The art and culture of Spain significantly influenced many of America’s most renowned 19th- and 20th-century artists. Mary Cassatt visited the country early in her career and first garnered the attention of the French Impressionists with her paintings of Spanish themes. William Merritt Chase, fascinated with Spanish art, traveled to Madrid and its environs to paint landscapes and study at the Prado. And Robert Henri not only drew on the country’s culture and traditions as a personal muse but repeatedly brought his art students to Spain as part of their training. Featuring works by all of these artists, as well as others such as John Singer Sargent and Thomas Eakins, this handsome volume reveals the important and varied ways that Spain inspired a century of American artists.Distributed for the Milwaukee Art Museum and the Chrysler Museum of ArtExhibition Schedule:Chrysler Museum of Art, Norfolk, VA(February 12–May 16, 2021)  Milwaukee Art Museum(June 11–October 3, 2021)

This survey of the life and work of American painter Susan Watkins explores how she and other women artists carved paths to success at the turn of the twentieth century  In a career that spanned only a little more than fifteen years, American artist Susan Watkins (1875–1913) reached the heights of her profession, exhibiting regularly at the Paris Salon and earning accolades among the American art press. This study offers a close look at Watkins’s story and considers how women artists of the era overcame barriers within the institutions that structured the professional art world, often through training and exhibiting at established and traditional settings.  Exploring what artistic and commercial success looked like for Watkins and her contemporaries, scholars reexamine Watkins’s achievements and highlight the overlooked progressive nature of her art. Essays discuss women’s art training in the United States, women’s art clubs in Paris, the expatriate artist community in Capri, and the role of racial and class politics in careers such as Watkins’s. With more than seventy-five objects—including paintings, drawings, photographs, and manuscripts—from the artist’s personal archive and works by her peers and teachers—such as William Merritt Chase, Meta Warrick Fuller, Anna Klumpke, Elizabeth Nourse, Lilla Cabot Perry, and Henry Ossawa Tanner—this beautifully illustrated book offers a new way to understand the stakes and accomplishments of women artists working at the turn of the twentieth century.  Published in association with the Chrysler Museum of Art  Exhibition Schedule:  Dixon Gallery and Gardens, Memphis(July 13–September 28, 2025)  Chrysler Museum of Art, Norfolk(October 17, 2025–January 11, 2026)

500-Year Journey examines historical and scriptural evidence to identify the date Christ was born, which wasn’t December 25th!For more than two-thousand years, Christians and skeptics have sought the truth of Jesus’ birth—with many looking in the wrong places. One group studied the stars and astrology for answers, to determine what the Magi might have seen, but that only created more questions. Others looked to mathematical calculations and tradition, but mistaken variables led them astray. Both of these approaches have contributed to the modern version of Christmas, but they have also obscured God’s truth.Corey Piper’s 500-Year Journey makes the case that God revealed exactly when the Messiah would be born. The answer is in his Law, foreshadowed with biblical and historical events and confirmed by what the Magi saw. This resource will take readers from the exile in Babylon to the manger in Bethlehem, to a stunning encounter with God’s elaborate plan.

500-Year Journey examines historical and scriptural evidence to identify the date Christ was born, which wasn''Äôt December 25th!For more than two-thousand years, Christians and skeptics have sought the truth of Jesus''Äô birth''Äîwith many looking in the wrong places. One group studied the stars and astrology for answers, to determine what the Magi might have seen, but that only created more questions. Others looked to mathematical calculations and tradition, but mistaken variables led them astray. Both of these approaches have contributed to the modern version of Christmas, but they have also obscured God''Äôs truth.Corey Piper''Äôs 500-Year Journeymakes the case that God revealed exactly when the Messiah would be born. The answer is in his Law, foreshadowed with biblical and historical events and confirmed by what the Magi saw. This resource will take readers from the exile in Babylon to the manger in Bethlehem, to a stunning encounter with God''Äôs elaborate plan.

Richly illustrated and thoroughly researched, this volume showcases one of the most significant collections of American art assembled in the twenty-first century and one that has helped transform the Chrysler Museum into a national leader in the exhibition, study, and appreciation of American art. The Macon and Joan Brock Collection spans nearly one hundred years, from just after the Civil War to the mid-twentieth century. Works by a wide range of artists, from Winslow Homer, Childe Hassam, and John Singer Sargent to Marsden Hartley, Max Weber, and George Bellows, chart a broad history of American art. Less well-known figures such as Mary Fairchild MacMonnies, Helen Corson Hovenden, and Sally Michel bolster the rich depth of the collection and propose new contours to the shape of American art history. Together the works included in the volume and their scholarly commentaries offer a fresh look at one of the most vital and dynamic periods of American art.Distributed for the Chrysler Museum of Art

