anything less.This is the story of a father seen through the eyes of his ten-year-old son. It’s a wry and gentle comedy about unfulfilling day jobs and late night poker games, of illegal mini-cabs and small-scale drug-dealing. And it is also about a family struggling to belong in post-Windrush Britain and growing up in a vanished world of 1970s suburbia.LOOK OUT FOR COLIN GRANT'S NEW BOOK: Homecoming - the first oral history of the Windrush generation

One day Colin Grant’s teenage brother Christopher failed to emerge from the bathroom. His family broke down the door to find him unconscious on the floor. None of their lives were ever the same again. Christopher was diagnosed with epilepsy. In A Smell of Burning Colin Grant tells the remarkable story of this strange and misunderstood disorder. He shows us the famous people with epilepsy like Julius Caesar, Joan of Arc and Vincent van Gogh, the pioneering doctors whose extraordinary breakthroughs finally helped gain an understanding of how the brain works, and, through the tragic tale of his brother, he considers the effect of epilepsy on his own life.

New in paperback, this groundbreaking biography captures the full sweep and epic dimensions of Marcus Garvey's life, the dazzling triumphs and the dreary exile. As Grant shows, Garvey was a man of contradictions: a self-educated, poetry-writing aesthete and unabashed propagandist, an admirer of Lenin, and a dandy given to elaborate public displays. Above all, he was a shrewd promoter whose use of pageantry evoked a lost African civilization and fired the imagination of his followers. Negro With a Hat restores Garvey to his place as one of the founders of black nationalism and a key figure of the 20th century."A searching, vivid, and (as the title suggests) complex account of Garvey's short but consequential life."--Steve Hahn, The New Republic"The story of Marcus Garvey, the charismatic and tireless black leader who had a meteoric rise and fall in the late 1910s and early '20s, makes for enthralling reading, and Garvey has found an engaging and objective biographer in Colin Grant.... Grant's book is not all politics, ideology, money and lawsuits. It is also an engrossing social history.... Negro With a Hat is an achievement on a scale Garvey might have appreciated."--New York Times Book Review"Dazzling, definitive biography of the controversial activist who led the 1920s 'Back to Africa' movement.... Grant's learned passion for his subject shimmers on every page. A riveting and well-wrought volume that places Garvey solidly in the pantheon of important 20th-century black leaders."--Kirkus Reviews (Starred Review)"This splendid book is certain to become the definitive biography. Garvey was a dreamer and a doer; Grant captures the fascination of both."--Publishers Weekly (Starred Review)"Grant's strength lies in his ability to re-create political moods and offer compelling sketches of colorful individuals and their organizations.... An engaging and readable introduction to a complicated and contentious historical actor who, in his time, possessed a unique capacity to inspire devotion and hatred, adulation and fear."--Chicago Tribune"A monumental, nuanced and broadly sympathetic portrait."--Financial Times

The arrival of HMT Empire Windrush at Tilbury Docks, Essex in 1948 was turned into a significant event by the British media but it is only one small part of a bigger story.Windrush looks at the movement of people after the Second World War in Britain. In an accessible and child-friendly way, the book explores the treatment of Black people, the struggles they faced and those they continue to face as well as celebrating the legacy of the Windrush generation in modern Britain.You can build your own encyclopedia with A Ladybird Book.Other titles available in this series:The Ancient EgyptiansAnimal HabitatsBaby AnimalsBritish Kings and QueensClimate ChangeElectricityThe Human BodyInsects and MinibeastsMountainsPlanet EarthRainforestsRiversThe RomansSea CreaturesThe Solar SystemThe Stone AgeTrainsTreesVolcanoesWeather

Written by advanced practitioners for advanced practitioners and students of advanced practice, this practical text examines advanced practice in mental health across the lifespan in a manner designed to define the advanced practitioner’s role in mental health, support clinical decision making, encourage reflection, and promote evidence-based practice. Aligned to the four pillars of advanced practice (clinical practice, education, leadership, and research), it promotes a holistic approach to both patients and care givers, and helps to improve staff experience and to support the advanced practice journey.This book is the second in a new series of titles, Demystifying Advanced Practice, which will make accessible all aspects of advanced practice for the benefit of students and aspiring students, practitioners, educators, researchers, managers, and leaders.

Separated from its anchorage in religion, ethics has followed the social sciences in seeing human beings as fundamentally characterised by self-interest, so that altruism is either naively idealistic or arrogantly self-sufficient. Colin Grant contends that, as a modern secular concept, altruism is a parody on the self-giving love of Christianity, so that its dismissal represents a social levelling that loses the depths that theology makes intelligible and religion makes possible. The Christian affirmation is that God is characterised by self-giving love (agape), then expected of Christians. Lacking this theological background, the focus on self-interest in sociobiology and economics, and on human realism in the political focus of John Rawls or the feminist sociability of Carol Gilligan, finds altruism naive or a dangerous distraction from real possibilities of mutual support. This book argues that to dispense with altruism is to dispense with God and with the divine transformation of human possibilities.

