Colson Whitehead – författare

Cora is a young slave on a cotton plantation in Georgia. An outcast even among her fellow Africans, she is on the cusp of womanhood--where greater pain awaits. And so when Caesar, a slave who has recently arrived from Virginia, urges her to join him on the Underground Railroad, she seizes the opportunity and escapes with him. In Colson Whitehead's ingenious conception, the Underground Railroad is no mere metaphor: engineers and conductors operate a secret network of actual tracks and tunnels beneath the Southern soil. Cora embarks on a harrowing flight from one state to the next, encountering, like Gulliver, strange yet familiar iterations of her own world at each stop. As Whitehead brilliantly re-creates the terrors of the antebellum era, he weaves in the saga of our nation, from the brutal abduction of Africans to the unfulfilled promises of the present day. The Underground Railroad is both the gripping tale of one woman's will to escape the horrors of bondage--and a powerful meditation on the history we all share.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood's only salvation is his friendship with fellow "delinquent" Turner, which deepens despite Turner's conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble. As life at the Academy becomes ever more perilous, the tension between Elwood's ideals and Turner's skepticism leads to a decision whose repercussions will echo down the decades. Based on the real story of a reform school that operated for 111 years and warped the lives of thousands of children, The Nickel Boys is a devastating, driven narrative that showcases a great American novelist writing at the height of his powers.

För kunderna och grannarna på 125:e gatan är Carney en hederlig möbelförsäljare, som gör sitt bästa för att försörja sig själv och sin familj. Han och hans fru Elizabeth väntar sitt andra barn, och om hennes uppåtsträvande föräldrar inte gillar honom eller deras trånga lägenhet bredvid tunnelbanespåren, känns det ändå hemma. Men få människor känner till Carneys släktband till det skumma övre Manhattan, och att hans normala fasad har mer än ett fåtal sprickor. Sprickor som blir hela tiden blir större.

Harlem Shuffle är en genialt konstruerad berättelse som utspelar sig i det tidiga 1960-talets Harlem. Det är en familjehistoria maskerad som deckare, men också en samhällsroman om rasism och makt, och i sista hand ett kärleksbrev till Harlem.

Skurkmanifestet är den andra romanen om den kriminellt anstrukne möbelhandlaren Ray Carney, som introducerades i Harlem Shuffle (2021). Det har blivit 1970-tal och New York genomgår stora förändringar, Carney får allt svårare att navigera mellan rollen som hederlig affärsman och sina allt djupare kontakter med den undre världen.

Colson Whitehead lånar av drag av deckarromanen och klassiska "heist movies" i sitt lika komplexa som kärleksfulla porträtt av de boende i Harlem.

BELÖNAD MED PULITZERPRISET 2020

När medborgarrättsrörelsen når den svarta enklaven Frenchtown, tar den unge Elwood orden från Martin Luther King till sitt hjärta: Han är lika bra som någon annan. Elwood drömmer om att bli lärare, men ett oskyldigt misstag leder till att han skickas till uppfostringsanstalten Nickel-akademin, för att bli en ”hedervärd och ärlig man”. I realiteten är det en grotesk tortyrkammare där pojkarna misshandlas och utnyttjas. För att överleva söker Elwood tröst i Dr Kings ord. Hans vän Turner tycker att Elwood är naiv, att världen är ond, och att det enda sättet att överleva är genom rävspel och list. Motsättningen mellan Elwoods idealism och Turners cynism leder fram till ett beslut vars efterverkningar blir kännbara i decennier efteråt.

Two-time Pulitzer Prize winning Colson Whitehead continues his Harlem saga in a powerful and hugely-entertaining novel that summons 1970s New York in all its seedy glory.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him - until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire.  But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated - and deadly.

1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime.  It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem.  He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook - to their regret.

1976.  Harlem is burning, block by block, while the whole county is gearing up for Bicentennial celebrations.  Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes.  When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted.

CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family.  Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.

It's 1971. Trash piles up on the streets, crime is at an all-time high, the city is careening towards bankruptcy, and a shooting war has broken out between the NYPD and the Black Liberation Army. Amidst this collective nervous breakdown furniture store owner and ex-fence Ray Carney tries to keep his head down and his business thriving. His days moving stolen goods around the city are over. It's strictly the straight-and-narrow for him - until he needs Jackson 5 tickets for his daughter May and he decides to hit up his old police contact Munson, fixer extraordinaire. But Munson has his own favors to ask of Carney and staying out of the game gets a lot more complicated - and deadly. 1973. The counter-culture has created a new generation, the old ways are being overthrown, but there is one constant, Pepper, Carney's endearingly violent partner in crime. It's getting harder to put together a reliable crew for hijackings, heists, and assorted felonies, so Pepper takes on a side gig doing security on a Blaxploitation shoot in Harlem. He finds himself in a freaky world of Hollywood stars, up-and-coming comedians, and celebrity drug dealers, in addition to the usual cast of hustlers, mobsters, and hit men. These adversaries underestimate the seasoned crook - to their regret. 1976. Harlem is burning, block by block, while the whole country is gearing up for Bicentennial celebrations. Carney is trying to come up with a July 4th ad he can live with. ("Two Hundred Years of Getting Away with It!"), while his wife Elizabeth is campaigning for her childhood friend, the former assistant D.A and rising politician Alexander Oakes. When a fire severely injures one of Carney's tenants, he enlists Pepper to look into who may be behind it. Our crooked duo have to battle their way through a crumbling metropolis run by the shady, the violent, and the utterly corrupted. CROOK MANIFESTO is a darkly funny tale of a city under siege, but also a sneakily searching portrait of the meaning of family. Colson Whitehead's kaleidoscopic portrait of Harlem is sure to stand as one of the all-time great evocations of a place and a time.