The art and culture of Spain significantly influenced many of America’s most renowned 19th- and 20th-century artists. Mary Cassatt visited the country early in her career and first garnered the attention of the French Impressionists with her paintings of Spanish themes. William Merritt Chase, fascinated with Spanish art, traveled to Madrid and its environs to paint landscapes and study at the Prado. And Robert Henri not only drew on the country’s culture and traditions as a personal muse but repeatedly brought his art students to Spain as part of their training. Featuring works by all of these artists, as well as others such as John Singer Sargent and Thomas Eakins, this handsome volume reveals the important and varied ways that Spain inspired a century of American artists.Distributed for the Milwaukee Art Museum and the Chrysler Museum of ArtExhibition Schedule:Chrysler Museum of Art, Norfolk, VA(February 12–May 16, 2021)  Milwaukee Art Museum(June 11–October 3, 2021)

This survey of the life and work of American painter Susan Watkins explores how she and other women artists carved paths to success at the turn of the twentieth century  In a career that spanned only a little more than fifteen years, American artist Susan Watkins (1875–1913) reached the heights of her profession, exhibiting regularly at the Paris Salon and earning accolades among the American art press. This study offers a close look at Watkins’s story and considers how women artists of the era overcame barriers within the institutions that structured the professional art world, often through training and exhibiting at established and traditional settings.  Exploring what artistic and commercial success looked like for Watkins and her contemporaries, scholars reexamine Watkins’s achievements and highlight the overlooked progressive nature of her art. Essays discuss women’s art training in the United States, women’s art clubs in Paris, the expatriate artist community in Capri, and the role of racial and class politics in careers such as Watkins’s. With more than seventy-five objects—including paintings, drawings, photographs, and manuscripts—from the artist’s personal archive and works by her peers and teachers—such as William Merritt Chase, Meta Warrick Fuller, Anna Klumpke, Elizabeth Nourse, Lilla Cabot Perry, and Henry Ossawa Tanner—this beautifully illustrated book offers a new way to understand the stakes and accomplishments of women artists working at the turn of the twentieth century.  Published in association with the Chrysler Museum of Art  Exhibition Schedule:  Dixon Gallery and Gardens, Memphis(July 13–September 28, 2025)  Chrysler Museum of Art, Norfolk(October 17, 2025–January 11, 2026)

500-Year Journey examines historical and scriptural evidence to identify the date Christ was born, which wasn’t December 25th!For more than two-thousand years, Christians and skeptics have sought the truth of Jesus’ birth—with many looking in the wrong places. One group studied the stars and astrology for answers, to determine what the Magi might have seen, but that only created more questions. Others looked to mathematical calculations and tradition, but mistaken variables led them astray. Both of these approaches have contributed to the modern version of Christmas, but they have also obscured God’s truth.Corey Piper’s 500-Year Journey makes the case that God revealed exactly when the Messiah would be born. The answer is in his Law, foreshadowed with biblical and historical events and confirmed by what the Magi saw. This resource will take readers from the exile in Babylon to the manger in Bethlehem, to a stunning encounter with God’s elaborate plan.

500-Year Journey examines historical and scriptural evidence to identify the date Christ was born, which wasn''Äôt December 25th!For more than two-thousand years, Christians and skeptics have sought the truth of Jesus''Äô birth''Äîwith many looking in the wrong places. One group studied the stars and astrology for answers, to determine what the Magi might have seen, but that only created more questions. Others looked to mathematical calculations and tradition, but mistaken variables led them astray. Both of these approaches have contributed to the modern version of Christmas, but they have also obscured God''Äôs truth.Corey Piper''Äôs 500-Year Journeymakes the case that God revealed exactly when the Messiah would be born. The answer is in his Law, foreshadowed with biblical and historical events and confirmed by what the Magi saw. This resource will take readers from the exile in Babylon to the manger in Bethlehem, to a stunning encounter with God''Äôs elaborate plan.

Richly illustrated and thoroughly researched, this volume showcases one of the most significant collections of American art assembled in the twenty-first century and one that has helped transform the Chrysler Museum into a national leader in the exhibition, study, and appreciation of American art. The Macon and Joan Brock Collection spans nearly one hundred years, from just after the Civil War to the mid-twentieth century. Works by a wide range of artists, from Winslow Homer, Childe Hassam, and John Singer Sargent to Marsden Hartley, Max Weber, and George Bellows, chart a broad history of American art. Less well-known figures such as Mary Fairchild MacMonnies, Helen Corson Hovenden, and Sally Michel bolster the rich depth of the collection and propose new contours to the shape of American art history. Together the works included in the volume and their scholarly commentaries offer a fresh look at one of the most vital and dynamic periods of American art.Distributed for the Chrysler Museum of Art