Separated from its anchorage in religion, ethics has followed the social sciences in seeing human beings as fundamentally characterised by self-interest, so that altruism is either naively idealistic or arrogantly self-sufficient. Colin Grant contends that, as a modern secular concept, altruism is a parody on the self-giving love of Christianity, so that its dismissal represents a social levelling that loses the depths that theology makes intelligible and religion makes possible. The Christian affirmation is that God is characterised by self-giving love (agape), then expected of Christians. Lacking this theological background, the focus on self-interest in sociobiology and economics, and on human realism in the political focus of John Rawls or the feminist sociability of Carol Gilligan, finds altruism naive or a dangerous distraction from real possibilities of mutual support. This book argues that to dispense with altruism is to dispense with God and with the divine transformation of human possibilities.

A memoir told through a series of intimate portraits, which build into a poignant, insightful and unforgettable testimony of West Indian British experience.***A NEW STATESMAN BOOK OF THE YEAR 2023***'Grant is a natural storyteller... Compelling and charming'BERNARDINE EVARISTO, author of Girl, Woman, Other'Grant's most revealing work'NEW STATESMAN‘I’m black, so you don’t have to be,’ Colin Grant’s uncle Castus used to tell him. If Colin – born in Britain to Jamaican parents – worked hard and became a doctor, his race would become invisible; he would shake off the burden his parents’ generation had carried. The reality turned out to be very different.This is a memoir told through a series of intimate portraits, including of Grant’s mother Ethlyn, his father Bageye, his sister Selma, and his great uncle Percy. Each character we meet is navigating their own path. Each life informs Grant’s own shifting sense of his identity. Collectively, these stories build into an unforgettable testimony of black British experience.

'A remarkable oral history of black postwar British life… Homecoming is an extraordinary and compelling book' Daily TelegraphHomecoming draws on over a hundred first-hand interviews, archival recordings and memoirs by the women and men who came to Britain from the West Indies between the late 1940s and the early 1960s. In their own words, we witness the transition from the optimism of the first post-war arrivals to the race riots of the late 1950s. We hear from nurses in Manchester; bus drivers in Bristol; seamstresses in Birmingham; teachers in Croydon; dockers in Cardiff; inter-racial lovers in High Wycombe, and Carnival Queens in Leeds. These are stories of hope and regret, of triumphs and challenges, brimming with humour, anger and wisdom. Together, they reveal a rich tapestry of Caribbean British lives. Homecoming is an unforgettable portrait of a generation, which brilliantly illuminates an essential and much-misunderstood chapter of our history.** A BBC Radio 4 Book of the Week****A Daily Telegraph Book of the Year**

'A beautiful tapestry... Uplifting' Bernardine EvaristoWhat do we leave behind when we move to a new place – and what do we carry with us, physically and emotionally, wherever we land?Here are the voices of people who have come to Britain to make a new life: a Czech-Roma lawyer in Reading, an Iranian taxi driver in Shropshire, a Sierra Leonean actor in Northampton, a Romanian police officer in Edinburgh.Colin Grant has travelled the country and listened to their stories – foundational tales of arriving in a new land, along with rarely spoken stories of love and loss. Together, these accounts ask questions about assimilation, identity, belonging and the emotional cost of migration in twenty-first-century Britain.Candid, profoundly human, sometimes funny and always moving, What We Leave We Carry is a chance to listen to Britain – in all its richness and complexity.PRAISE FOR HOMECOMING by COLIN GRANT:'Oral history at its finest' Daily Mail'Prickles with beautiful, comic and brutal details' Observer'An extraordinary and compelling book' Daily Telegraph'Utterly fascinating' New Statesman'A hopeful, angry, tear-jerking read' Grazia'Essential reading' Guardian

Defiant, humorous, empathetic and insightful, 'Not Quite Right For Us' pierces through the hierarchical mechanics of class, race, gender. A celebration of outsiderness and an ode to otherness, 'Not Quite Right For Us' is a singular collection of stories, essays and poems by a dynamic mix of established and surging voices alike, edited by Sharmilla Beezmohun and including Linton Kwesi Johnson, Aminatta Forna, Xiaolu Guo, Johny Pitts, Rishi Dastidar, Tim Wells and Rafeef Ziadah. This remarkable anthology marks the tenth anniversary of the live-literature organisation co-founded by Sharmilla, Speaking Volumes. Part cri du coeur, part warning shot, part affirmation, this is the book we need now.