Dale Peck – författare

When three young children go to Newfoundland to stay with an eccentric uncle they have no idea of the adventures that lie ahead of them! On arrival at his house they realise quite quickly that life here will be different to New York. The house looks like a ship and seems to be beached on a hillside! Then, the next morning when the children awake the house is floating on the sea of time, being drawn closer and closer to the great drain, and the only help at hand are some not-so-trustworthy mermaids and some really quite decent pirates. Can the children, their uncle and his talkative parrot deal with all the dangers?

America in 1963 is a country at a crossroads: Vietnam, the civil rights movement, the Cuban missile crisis, the sexual revolution, FBI, CIA, LSD - and a promise of change offered by a new President, John F Kennedy. Some people believe in the future. Other conspire to control it.Chandler Forrestal is a man whose life is changed forever when he is unwittingly dragged into a CIA mind-control experiment. After being given a massive dose of LSD, Chandler develops a frightening array of mental powers. With his heightened perception he uncovers a plot to assassinate President Kennedy. Chased by the dark powers of world government, will Chandler be able to harness his 'shift' and rewrite history?

When Sprout and his father move from Long Island to Kansas after the death of his mother, he is sure he will find no friends, no love, no beauty. But friends find him, the strangeness of the landscape fascinates him, and when love shows up in an unexpected place, it proves impossible to hold. An incredible, literary story of a boy who knows he''s gay, and the town that seems to have no place for him to hide.

When a tidal wave washes Susan, Uncle Farley, and their house out on the Sea of Time-leaving Charles behind with only a parrot for company-the intrepid Oakenfeld children will travel from a Viking colony in Greenland to the Tower of Babel to find each other again.

Since the initial publication of Hatchet Jobs, the groves of literary criticism have echoed with the clatter of steel on wood. From heated panels at Book Expo in Chicago to contretemps at writers’ watering holes in New York, voices—even fists—have been raised.Peck’s bracing philippic proposes that contemporary literature is at a dead end. Novelists have forfeited a wider audience, succumbing to identity politicking and self-reflexive postmodernism. In the torrent of responses to this fulguration, opinions were not so much divided as cleaved in two with, for example, Carlin Romano contending that “Peck’s judgments are worse than nasty—they are hysterical” and Benjamin Schwarz retorting that “in his meticulous attention to diction, his savage wit, his exact and rollicking prose and his disdain for pseudointellectual flatulence, Dale Peck is Mencken’s heir.”Hatchet Jobs includes swinging critiques of the work of, among others, Sven Birkerts, Julian Barnes, Philip Roth, Colson Whitehead, Jim Crace, Stanley Crouch, and Rick Moody.

Since the initial publication of Hatchet Jobs, the groves of literary criticism have echoed with the clatter of steel on wood. From heated panels at Book Expo in Chicago to contretemps at writers’ watering holes in New York, voices—even fists—have been raised.Peck’s bracing philippic proposes that contemporary literature is at a dead end. Novelists have forfeited a wider audience, succumbing to identity politicking and self-reflexive postmodernism. In the torrent of responses to this fulguration, opinions were not so much divided as cleaved in two with, for example, Carlin Romano contending that “Peck’s judgments are worse than nasty—they are hysterical” and Benjamin Schwarz retorting that “in his meticulous attention to diction, his savage wit, his exact and rollicking prose and his disdain for pseudointellectual flatulence, Dale Peck is Mencken’s heir.”Hatchet Jobs includes swinging critiques of the work of, among others, Sven Birkerts, Julian Barnes, Philip Roth, Colson Whitehead, Jim Crace, Stanley Crouch, and Rick Moody.