Daina Augaitis – författare
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Shortly after graduating from Nova Scotia College of Art and Design, Vikky Alexander made her 1983 entry into the international art world while living in New York by participating in photo historian Abigail Solomon Godeau’s exhibition The Stolen Image and its Uses. For over a decade she was active in a circle of New York artists that merged the critical ideas of Minimalism and Conceptual Art with photography, and came to be known as the Pictures Generation. Since then she has continued to explore the appropriated image through her own photography, especially in relation to iconic representations of nature as well as the spaces of consumerism—two subjects that remain significant in today’s cultural discourses.This book, which accompanies an exhibition at the Vancouver Art Gallery, is a beautifully illustrated retrospective of nearly four decades of Alexander’s work. Since the 1980s, Alexander has made numerous series of photographs, montages, sculptures, collages and installations, all working to hone a vision that captures the spectacle and inherent falseness of certain public and private spaces. From the exaggerated architecture of Versailles, Disneyland and the West Edmonton Mall, to the use of idyllic “natural” settings and the skin-deep beauty of fashion models, she unravels the mechanisms of display that shape meaning and desire in our culture.
289 kr
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From the aesthetics of postwar reconstruction to the functional objects that complemented 1950s West Coast Modern architecture and the expressive material forms of the 1960s and 70s, Modern in the Making will acknowledge the many dimensions that defined British Columbia’s cultural identity in the postwar era. It is the first volume to trace the evolution of Modern ceramics, weaving and fiber art, furniture, fashion and jewelry design produced between 1945 and 1975 in the Vancouver Lower Mainland, Vancouver Island and the Okanagan.
364 kr
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Gathie Falk: Revelations, published on the occasion of the retrospective exhibition curated by Sarah Milroy, investigates the career of a legendary Canadian artist.Gathie Falk (1928–2026) was born in Brandon, Manitoba, settling finally in Vancouver, where she established herself as one of Canada’s most visionary and experimental artists. Flying horses, rows of potted conifers festooned with blossoms and ribbons, floating cabbages, piles of glossy apples, gentlemen’s brogues presented in reliquary style, expanses of water, or burgeoning flower beds exploding with color—these were the manifestations of Falk’s rampant imagination as she explored the disciplines of painting, ceramic, performance art and installation over the span of a half century. In all her works, effulgence and order were held in a dynamic tension as she worked through her generative themes and variations.A trailblazer on all fronts, she brought a rich sensibility to bear on her observations of the everyday, perceptions often tinged with the surreal and the uncanny. From her fruit piles to the landmark performances of her early career, to her extended pursuit of themes with variations in her painting practice —expanses of water dazzling with light, riotous flower borders set against cement sidewalks, night skies pierced by starlight or obscured by clouds—she found the wondrous in the routine world around her, pursuing her work with a modesty and diligence that reflected her Russian Mennonite heritage.The publication includes an introduction by McMichael Chief Curator Sarah Milroy, lead essay by Vancouver curator and writer Daina Augaitis (who examines her performance and installation works in a national and international context), and a host of other artists and writers, rising to the occasion of this career-spanning survey. This catalogue summarizes an extraordinary career, with full-page images of her artworks and rarely seen archival photos of the artist’s studio, performance works, and Falk herself.For more than sixty years, Falk generated work of extraordinary thematic integrity and material invention. This publication illuminates those connections across disciplines, while also tracing the artist’s journey from youth to old age—from the lushness of the fruit piles, with their sensuous surfaces and dazzling colors, to the sepulchral hush of the night skies.