Dan Chiasson – författare

Both intensely personal and deeply rooted in recognizable events of personal, familial or national significance, "The Afterlife of Objects" is a kind of dreamed autobiography. With poise and skill, Dan Chiasson divulges the enigmas of the mind of not just one individual but of an entire social world through a beautifully constructed poetic voice that issues from a kind of mythic childhood of our collective, tortured humanity. This sophisticated debut collection offers, deceptively simple poems that evoke highly complex states of mind with a voice that has long been listening to the discordant music of contemporary life.

"One Kind of Everything" elucidates the uses of autobiography and constructions of personhood in American poetry since World War II, with helpful reference to American literature in general since Emerson. Taking on one of the most crucial issues in American poetry of the last fifty years, celebrated poet Dan Chiasson explores what is lost or gained when real-life experiences are made part of the subject matter and source material for poetry. In five extended, scholarly essays - on Robert Lowell, Elizabeth Bishop, Frank Bidart, Frank O'Hara, and Louise Gluck - Chiasson looks specifically to bridge the chasm between formal and experimental poetry in the United States. Regardless of form, Chiasson argues that recent American poetry is most thoughtful when it engages forcefully with autobiographical material, either in an effort to embrace it or denounce it.

Dan Chiasson, hailed as “one of the most gifted poets of his generation” upon the appearance of his first book, takes inspiration for his stunning new collection from the Historia Naturalis of Pliny the Elder.  “What happens next, you won’t believe,” Chiasson writes in “From the Life of Gorky,” and it is fair warning. This collection suggests that a person is like a world, full of mysteries and wonders–and equally in need of an encyclopedia, a compendium of everything known. The long title sequence offers entries such as “The Sun” (“There is one mind in all of us, one soul, / who parches the soil in some nations / but in others hides perpetually behind a veil”), “The Elephant” (“How to explain my heroic courtesy?”), “The Pigeon” (“Once startled, you shall feel hours of weird sadness / afterwards”), and “Randall Jarrell” (“If language hurts you, make the damage real”). The mysteriously emotional individual poems coalesce as a group to suggest that our natural world is populated not just by fascinating creatures–who, in any case, are metaphors for the human as Chiasson considers them– but also by literature, by the ghosts of past poetries, by our personal ghosts. Toward the end of the sequence, one poem asks simply, “Which Species on Earth Is Saddest?” a question this book seems poised to answer. But Chiasson is not finally defeated by the sorrows and disappointments that maturity brings. Combining a classic, often heartbreaking musical line with a playful, fresh attack on the standard materials of poetry, he makes even our sadness beguiling and beautiful.From the Hardcover edition.

These are powerfully original poems about the sweetness and pain of adulthood and fatherhood by the critically acclaimed poet Dan Chiasson.A child’s improvised game of “Where’s the moon, There’s the moon” is the shaping metaphor for this collection, but adult matters of seeking and finding, loss and recovery, anticipation and desire’s uncertain rewards are at its heart. Chiasson makes poignant use of objects and nature’s givens as correlatives for our human struggles: “Being near me never made anyone a needle,” he writes in “Thread,” and in the poem titled “Tree,” “All day I waited to be blown; / then someone cut me down.” In the title sequence, a multipart poem about fathers and sons, Chiasson describes the ways the gift for being absent, a poet’s gift, is passed from father to son, as he watches his own children sink into the enigmatic silences that mimic his own—silences that he, in turn, connects with his own father’s disappearance from his life. Chiasson is a poet of great grief and love. In this third book, his voice is more commanding than ever, embracing the notion of how small—yet how rich and significant—are our individual stories in time and space.From the Hardcover edition.

From the acclaimed poet—a refreshing, singular collection of poems about boys and boyhood, historical cycles and personal history, memory and meaning.   Bicentennial summons the world of Chiasson’s seventies childhood in Vermont: early VCRs, snow, erections, pizza, snowmobiles, high-school cliques, and the Bicentennial celebration,  but his book is also an elegy for his father, whom he never knew and who died in 2009. In these poems, Chiasson movingly revisits the kind of autobiographical poems he wrote as a young man, but with a new existential awareness that individuals are always vanishing in time, and throughout the collection he ponders time’s conundrums. “All of history, even the Romans, / they happen later, tonight sleep tight,” he tells his sons at bedtime. “You’ll learn this later. Tonight, goodnight.” In the topsy-turvy world of Bicentennial, history has both happened and is waiting to happen; boys grow up to be men; men never forget what it is to be boys; and fatherhood is the best answer to fatherlessness.

A father and husband''s meditation on love, adolescence, and the mysterious mechanisms of poetic creation, from the acclaimed poet.The poet''s art is revealed in stages in this "making-of" book, where we watch as poems take shape--first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say," a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom? Chiasson, an acclaimed poetry critic, has invented a remarkable structure where reader and a poet speak to one another, across the void of silence and mystery. He is also the father of teenaged sons, and this volume continues the autobiographical arc of his prior, celebrated volumes. One long section is about the age of thirteen and the dawning of desire, while the title poem looks at the crucial age of fifteen and the existential threat of climate change and gun violence, which alters the calculus of adolescence. Though the outlook is bleak, these poems register the glories of our moment: that there are places where boys can kiss each other and not be afraid; that small communities are rousing and taking care of each other; that teenagers have mobilized for a better world. All of these works emerge from the secretive imagination of a father as he measures his own adolescence against that of his sons and explores the complex bedrock of marriage. Chiasson sees a perilous world both navigated and enriched by the passionate young and by the parents--and poets--who care for them.

Dan Chiasson has been hailed in America as 'one of the most gifted young poets of his generation' (Frank Bidart). This book - his first to be published in Britain - brings together poems from his first two US collections, "The Afterlife of Objects" (2002) and "Natural History" (2005), along with more recent work. His later collection, "Where's the Moon, There's the Moon", was published by Bloodaxe in 2010. "The Afterlife of Objects" is a kind of dreamed autobiography in which the enigmas of an individual mind become universal puzzles. "Natural History" takes its inspiration from Pliny's encyclopaedic "Historia Naturalis", suggesting that a person is like a world, full of mysteries and wonders - and equally in need of a compendium of everything known.

Poetry Book Society Recommendation. Dan Chiasson has been hailed in America as 'one of the most gifted young poets of his generation' (Frank Bidart). His latest collection, "Where's the Moon, There's the Moon", takes its title from an improvised children's game. It is a book about staged loss and staged recovery and how, in our games as in our poems, made-up losses depict real ones. At the book's centre is the title-poem, a long exploration of being a father in light of having lost one. His previous book from Bloodaxe, "Natural History and Other Poems" (2006), brought together poems from his first two US collections, "The Afterlife of Objects" (2002) and "Natural History" (2005).

Both intensely personal and deeply rooted in recognizable events of personal, familial or national significance, "The Afterlife of Objects" is a kind of dreamed autobiography. With poise and skill, Dan Chiasson divulges the enigmas of the mind of not just one individual but of an entire social world through a beautifully constructed poetic voice that issues from a kind of mythic childhood of our collective, tortured humanity. This sophisticated debut collection offers, deceptively simple poems that evoke highly complex states of mind with a voice that has long been listening to the discordant music of contemporary life.